Screen Shot 2016-12-27 at 8.58.11 PM

 

Why did you choose the title “Marys of the Sea?”

Well, I love the ocean. It is vast and dangerous and calming and tumultuous—it is both familiar yet mysterious. Since the book itself is a retelling of my own experiences as a sexual assault survivor, of someone who had an abortion (as a result of the assault), I used the ocean as a metaphorical, and sometimes, physical landscape to the book.

i.

Antelopes run toward in armored florescence
—their breath the shape of faces in windowglass.
You sit & watch starlings make nests.

At one time, humans crawled on hearts greased silver
—left a trail dazzling daughters unborn, surrendering
miles. Killing them with perennials in curried fire.

Wolves follow us through subway cars, their obsession
propels them past honey bones stretched to oblivion;
bunches of lines shaped in half-circles, reaching out for us.

Ten paces away, water dragons devour emeralds
from the hands of children. Their teeth gnash
skin—blood puddles stretch into slanted metal walls.

Above ground, a paper moon wanes west—
making my slender waist more slender: empty nest.

Jonathan-Herman-Straight-Outta-Compton

Now playing on the Otherppl with Brad Listi podcast, a conversation with Jonathan Herman , Oscar-nominated screenwriter of the film Straight Outta Compton.

Get the free Otherppl app.

Listen via iTunes.

Support the show at Patreon.

Get Brad Listi’s sporadic email email newsletter.