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An exhilarating and delightfully deviant debut story collection that, with comedic precision and compulsive irreverence, explores the most surreal and inadmissible fantasies of contemporary women.

“Nada Alic’s Bad Thoughts is lit up with the perception, wit, and cunning of Miranda July and Sally Rooney.” —T. Kira Madden, author of Long Live the Tribe of Fatherless Girls

Nada Alic’s women—the perverts, nobodies, reality TV stars, poetic hopefuls, shameless party girls, and self-help addicts of Los Angeles and its environs—are all wrestling with a shared stark reality: the modern world. To cope, they live in their baddest thoughts: the lush, strange landscape of female make-believe.

In “Earth to Lydia,” a support group meets to enjoy earthly pleasures after achieving “too much enlightenment,” engaging in bizarre exercises that escalate to a point of violence and fear. The narrator of “Ghost Baby”—the spirit of a proto-child assigned to a couple whose chemistry is waning—writhes in disembodied frustration as its parents fail to conceive it. In “Daddy’s Girl,” the daughter of Eastern European immigrants tries to connect to her distant and difficult father through the invention of increasingly elaborate home maintenance repairs. And in “The Intruder,” a lonely woman’s break-in fantasy quickly builds to a full-blown obsession, until she finds an unwitting partner with whom to act it out.

Though each of Alic’s characters thrive and ache in different circumstances, they all grapple with the most painful equations of modern life: love, trust, power, loneliness, desire, violation, and vengeance. And she conjures them all with a voice that is instantly arresting, unexpectedly hilarious, and absolutely unforgettable.

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“Fantastic story, a real page-turner. Impossible to put down.” – Stephen King

From the author of Cold Storage comes a riveting, eerily plausible thriller, told with the menace and flair of Under the Dome or Project Hail Mary, in which a worldwide cataclysm plays out in the lives of one complicated Midwestern family.

In Aurora, Illinois, Aubrey Wheeler is just trying to get by after her semi-criminal ex-husband split, leaving behind his unruly teenage son.

Then the lights go out—not just in Aurora but across the globe. A solar storm has knocked out power almost everywhere. Suddenly, all problems are local, very local, and Aubrey must assume the mantle of fierce protector of her suburban neighborhood.

Across the country lives Aubrey’s estranged brother, Thom. A fantastically wealthy, neurotically over-prepared Silicon Valley CEO, he plans to ride out the crisis in a gilded desert bunker he built for maximum comfort and security.

But the complicated history between the siblings is far from over, and what feels like the end of the world is just the beginning of several long-overdue reckonings—which not everyone will survive . . .

Aurora is suspenseful storytelling—both large scale and small—at its finest.

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“A harrowingly beautiful exploration of unrequited love and the fallout of single-minded devotion.” —Kirkus Reviews

Eve is a reluctant mother; Eve is a famous phenomenon; Eve is a quiet country teacher. Liam is a successful artist; Liam is a scheming husband; Liam is a gentle partner. Pari is a leading scientific researcher; Pari is a recognized model; Pari is a picture of declining mental states.
Constellations of Eve weaves together three deviations of one love story. In each variation, the narrative changes slightly, with life-altering impacts. Against a backdrop of difficult people finding their place in a constantly shifting universe, the novel manipulates the variables leading to their fraught romantic entanglements, tearing through a host of lifetimes in search of the one in which all the brightest stars align.

In this philosophical fable of art and fate, Abbigail Nguyen Rosewood paints a world that floats above our own and contours the infinitesimal moments that shape who we love, over whom we obsess, and how we decide what to live for.

Each reality allows Eve another chance at finding her true destiny and personal and professional fulfilment―but can she get it right? Is there even such a thing as right? Constellations of Eve wrestles with the most intimate betrayals and the staggering personal costs of stifling artistic ambition, pursuing it to the exclusion of family, or letting it disperse in favor of an all-consuming love.

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“A book that lives up to the challenge of its title, Be Brief and Tell Them Everything is an elegant distillation of a varied life full of early love and early death, family heartbreak, financial precarity, spiritual uncertainty, the terror of contemporary life, and the quest for meaning. In Brad Listi’s movingly rendered particulars, readers will discover points of poignant intersection, and delight as well in the wisdom, humor, warmth and intelligence of a writer who doesn’t turn away from the difficult, and who will, at least on the page, put the fucking noodles in the blender.” —Sam Lipsyte

A darkly funny meditation on creativity and family, Be Brief and Tell Them Everything tracks the life of a middle-aged author who is struggling to write his next novel while trying to come to grips with his son’s disabilities, set against a backdrop of ecological catastrophe and escalating human insanity in contemporary Los Angeles. A beautiful, powerful, concise work of autofiction that is reminiscent of My Struggle and Grief is the Thing with Feathers, Be Brief documents the stops and starts of adulthood and marriage, and the joys and challenges of parenting, while defining what it means to be a good man, and a good writer.

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From the bestselling author of I Miss You When I Blink and “writer of singular spark and delight” (Elizabeth Gilbert, #1 New York Times bestselling author) comes a poignant and powerful new memoir that tackles the big questions of life, death, and existential fear with humor and hope.

A lifelong worrier, Philpott always kept an eye out for danger, a habit that only intensified when she became a parent. But she looked on the bright side, too, believing that as long as she cared enough, she could keep her loved ones safe.

Then, in the dark of one quiet, pre-dawn morning, she woke abruptly to a terrible sound—and found her teenage son unconscious on the floor. In the aftermath of a crisis that darkened her signature sunny spirit, she wondered: If this happened, what else could happen? And how do any of us keep going when we can’t know for sure what’s coming next?

Leave it to the writer whose critically acclaimed debut had us “laughing and crying on the same page” (NPR) to illuminate what it means to move through life with a soul made of equal parts anxiety and optimism (and while she’s at it, to ponder the mysteries of backyard turtles and the challenges of spatchcocking a turkey).

Hailed by The Washington Post as “Nora Ephron, Erma Bombeck, Jean Kerr, and Laurie Colwin all rolled into one,” Philpott returns in her distinctive voice to explore our protective instincts, the ways we continue to grow up long after we’re grown, and the limits—both tragic and hilarious—of the human body and mind.

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Profoundly moving, filled with tenderness, and brought to life by a curious, sprawling imagination, Drowning Practice is the story of a mother and daughter trying to save each other’s lives at what could be the end of the world

One night, everyone on Earth has the same dream—a dream of being guided to a watery death by a loved one on November 1. When they wake up, most people agree: after Halloween, the world will end.

In the wake of this haunting dream and saddled with its uncertainty, Lyd and her daughter, Mott, navigate a changed world, wrestling with how to make choices when you really don’t know what comes next. Embarking on a quixotic road trip filled with a collection of unexpected and memorable characters, Lyd and Mott are determined to live out what could be their final months as fully as possible. But how can Lyd protect Mott and help her achieve her ambitions in a world where inhibitions, desires, and motivations have become unpredictable, and where Mott’s dangerous and conniving father has his own ideas about how his estranged family should spend their last days?

Formally inventive and hauntingly strange, Drowning Practice signals the arrival of a singular new voice in Mike Meginnis, who writes with generosity and precision, humor and sorrowfulness. Stirring and surprising at every turn, Drowning Practice is literary speculative fiction at its best and with a pulsing heart: a mother and daughter trying to decide how they should live out what might be the final months of their—or anyone’s—life on Earth.

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An acclaimed storyteller returns with “a gorgeous and gripping literary mystery” that explores “family, betrayal, passion, race, culture and the American Dream” (Jean Kwok).

The residents of Haven, Wisconsin, have dined on the Fine Chao restaurant’s delicious Americanized Chinese food for thirty-five years, content to ignore any unsavory whispers about the family owners. Whether or not Big Leo Chao is honest, or his wife, Winnie, is happy, their food tastes good and their three sons earned scholarships to respectable colleges. But when the brothers reunite in Haven, the Chao family’s secrets and simmering resentments erupt at last.

Before long, brash, charismatic, and tyrannical patriarch Leo is found dead―presumed murdered―and his sons find they’ve drawn the exacting gaze of the entire town. The ensuing trial brings to light potential motives for all three brothers: Dagou, the restaurant’s reckless head chef; Ming, financially successful but personally tortured; and the youngest, gentle but lost college student James. As the spotlight on the brothers tightens―and the family dog meets an unexpected fate―Dagou, Ming, and James must reckon with the legacy of their father’s outsized appetites and their own future survival.

Brimming with heartbreak, comedy, and suspense, The Family Chao offers a kaleidoscopic, highly entertaining portrait of a Chinese American family grappling with the dark undercurrents of a seemingly pleasant small town.

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An award-winning Haitian novel about silence, beauty, and the solidarity of tears.

Airports are distillations of the world. I like thinking of them that way. The hope of leaving and the desire to come home, existing side by side. Any voyage is possible. My mind flies off toward the blue province once again. I don’t know, anymore, why I always associate it with blue. It isn’t even my favorite color.

Traveling alone from Miami to Port-au-Prince, our narrator finds comfort at the airport. She feels free to ponder the silence that surrounds her homeland, her mother, her aunts, and her own inner thoughts. Between two places, she sees how living in poverty keeps women silent, forging their identities around practicality and resilience. From a distance, she is drawn inevitably homeward toward her family and the glittering blue Caribbean Sea.

Blue comes alive through vivid images crowding the page, just as memories do in real life, as if the author is trying to sort through them, to come to grips with her own emotional conflict. Balancing the pain and anger are spiritual bonds that connect the author to the women who have come before her, who have created her, and with Haiti itself, her motherland. No amount of glittering opportunity up north can prevent her from finding her way home.

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“Queer dynamite.” —Kristin Arnett, author of Mostly Dead Things

Meet Margaret. At age twelve, she was head detective of the mystery club Girls Can Solve Anything. Margaret and her three best friends led exciting lives solving crimes, having adventures, and laughing a lot. But now that she’s entered high school, the club has disbanded, and Margaret is unmoored—she doesn’t want to grow up, and she wishes her friends wouldn’t either. Instead, she opts out, developing an eating disorder that quickly takes over her life. When she lands in a treatment center, Margaret finds her path to recovery twisting sideways as she pursues a string of new mysteries involving a ghost, a hidden passage, disturbing desires, and her own vexed relationship with herself.

Margaret and the Mystery of the Missing Body reimagines nineties adolescence—mashing up girl group series, choose-your-own-adventures, and chronicles of anorexia—in a queer and trans coming-of-age tale like no other. An interrogation of girlhood and nostalgia, dysmorphia and dysphoria, this debut novel puzzles through the weird, ever-evasive questions of growing up.

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“Hall’s writing is alchemical, magnificent, divine, bodily. Here are new ways to understand what it feels like to be human. Here are books to cherish. Burntcoat is a masterpiece. I lay myself at the altar of everything Hall writes.” —Daisy Johnson, author of Sisters

You were the last one here, before I closed the door of Burntcoat. Before we all closed our doors . . .

In an unnamed British city, the virus is spreading, and like everyone else, the celebrated sculptor Edith Harkness retreats inside. She isolates herself in her immense studio, Burntcoat, with Halit, the lover she barely knows. As life outside changes irreparably, inside Burntcoat, Edith and Halit find themselves changed as well: by the histories and responsibilities each carries and bears, by the fears and dangers of the world outside, and by the progressions of their new relationship. And Burntcoat will be transformed, too, into a new and feverish world, a place in which Edith comes to an understanding of how we survive the impossible—and what is left after we have.

A sharp and stunning novel of art and ambition, mortality and connection, Burntcoat is a major work from “one of our most influential short story writers” (The Guardian). It is an intimate and vital examination of how and why we create—make art, form relationships, build a life—and an urgent exploration of an unprecedented crisis, the repercussions of which are still years in the learning.

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“With love, brilliance, humor, and weird wild energy, Lucy Corin has written a perfect story of death and rebirth, of sisters, mothers, lovers, of madness, of a broken, rocky modern world. No one writes like her. No one could. Every page of The Swank Hotel is hilarious, heartbreaking, strange. To follow Em and Ad, and the other radiant characters in this novel, is to follow Jane Bowles straight into the future.” —Deb Olin Unferth

A stunningly ambitious, prescient novel about madness, generational trauma, and cultural breakdown

At the outset of the 2008 financial crisis, Em has a dependable, dull marketing job generating reports of vague utility while she anxiously waits to hear news of her sister, Ad, who has gone missing―again. Em’s days pass drifting back and forth between her respectably cute starter house (bought with a “responsible, salary-backed, fixed-rate mortgage”) and her dreary office. Then something unthinkable, something impossible, happens and she begins to see how madness permeates everything around her while the mundane spaces she inhabits are transformed, through Lucy Corin’s idiosyncratic magic, into shimmering sites of the uncanny.

The story that swirls around Em moves through several perspectives and voices. There is Frank, the tart-tongued, failing manager at her office; Jack, the man with whom Frank has had a love affair for decades; Em and Ad’s eccentric parents, who live in a house that is perpetually being built; and Tasio, the young man from Chiapas who works for them and falls in love with Ad. Through them Corin portrays porousness and breakdown in individuals and families, in economies and political systems, in architecture, technology, and even in language itself.

The Swank Hotel is an acrobatic, unforgettable, surreal, and unexpectedly comic novel that interrogates the illusory dream of stability that pervaded early twenty-first-century America.

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“Mad and wonderful. I thought I was reading one thing, then discovered—several times—that I was reading a different, even better thing.” —Roddy Doyle

One of Shondaland’s 5 Best Books of September and Bustle’s Most Anticipated Books of the Month

An exquisitely talented young Irish writer makes her literary debut with this powerful and haunting novel—a tale of love and family, depression and joy, and coming of age in the twenty-first century.

Eighteen-year-old Debbie was raised on her family’s rural dairy farm, forty minutes and a world away from Dublin. She lives with her mother, Maeve, a skittish woman who takes to her bed for days on end, claims not to know who Debbie’s father is, and believes her dreams are prophecies. Rounding out their small family is Maeve’s brother Billy, who lives in a caravan behind their house, drinks too much, and likes to impersonate famous dead writers online. Though they may have their quirks, the Whites’ fierce love for one another is never in doubt.

But Debbie’s life is changing. Earning a place at Trinity College Dublin, she commutes to her classes a few days a week. Outside the sheltered bubble of her childhood for the first time, Debbie finds herself both overwhelmed and disappointed by her fellow students and the pace and anonymity of city life. While the familiarity of the farm offers comfort, Debbie still finds herself pulling away from it. Yet just as she begins to ponder the possibilities the future holds, a resurgence of strange dreams raises her fears that she may share Maeve’s fate. Then a tragic accident upends the family’s equilibrium, and Debbie discovers her next steps may no longer be hers to choose.

Gorgeous and beautifully wrought, Snowflake is an affecting coming-of-age story about a young woman learning to navigate a world that constantly challenges her sense of self.

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“Embassy Wife is such a swift and delicious novel that a reader can be forgiven for looking up halfway through the book with the slow-dawning realization that all along, underneath this mordant farce, Katie Crouch had some sharp, urgent and intricate things to say about colonization and race, privilege and power, and the often explosive intersection of all of these things in today’s Namibia. It is a fascinating novel, and beautifully told.” —Lauren Groff, author of Florida

“A wickedly irresistible novel.”– Natalie Baszile, author of Queen Sugar

In Katie Crouch’s thrilling novel Embassy Wife, two women abroad search for the truth about their husbands—and their country.

Meet Persephone Wilder, a displaced genius posing as the wife of an American diplomat in Namibia. Persephone takes her job as a representative of her country seriously, coming up with an intricate set of rules to survive the problems she encounters: how to dress in hundred-degree weather without showing too much skin, how not to look drunk at embassy functions, and how to eat roasted oryx with grace. She also suspects her husband is not actually the ambassador’s legal counsel, but a secret agent in the CIA. The consummate embassy wife, she takes the newest trailing spouse, Amanda Evans, under her wing.

Amanda arrives in Namibia mere weeks after giving up her Silicon Valley job so her husband, Mark, could have his family close as he works on his Fulbright project. But once they’re settled in the sub-Saharan desert, Amanda sees clearly that Mark, who lived in Namibia two decades earlier, had other reasons for returning. Their marriage seemed solid in the safety of their old home, but feels tenuous in the glaring heat of the Kalahari. And then Amanda’s daughter becomes involved in an actual international conflict and their own government won’t stand up for her.

How far will Amanda go to keep her family intact? How much corruption can Persephone ignore? And what, exactly, does it mean to be an American abroad when you’re not sure you understand your country anymore? Propulsive and provocative, Embassy Wife asks what it means to be a human in this world, even as it helps us laugh in the face of our own absurd, seemingly impossible states of affairs.

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“The reason you’ve never read a book like Appleseed is that there’s never been a book like Appleseed. The scary thing, though, is this is a world you might recognize. This premise, this content, this form, this language—only Matt Bell could have given us this novel.” —Stephen Graham Jones, author of The Only Good Indians

“Woven together out of the strands of myth, science fiction, and ecological warning, Matt Bell’s Appleseed is as urgent as it is audacious.” —Kelly Link, Get in Trouble

A “work of incandescent imagination” (Karen Russell) from Young Lions Fiction Award–finalist Matt Bell, a breakout book that explores climate change, manifest destiny, humanity’s unchecked exploitation of natural resources, and the small but powerful magic contained within every single apple.

In eighteenth-century Ohio, two brothers travel into the wooded frontier, planting apple orchards from which they plan to profit in the years to come. As they remake the wilderness in their own image, planning for a future of settlement and civilization, the long-held bonds and secrets between the two will be tested, fractured and broken—and possibly healed.

Fifty years from now, in the second half of the twenty-first century, climate change has ravaged the Earth. Having invested early in genetic engineering and food science, one company now owns all the world’s resources. But a growing resistance is working to redistribute both land and power—and in a pivotal moment for the future of humanity, one of the company’s original founders will return to headquarters, intending to destroy what he helped build.

A thousand years in the future, North America is covered by a massive sheet of ice. One lonely sentient being inhabits a tech station on top of the glacier—and in a daring and seemingly impossible quest, sets out to follow a homing beacon across the continent in the hopes of discovering the last remnant of civilization.

Hugely ambitious in scope and theme, Appleseed is the breakout novel from a writer “as self-assured as he is audacious” (NPR) who “may well have invented the pulse-pounding novel of ideas” (Jess Walter). Part speculative epic, part tech thriller, part reinvented fairy tale, Appleseed is an unforgettable meditation on climate change; corporate, civic, and familial responsibility; manifest destiny; and the myths and legends that sustain us all.

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“The narrative reaches a greatly satisfying climax, built on themes of rediscovering the past, memories, women’s friendships, language, and identity. This unforgettable tour de force surprises at every turn.” —Publishers Weekly (starred review)

Winner of the 2020 European Union Prize for Literature, Lana Bastašić’s powerful debut novel Catch the Rabbit is an emotionally rich excavation of the complicated friendship between two women in a fractured, post-war Bosnia as they venture into the treacherous terrain of the Balkan wonderlands and their own history.

It’s been twelve years since inseparable childhood friends Lejla and Sara have spoken, but an unexpected phone call thrusts Sara back into a world she left behind, a language she’s buried, and painful memories that rise unbidden to the surface. Lejla’s magnetic pull hasn’t lessened despite the distance between Dublin and Bosnia or the years of silence imposed by a youthful misunderstanding, and Sara finds herself returning home, driven by curiosity and guilt. Embarking on a road trip from Bosnia to Vienna in search of Lejla’s exiled brother Armin, the two travel down the rabbit hole of their shared past and question how they’ve arrived at their present, disparate realities.

As their journey takes them further from their homeland, Sara realizes that she can never truly escape her past or Lejla―the two are intrinsically linked, but perpetually on opposite sides of the looking glass. As they approach their final destination, Sara contends with the chaos of their relationship. Lejla’s conflicting memories of their past, further complicated by the divisions brought on by the dissolution of Yugoslavia during their childhoods, forces Sara to reckon with her own perceived reality. Like Elena Ferrante’s My Brilliant Friend, Catch the Rabbit lays bare the intricacies of female friendship and all the ways in which two people can hurt, love, disappoint, and misunderstand one another.