Now playing on the Otherppl with Brad Listi podcast, a conversation with Ben Loory. His new story collection, Tales of Falling and Flying, is available from Penguin.  

This is Ben’s second interview for the program. He first appeared on Christmas Day, 2011, in Episode 29.  

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How did you come to write poetry?

When I was nine and eleven, I wanted to be like John Lennon, but most of my lyrics had a simple drumbeat and no melody. I think I realized I was actually writing poems at the age of twenty-three. I guess it’s always been in there.

It’s not my fault.
I was framed.
I may be pretty,
but I’m not that pretty.
I didn’t fashion the tanks
build the guns
forge the swords that slashed—
and I didn’t think Paris or Achilles
were very good looking either.

 

The Gypsy Moth Summer by Julia Fierro

 

Powered by prose at once enchanting and colloquial, true, vividly-realized characters, and a literary voice that practically reverberates with authority, Fierro’s The Gypsy Moth Summer may not only be this year’s best second novel, but its best book period. Featuring a complex plot, a many-faceted story brimming with insights into people and families at all stages of the life cycle, zoology, myth, and allegory this is the rare beach read that doubles as a novel of ideas.

 

Now playing on the Otherppl with Brad Listi podcast, a conversation with Jared Yates Sexton, author of The People Are Going to Rise Like the Waters Upon Your Shore, available from Counterpoint Press.

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Matthew Zapruder is the guest. He is a poet, editor, translator, and the author of a new book called Why Poetry, available now from Ecco.

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Photograph by Andrea Augé

What got you started with poetry?

Well, there sure wasn’t anything literary going on in my early environment. But I was exposed to great music, especially the Latin music popular in the Fifties. My parents had met in Atlantic City in the late Forties, when Boardwalk hotels had Cuban bands playing in ballrooms with crowded dancefloors every night. So I wound up bouncing to Mambo records as a toddler. Along with this, I was living in a hotbed of immigrant anxiety hopping with explosive feuds—my father’s parents had it in for my mother, and she hated them right back. The shame endured by the Jews of Eastern Europe was spilling into family dynamics, spouting from the pores of these people so blindly anxious to belong, and I got drenched in the vitriol. I was myself of course anxious to belong, to be seen and known through the blaze of the arguments, through the constant crossfire of blame.

Cruising Home

By Jed Myers

Poem

I’m lying right on the bed beside him.
He keeps catching his breath
from the trek up out of the kitchen.

We’re talking memory drifts—
time that rented Sunfish
capsized in the river, summer

evenings playing catch before dinner,
the night his father died….
This winter day, bright

outside, from here behind
the white curtains no one opens—
a soft haze of the lost

Jarett Kobek is the guest. His new novel, The Future Won’t Be Long, is available from Viking. 

This is Jarett’s second time on the program. His first guest appearance was on February 3, 2016, in Episode 399

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Available from Viking

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An ambitious new novel set in the literary world of 1970s New York, following a washed-up writer in an errant quest to pick up the pieces of his life.

One of The Millions’ Most Anticipated Books of the Second Half of 2017 and BuzzFeed’s Exciting New Books You Need To Read This Summer

“With his second book, Gilvarry establishes himself as a writer who defies expectation, convention and categorization. Eastman Was Here is a dark, riotously funny and audacious exploration of the sacred and the profane—and pretty much everything in between.” —Téa Obreht, New York Times bestselling author of The Tiger’s Wife

The year is 1973, and Alan Eastman, a public intellectual, accidental cultural critic, washed-up war journalist, husband, and philanderer; finds himself alone on the floor of his study in an existential crisis. His wife has taken their kids and left him to live with her mother in New Jersey, and his best work feels as though it is years behind him. In the depths of despair, he receives an unexpected and unwelcome phone call from his old rival dating back to his days on the Harvard literary journal, offering him the chance to go to Vietnam to write the definitive account of the end of America’s longest war. Seeing his opportunity to regain his wife’s love and admiration while reclaiming his former literary glory, he sets out for Vietnam. But instead of the return to form as a pioneering war correspondent that he had hoped for, he finds himself in Saigon, grappling with the same problems he thought he’d left back in New York.

Following his widely acclaimed debut, From the Memoirs of a Non-Enemy Combatant, Alex Gilvarry employs the same thoughtful, yet dark sense of humor in Eastman Was Here to capture one irredeemable man’s search for meaning in the face of advancing age, fading love, and a rapidly-changing world.