July 12, 2019
Science and fiction both ask: how real can our fantasies become?
This question sits at the center of Shane Jones’ cool, intricate, and cutting novel, Vincent and Alice and Alice. Divorced Guy Vincent is stuck working his State Job in an only slightly more dystopian America, 2017. (We get a sense of his alienation from Jones’ DeLilloisms–Vincent works in “the Zone” and imagines “a conference call with all of America on it”—while the novel’s Arbitrarily Capitalized Words imply the pervasive influence that unearned and random authority exerts in our corporate and political worlds.) Vincent works a job he hates so he can retire in twenty years. His wife Alice has left him so she can live a meaningful life (she works with refugees). Who could blame her?