Recent Work By Bud Smith

Good Luck: Episode Twenty-One

Read the first part of this story, “Birds,” right here.


The man from New Jersey is woken by gunshots in his apartment. He is lying on the living room couch, facing the buttoned sofa back, and here is another shot, behind him. He rolls off the couch and covers his face, cowering, “Stop.” His wife is standing in the doorway, tears streaming down her face. Out of bullets, she drops the gun on the floor. Down the hallway she flees; barricading herself in the blue room. She calls the police.


By Bud Smith

Short Story

Good Luck: Episode Twenty


A bird flaps by, trapped inside the building. The man from New Jersey looks up, sees it land on the blue pipe where the gas comes in. A crow, big and fat. He puts his wrenches down and walks away from his coworkers who are busy calling each other cocksucker. The bird flies off again, circling over the vats and drums. He walks through white powder. The crow lands on the electric conduit and turns its eyes on him. He steps over to the door to the outside world. A sign on it reads: Door Must Remain Closed Building Is Pressurized. He enters the code, steps outside, through the doorway, and holds the door open so the bird can’t see he’s there. A minute later it flies past, takes its place in the sky. The man from New Jersey walks back to his job. They say to him, “Where’d you go, cocksucker?” He says, “I let that bird go.” “What bird?” They would never notice a bird.


By Bud Smith


Good Luck: Episode Nineteen




walked to the postal box, across

from the liquor store, and the bank.

At the box I saw egg shells

on the concrete, and thought

“I’m no Inspector Clouseau

but it appears that someone

ate a hard boiled egg here

between the hours of 3am

and now, which is precisely 11:18 am”

and a voice, my own, asked

“Inspector, how can you be sure?”

and I answered, “It’s simple,

there are no raindrops within

the cup of those broken egg shells.

The killer must have peeled

and eaten the eggs after

the rain stopped.” “Killer?”

“Well yes, this is certainly

the deranged handiwork of a killer.”

I slipped your letter in the box.


By Bud Smith


Good Luck: Episode Eighteen


It was raining. I couldn’t leave work. The flash flood too deep to drive through, and I knew better. Another work emergency. Five of us in rain gear, hoods up over our hardhats, rubber booties stretched over steel-toed boots. (I don’t write specifics about my coworkers anymore, no names, no record of what they say or think—this after I was told it is unethical to write about people without letting them see it first before it’s printed.) Nameless, faceless, Us, in the storm, ripping apart an elephantine machine. Gears and pulleys. Its metal guts. Black grease smeared our yellow. Thunderstorms spinning around.

I got home in darkness, with wet socks and a headache. My usual routine was to write for a couple hours after work, but that now felt impossible. I’d go to the couch and dream till dinnertime. I opened the PO box, and a flash of lightning dimmed the lights of my building. Among the bills was a response from a publisher I’d sent a story to a year before. A purple post-it note said they were sorry to pass, but to please consider them again, the story had reached the later editorial rounds. They felt the characters and their resolutions didn’t feel earned, or true to life.


By Bud Smith


Good Luck: Episode Seventeen


This paragraph was written on a cellphone at my day job. With all the mess, and the noise, and the constant humming and slamming of million pound machines. I’ve run out of things to say, which is unacceptable. Usually this place sounds like angels singing, but now the demons have begun to shriek.


By Bud Smith


Good Luck: Episode Sixteen


Rae said something. I couldn’t hear. 7th was too loud. She looked back over her shoulder to hear my answer, so I just said, “Yeah.”

Her hair was getting long again, curled up at the neckline. Each boot step clicked in a nice musical way.

She motioned for us to cross. The sidewalk got wider and it was okay to walk side by side with her, people had all the room in the world here.

The bars were packed with people. The restaurants had full tables. The jails were at max capacity too. The bookstores and churches were empty.

Suicide in Bed

By Bud Smith


Good Luck: Episode Fifteen


We’re watching the movie The Apartment. Jack Lemmon and Shirley MacLaine. We’re watching it because I didn’t know what an apartment was. Didn’t I feel stupid when I found out I’d been living in one for 14 years.

Little Guy

By Bud Smith


Good Luck: Episode Fourteen


Mom is the little guy. The youngest. Then Jonathan is born and he becomes the little guy. Seven kids. Jonathan, Robin, Lee, Elaine, Billy, Jefferey, Sandy, all of them have their time as the little guy.

Dad is the little guy, too. And stays that way. He has two older brothers, Joe and Jimmy.

Everyone goes to school. Grows up. Watches black and white TV. And then watches color TV. Dad is not my dad yet, he’s skinny. Mom is not my mom yet, she’s skinny in bell-bottoms, and feathered hair.

Dad wears wire framed glasses, has a red beard, builds a muscle car, and meets my mother.

She’s a little bit country. He’s a little bit rock ’n’ roll. They split the difference, move to Brick Town.

They get fried seafood somewhere.


By Bud Smith


Good Luck: Episode Thirteen


First I want to say, art is done in a small room to make it big. Then I want to say, you’re going to die, you’ll need a distraction. Then I want to also say, art eats a gigantic thing with its many rows of teeny tiny teeth.


By Bud Smith


Good Luck: Episode Twelve


[What follows is a transcript of a talk by Bud Smith given at McNally Jackson Books in NYC on Saturday, January 19th, 2019]


I didn’t know what I was going to say here tonight. I thought maybe I would read something, a story. I don’t know. I usually have my shit together.

For a while there, I was a wild goose about it, got nervous, couldn’t sleep. So I got out of bed and walked into the living room, asked for advice.

Someone on Reddit suggested I read y’all “The Swimmer by John Cheever. A famous short story. I didn’t know it, and it wasn’t available online. So I killed time, looked outside, where the night slipped into morning, blackness shifting into shades of rose and tangerine. That old familiar blue of morning, blooming.

Rae got up, asked if I was all right. Her purple pajamas became a black dress. She went to work. I walked over to the public library. They had John Cheever’s Collected Stories. That big red book. So I sat down by the Pepsi machine and read “The Swimmer.” A sad story about a man who drinks his life away, develops psychosis in the suburbs. I figured nobody at this city folk reading would even know what the suburbs were. So nevermind, “The Swimmer.”


By Bud Smith


Good Luck: Episode Eleven


Our cacti can’t stand on their own anymore. We’ve braced them with toothpicks. I was gifted a ceramic lemon and a resin flamingo leaning left. They’re here on my bamboo desk in the pink room. I live here. She lives here. Friends sometimes live here. Come live here.


By Bud Smith


Good Luck: Episode Ten

Driving through the night. A dark road. Melissa was in the backseat, holding my friend’s hand. I was up in the passenger seat, newly low. She’d stopped fucking me, now they were fucking. I mean it was more than that. They were in love. Me and her were out of love. A song came on the radio. “My Best Friend’s Girl” by the Cars. The driver turned it up. I can’t quite remember who was driving. I just know it wasn’t me. Those two lovebirds in the back started laughing. The driver laughed. I laughed too. I’m still laughing.

You’re born absolutely helpless. And then you’re alive awhile and you don’t think about how helpless you are. Then you get old and you turn back into a baby.


By Bud Smith


Good Luck: Episode Nine

Just a quiet Sunday when you don’t care. Leave the bedroom, 8am. Go out to the couch, read for awhile. Two books, a novel, So Long, See You Tomorrow, William Maxwell, and a small blue book analyzing dreams. I can’t remember my last dream. In the novel, the narrator is an old man, and can’t quite recall what he is trying to say about Illinois, 1922. I put the paperback down and look out my window. Jersey City, 2019.

Blue Skies

By Bud Smith


Good Luck: Episode Eight

Two days before the end, it’s warm and the sky is deep blue and the clouds roll slowly by. My coworker climbs up on a flatbed truck and lies down and looks up at that blue sky and those clouds rolling by. “Hey Bud, you know what my resolution is going to be?”

“What’s it gonna be?”

“I’m resolving to look up at the clouds more often. When was the last time you did that?”

“That’s all I really do,” I say.

“Well, I guess you’re blessed.”

Oblique Strategies

By Bud Smith


Good Luck: Episode Seven

In July of 1975, Brian Eno entered Island Studios to record his third album, Another Green World. He had no ideas whatsoever, having largely abandoned traditional songwriting, and now coming into bloom as an artist playing the studio.’ He carried with him a deck of cards called Oblique Strategies.