Sweet Marjoram, your new book, is done up in shades of green, on a velvet-soft matte cover. It’s very tactile, this book. There is this sensation of the flora, moist and juicy, stretching up from dark waters toward an unseen light source. I think the cover image serves these writings extremely well. As I went through the differently themed chapters, I had a sense of Thoreau musing over things.
The cover design by is Marc Vincenz (also the editor of Mad Hat Press, the umbrella for Plume Editions). It’s meant to portray the herb sweet marjoram, which was believed to cure madness in Shakespeare’s time, hence this close-up photograph of the living leaves against a dark background. I took my title from the impromptu password that Edgar in King Lear (Act 4.6) offers the maddened Lear on Dover Beach, and I hoped to share that friendly, respectful spirit in my essays. Given the Lear connection, by the way, we had also considered a different image from a Lear performance in the 1960s, where Lear wears a crown of weeds (rather than thorns) and actually offers Edgar some weed like a stoned Timothy Leary. I preferred the first, simpler and more classic design, and I’m pleased it works so well for you: even bringing Thoreau to mind. Thoreau both explored Nature as a scientist and imagined it as a poet, or tried to. Interesting that his Walden Pond also helps him assess “unaccommodated man.”
Also, I suppose, just as Thoreau left civilized Concord for the woods, which seemed to others an odd and whimsical thing to do, here I’m leaving the serious literary work of novel and memoir writing, or seem to be.