A lot of poems in your poetry collection Thieves in the Afterlife reference female desire and the body. Have you always written about sexuality?
The first writers I fell in love with were Pablo Neruda, Anais Nin, and Henry Miller. I remember reading Delta of Venus when I was 14 and wanting to write just like her. I was compelled, not necessarily by the content, but by the tough sensuality and unapologetic voice. She was my hero—probably the first model I had for bisexuality and writing outside of standard hetero/gendered love forms.