I Have a Terrible Feeling is a series of weekly drawings, cartoons, and sketches by poet Adam Soldofsky.
I Have a Terrible Feeling is a series of weekly drawings, cartoons, and sketches by poet Adam Soldofsky.
Good Luck: Episode Twenty-Seven
Most of the time when you see a piano you’re not allowed to play it, but you’re supposed to try, even if you don’t know how to play it. Or at least I’m asking you to, because I’d love to hear you play.
Watching William smoke a Marlboro Red on Cannery Row, looking out at Monterey Bay and the gulls going keekeekeeekeeekeee.
Then I woke up in Big Sur and heard the waves crashing on the rocks just outside the tent.
All these days, all these nights, a restless feeling, and never truly comfortable and always looking for peace. And maybe I’ll find it tomorrow. Oh I doubt it. Oh I don’t even want it.
Now playing on Otherppl, a conversation with Lydia Fitzpatrick. Her debut novel, Lights All Night Long, is available from Penguin Press.
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I Have a Terrible Feeling is a series of weekly drawings, cartoons, and sketches by poet Adam Soldofsky.
My mother and I drive from Los Angeles to a suburb outside San Francisco because her father is dying. At least he thinks he’s dying. His bladder has stage three cancer and his blood pressure is bad and he’s losing weight. But the doctors say that with radiation he could last a few more years. The cancer moves slow.
We’re on the 101, just beyond King City, and I’m listening to the new Sun Kil Moon album, I Also Want to Die in New Orleans. She isn’t. I’m wearing headphones, even though she wants to talk, because I told her I’m writing a review of the album. My mother is very small. She grips the wheel tightly. She hunches forward when I tell her, “My friend Joey at The Nervous Breakdown asked me to review the new Sun Kil Moon album so I’m listening to it now, on headphones.” She’s only okay with me putting on headphones if I frame it as “a career thing.” She likes to talk to me (not about her dying father) and it’s not like I’m home very often or the best at sharing things about my life on the phone, or in person. Sometimes I don’t know if my mother trusts me. Like her, I don’t particularly like her dying father. But I think, maybe because she says I have his eyes, that she worries some nasty part of him will continue living on inside of me. And that scares her. The car is a BMW SUV.
Good Luck: Episode Twenty-Six
Well, it was a bad idea to wait to try and write this in the car, while all these beautiful things are flashing by outside. The last thing I want to be doing is looking at my phone. I’ll do it for this hour, and then, as I promised my brother, William, we’ll switch and I’ll drive the rental car into the Grand Canyon.
Into the Grand Canyon. Yeah. I’m gonna drive this Nissan right into the Canyon.
We were just at a rest stop near Sedona and there was a big sign giving a history lesson about the white guy who found the Grand Canyon. First of all, imagine being the guy who thought he found that, think about him having to tell his friends, “I found this reallllllllly big canyon” and his friends going, “Nice, what are you going to call it?” and he says, “The Grand Canyon.”
America is funny like that. What’s this big mountain range called? “Rocky Mountains.” “Okay, I guess that’s good, let’s check and see if anyone else already is using it…wow …no one has. Rocky Mountains is available, I can’t believe it.”
Now playing on Otherppl, a conversation with Lilliam Rivera . Her new YA novel, Dealing in Dreams, is available from Simon & Schuster.
Rivera’s previous novel, The Education of Margot Sanchez (February 2017) was nominated for a 2019 Rhode Island Teen Book Award, a 2017 Best Fiction for Young Adult Fiction by the Young Adult Library Services Association (YALSA), and has been featured on NPR, New York Times Book Review, New York magazine, MTV.com, and Teen Vogue, among others.
She is a 2016 Pushcart Prize winner and a 2015 Clarion alumni with a Leonard Pung Memorial Scholarship. Lilliam has also been awarded fellowships from PEN Center USA, A Room Of Her Own Foundation, and received a grant from the Elizabeth George Foundation and the Speculative Literature Foundation. Her short story “Death Defiant Bomba” received honorable mention in Bellevue Literary Review’s 2014 Goldenberg Prize for Fiction, selected by author Nathan Englander. She recently received honorable mention in the 2018 James Tiptree, Jr. Literary Award.
Lilliam’s work has appeared in The New York Times, Elle, Lenny Letter, Tin House, Los Angeles Times, USA Today, and more. She has been a featured speaker in countless schools and book festivals throughout the United States and teaches creative writing workshops. She lives in Los Angeles.
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I wake. I reach for my watch. I press the light button on the watch. I shut my eyes and try to fall asleep. I can’t. I get up. I sit on the toilet. I try to pee while I sit on the toilet. I brush my hair while I sit on the toilet. I wash my hands and brush my teeth. I dress. I go into the kitchen and prepare breakfast. I let the cat out. I let the cat in.
I Have a Terrible Feeling is a series of weekly drawings, cartoons, and sketches by poet Adam Soldofsky.
Available from Rare Bird Books
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“‘Why can’t she get over it?’ ‘Why can’t she just move on?’ Karen Stefano will make you understand exactly why. In this taut, riveting memoir, Stefano brings you into the life of a woman in the wake of a violent assault. Tortured by what-ifs and the terrifying awareness of her own vulnerability, Stefano becomes obsessed with knowing all she can about the compounding forces that create her ‘habit of fear.’ Arresting, compelling, her journey culminates in an unexpected grace that strangely blooms out of that awful assault. This story is necessary and unforgettable―and arrives at just the right time.” —Samantha Dunn, author of Not By Accident
On a summer night in 1984, nineteen-year-old UC Berkeley sophomore Karen Thomas leaves her uniformed patrol job and walks home alone in darkness. At the threshold of her apartment a man assaults her at knife point. After a soul-chilling struggle, she manages to escape.
Though she is left traumatized by her assault and the subsequent trial of her attacker, she herself goes on to become a criminal defense lawyer, defending those accused of crimes as heinous as the one committed against her.
Fast forward to 2014, thirty years after her assault, when her life, once again, appears to be crumbling. As she stumbles her way through the days navigating a dying marriage, devastating financial loss, and an elderly mother slipping into dementia, she becomes fascinated by her own anxiety and PTSD. Why does the body remember what the mind tries so desperately to forget? Her questions prompt a delayed obsession with her assailant: What became of him? What is he doing now? She begins a quest of excavation, determined to track him down.
What she discovers is life altering.
What A Body Remembers is an honest, from-the-gut account of one woman’s journey to regain her power and confidence―a journey that continues to this day.
Good Luck: Episode Twenty-Five
“When Henry Hudson sailed up through the Narrows between Long and Staten Islands in 1609 and anchored in the upper bay almost opposite old Communipaw, and he looked over the surrounding country and, as his gaze fell upon the green plains and pleasantly wooded hills stretching away toward the setting sun, he declared his enthusiasm that it was ‘as pleasant a land as one need tread upon.'”
He was looking at Jersey City.
Pleasantly wooded hills stretching away towards the setting sun. Damn.
As pleasant a land as one need tread upon, he said.
Balli Kaur Jaswal is the guest. Her new novel, The Unlikely Adventures of the Shergill Sisters, is available from William Morrow. It is the official April 2019 pick of The Nervous Breakdown Book Club.
Jaswal is the author of Inheritance, which won the Sydney Morning Herald’s Best Young Australian Novelist Award in 2014 and was adapted into a film at the Singapore International Festival of the Arts in 2017. Her second novel Sugarbread was a finalist for the 2015 inaugural Epigram Books Fiction Prize and the 2018 Singapore Literature Prize.
Her third novel Erotic Stories for Punjabi Widows (Harper Collins/William Morrow) was released internationally to critical acclaim in March 2017. Translation rights to this novel have been sold in France, Spain, Italy, Israel, Poland, Germany, Sweden, Greece, China, Brazil and Estonia. Film rights to Erotic Stories for Punjabi Widows have been acquired by Ridley Scott’s production company, Scott Free Productions and Film Four in the UK. Erotic Stories for Punjabi Widows was also picked by Reese Witherspoon’s book club and The Girly Book Club in 2018.
Jaswal’s short fiction and non-fiction writing have appeared in the UK Sunday Express, Cosmopolitan Magazine, The New York Times, Harpers Bazaar, Conde Nast Traveller and Best Australian Short Stories, among other publications and periodicals. She has travelled widely to appear in international writers festivals to conduct workshops and lectures on creative writing, pursuing an artistic career, the power of storytelling, global citizenship and social justice advocacy through literature. A former writing fellow at the University of East Anglia, Jaswal has taught creative writing at Yale-NUS College and Nanyang Technological University where she is currently pursuing a PhD.
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