Available from Amazon Crossing
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Available from Amazon Crossing
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Available from Dzanc Books
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Available from Houghton Mifflin Harcourt
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Available from Rare Bird Books
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Following the shocking death of a teenage boy, Barrett and Amelia are moved to revisit the passing of their own daughter, Edi, which occurred in the same small town nearly a decade earlier. Amelia finds herself caring for the recently deceased boy’s “sort of” girlfriend, who faces constant harassment and accusations from the townsfolk, while Barrett combs through Edi’s self-published fantasy novels in an effort to connect with her. As he reads, an increasingly bizarre wave of incidents crashes down upon the town involving a talking goat, Bigfoot, and a G-Man with alien thought patterns, to name but a few. As the Missouri River slowly floods, and the thin line between fact and fiction is washed away, Barrett and Amelia struggle against the great unknown and search desperately for inner peace. Blending whimsy and wonder with a mix of mayhem and malevolence, Water, Wasted takes readers on a tour of loss, redemption, and the great unknown.
Available from Ig Publishing
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“What a smart, elegant, emotionally honest way to tell the story of a life – by giving us the stories that spiral from one tragic death. Lord the One You Love is Sick is entirely unafraid in its depiction of our most difficult and profound hurdles. A gripping and gorgeous exploration not only of small town connections, but the kind of loss whose wake refuses to subside.”―Nina de Gramont, author, The Last September
A Most Anticipated: The Great Second-Half 2020 Book Preview selection by The Millions
In the contemporary vein of writers like Emily Ruskovich and Stephen Markley, Lord the One You Love is Sick is an explosive debut collection that reveals the tragedies and unspeakable secrets hidden behind a veneer of normalcy in a small North Carolina town.
Gentry’s death from a heroin overdose sends shock waves through his hometown, affecting everyone in different ways. It triggers a mental breakdown in his best friend, Dale, a police officer, as his wife grapples with the burden of her vows in the face of her husband’s disturbing behavior. Meanwhile, Gentry’s bitter mother discovers an unexpected friendship as she struggles to place blame surrounding the death of her oldest son, while her younger son lives in agoraphobic solitude, cut off from the rest of the world. On the outskirts of town, an eight-year old girl and her older sister cope with horrific abuse from their well-respected father. All the while, the patriarchs of the community sit together gossiping at the local diner, certain that the Lord will heal everyone’s sins.
A novel in stories, Lord the One You Love is Sick is a gorgeously written and heartrending work of fiction from an important new voice in the literature of the American South.
Available from Houghton Mifflin Harcourt
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“Articulate and persuasive…Petersen delivers a cogent explanation of the millennial landscape, incorporating in-depth research, interviews, and her own experiences to define the problems that millennials face as they attempt to live up to high, occasionally near-impossible expectations.” —Kirkus Reviews (Starred Review)
A BEST BOOK OF THE FALL AS SEEN IN: Apartment Therapy • Book Riot • Business Insider • BuzzFeed • Daily Nebraskan • Entertainment Weekly • Esquire • Fortune • Harper’s Bazaar • HelloGiggles • LinkedIn • O Magazine • Time Magazine
“[A] razor sharp book of cultural criticism…With blistering prose and all-too vivid reporting, Petersen lays bare the burnout and despair of millennials, while also charting a path to a world where members of her generation can feel as if the boot has been removed from their necks.” —Esquire
“An analytically precise, deeply empathic book about the psychic toll modern capitalism has taken on those shaped by it. Can’t Even is essential to understanding our age, and ourselves.”—Ezra Klein, Vox co-founder and New York Times bestselling author of Why We’re Polarized
An incendiary examination of burnout in millennials—the cultural shifts that got us here, the pressures that sustain it, and the need for drastic change
Do you feel like your life is an endless to-do list? Do you find yourself mindlessly scrolling through Instagram because you’re too exhausted to pick up a book? Are you mired in debt, or feel like you work all the time, or feel pressure to take whatever gives you joy and turn it into a monetizable hustle? Welcome to burnout culture.
While burnout may seem like the default setting for the modern era, in Can’t Even, BuzzFeed culture writer and former academic Anne Helen Petersen argues that burnout is a definitional condition for the millennial generation, born out of distrust in the institutions that have failed us, the unrealistic expectations of the modern workplace, and a sharp uptick in anxiety and hopelessness exacerbated by the constant pressure to “perform” our lives online. The genesis for the book is Petersen’s viral BuzzFeed article on the topic, which has amassed over seven million reads since its publication in January 2019.
Can’t Even goes beyond the original article, as Petersen examines how millennials have arrived at this point of burnout (think: unchecked capitalism and changing labor laws) and examines the phenomenon through a variety of lenses—including how burnout affects the way we work, parent, and socialize—describing its resonance in alarming familiarity. Utilizing a combination of sociohistorical framework, original interviews, and detailed analysis, Can’t Even offers a galvanizing, intimate, and ultimately redemptive look at the lives of this much-maligned generation, and will be required reading for both millennials and the parents and employers trying to understand them.
Available from Red Hen Press
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“Gripping, moving, and vital, Unseen City asks how human life might defy its lifespan—in the throes of love, the conviction of belief, and each person’s mark upon a city that will survive them. For two days, I laughed at Amy Shearn’s wry humor and gasped at her gorgeous sentences; I couldn’t put this brilliant book down until its perfect final line (and I’m haunted still—which is appropriate, I suppose)!” —Miranda Beverly-Whittemore, bestselling author of June and Bittersweet
A multi-generational portrait of New York and the unexpected connections between a lonely Brooklyn librarian, a widower returning to his roots, and a ghost still lingering in a home that was once part of an activist-founded farming settlement.
In a city teeming with stories, how do lost souls find one another? It’s a question Meg Rhys doesn’t think she’s asking. Meg is a self-identified spinster librarian, satisfied with living with her cat, stacks of books, and her dead sister’s ghost in her New York City apartment. Then she becomes obsessed with an intriguing library patron and the haunted house he’s trying to research. The house has its own story to tell too, of love and war, of racism’s fallout and the ghost story that is gentrification, and of Brooklyn before it was Brooklyn. What follows is an exploration of what home is, how we live with loss, who belongs in the city and to whom the city belongs, and the possibilities and power of love.
Available from W.W. Norton
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“Nick Flynn writes like a wicked angel―heartbreaking and challenging yes, but with an undercurrent of comfort that comes from the fact that you can trust this voice. We need this book, now more than ever.” —Dorothy Allison, author of Bastard Out of Carolina
A searing memoir from critically acclaimed author Nick Flynn, on how childhood spills into parenthood.
When Nick Flynn was seven years old, his mother set fire to their house. The event loomed large in his imagination for years, but it’s only after having a child of his own that he understands why. He returns with his young daughter to the landscape of his youth, reflecting on how his feral childhood has him still in its reins, and forms his memories into lyrical bedtime stories populated by the both sinister and wounded Mister Mann.
With the spare lyricism and dark irony of his classic, Another Bullshit Night in Suck City, Flynn excavates the terrain of his traumatic upbringing and his mother’s suicide. This Is the Night Our House Will Catch Fire unravels the story of the fire that Flynn had to escape, and the ways in which, as an adult, he has carried that fire with him until it threatens to burn down his own house. Here Nick confronts his failings with fierce candor, even as they threaten to tear his family apart. His marriage in crisis, Flynn seeks answers from his therapist, who tells him he has “the ethics of a drowning man.”
This Is the Night Our House Will Catch Fire takes us on the journey of a man struggling to hold himself together in prose that is raw and moving, sharp-edged and wry. Alternating literary analysis and philosophy with intimate memoir, Flynn probes his deepest ethical dilemmas.
Available from Doubleday
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“[A] playful and unflinching debut…This infectious evocation of a young woman’s slackerdom will appeal to fans of Halle Butler and Ottessa Moshfegh, and will make it difficult not to root for the troubled and spirited pizza girl.” —Publishers Weekly (starred review)
Named a most anticipated book of 2020 by Harper’s Bazaar, Elle, Marie Claire, Time, People, BuzzFeed, Travel + Leisure, Good Housekeeping, Refinery29, and more.
In the tradition of audacious and wryly funny novels like The Idiot and Convenience Store Woman comes the wildly original coming-of-age story of a pregnant pizza delivery girl who becomes obsessed with one of her customers.
Eighteen years old, pregnant, and working as a pizza delivery girl in suburban Los Angeles, our charmingly dysfunctional heroine is deeply lost and in complete denial about it all. She’s grieving the death of her father (whom she has more in common with than she’d like to admit), avoiding her supportive mom and loving boyfriend, and flagrantly ignoring her future.
Her world is further upended when she becomes obsessed with Jenny, a stay-at-home mother new to the neighborhood, who comes to depend on weekly deliveries of pickled-covered pizzas for her son’s happiness. As one woman looks toward motherhood and the other toward middle age, the relationship between the two begins to blur in strange, complicated, and ultimately heartbreaking ways.
Bold, tender, propulsive, and unexpected in countless ways, Jean Kyoung Frazier’s Pizza Girl is a moving and funny portrait of a flawed, unforgettable young woman as she tries to find her place in the world.
Available from Graywolf Press
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“Diaz’s collection is no doubt one of the most important poetry releases in years, one to applaud for its considerable demonstration of skill, its resistance to dominant perspectives and its light wrought of desire.” —The New York Times Book Review
Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award
Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages―bodies of language, land, rivers, suffering brothers, enemies, and lovers―be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality.
Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope―in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.
Available from Rare Bird Books
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The Fitzgeralds are buttressed by wealth and privilege, but they are also buffeted by crisis after crisis, many of their own creation. Even so, they live large, in love and in strife, wielding power, combating adversaries and each other. The Good Family Fitzgerald is a saga of money and ambition, crime and the Catholic Church, a sprawling, passionate story shaped against a background of social discord.
Padraic Fitzgerald is the up-from-nothing, aging patriarch whose considerable business interests appear anything but legitimate, but he has bigger problems than law enforcement. A widower, Paddy becomes enmeshed with a young woman who will force him to re-examine his cardinal assumptions. Meanwhile, he has cultivated thorny relationships with his four children, all of whom struggle over the terms of connection with their father. Anthony―oldest son, principled criminal defense attorney, designated prince of the family―and his cherished Francesca are devastated by tragedy. In the aftermath, Frankie comes to play a vital role in Fitzgerald lore. Philip is a charismatic Catholic priest spectacularly torn between his lofty ideals and aspirations and his all-too-human flaws and longings. Matty has wandered aimlessly, but once he finds his purpose, he precipitates turmoil in all quarters. Colleen, the youngest, is a seeker who styles herself the outsider and the conscience of the clan. Her hands are full, as no Fitzgerald is left untested or unscathed, and by the end the whole family, as well as those venturing into their realm, will be stunned into illumination.
Available from Overlook Press
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“Starling Days is an exquisite rendering of love, sadness, and misunderstanding.” —The Paris Review
The moving new novel by the author of Harmless Like You, a New York Times Book Review Editors’ Choice and NPR Great Read
On their first date, Mina told Oscar that she was bisexual, vegetarian, and on meds. He married her anyhow. A challenge to be met. She had low days, sure, but manageable. But now, maybe not so much . . . Mina is standing on the George Washington Bridge late at night, staring over the edge, when a patrol car drives up. She tries to convince the policeman she’s not about to jump, but he doesn’t believe her. Oscar is called to pick her up.
With the idea of leaving New York for London—a place for Mina “to learn the floorplan of this sadness”—Oscar arranges a move. In London, Mina, a classicist, tries grappling with her mental health issues by making lists. Of WOMEN WHO SURVIVED—Penelope, Psyche, Leda. Iphigenia, but only in one of the tellings. Of things that make her HAPPY—enamel coffee cups. But what else? She at last finds a beam of light in Phoebe, and friendship and attraction blossom until Oscar and Mina’s complicated love is tested.
A gorgeously wrought novel, variously about love, mythology, mental illness, Japanese beer, and the times we need to seek out milder psychological climates, Rowan Hisayo Buchanan’s Starling Days—written in exquisite prose rich with lightly ironic empathy—is a complex and compelling work of fiction by a singularly gifted young writer.
Available from Graywolf Press
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“In this outrageous piece of rural noir and pitch-perfect characterization, Unferth recalls Edward Abbey’s The Monkey Wrench Gang with a dose of vegan-minded quirk. This entertaining, satisfying genre turn shows off Unferth’s range, and readers will be delighted by the characters’ earnest crusade.” —Publishers Weekly (starred)
Two auditors for the US egg industry go rogue and conceive a plot to steal a million chickens in the middle of the night—an entire egg farm’s worth of animals. Janey and Cleveland—a spirited former runaway and the officious head of audits—assemble a precarious, quarrelsome team and descend on the farm on a dark spring evening. A series of catastrophes ensues.
Deb Olin Unferth’s wildly inventive but utterly plausible novel is a heist story of a very unusual sort. Swirling with a rich array of voices, Barn 8 takes readers into the minds of these renegades: a farmer’s daughter, a former director of undercover investigations, hundreds of activists, a forest ranger who suddenly comes upon forty thousand hens, and a security guard who is left on an empty farm for years. There are glimpses twenty thousand years into the future to see what chickens might evolve into on our contaminated planet. We hear what hens think happens when they die. In the end the cracked hearts of these indelible characters, their earnest efforts to heal themselves, and their radical actions will lead them to ruin or revelation.
Funny, whimsical, philosophical, and heartbreaking, Barn 8 ultimately asks: What constitutes meaningful action in a world so in need of change? Unferth comes at this question with striking ingenuity, razor-sharp wit, and ferocious passion. Barn 8 is a rare comic-political drama, a tour de force for our time.
Available from Feminist Press
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“A rich, deeply felt novel about family ties, immigration, sexual longing, faith, and desire. Simultaneously raw and luminous.” —Kirkus Reviews (starred)
Uprooted from her comfortable life in Bogotá, Colombia, into an ant-infested Miami townhouse, fifteen-year-old Francisca is miserable and friendless in her strange new city. Her alienation grows when her mother is swept up into an evangelical church, replete with Christian salsa, abstinent young dancers, and baptisms for the dead.
But there, Francisca also meets the magnetic Carmen: opinionated and charismatic, head of the youth group, and the pastor’s daughter. As her mother’s mental health deteriorates and her grandmother descends into alcoholism, Francisca falls more and more intensely in love with Carmen. To get closer to her, Francisca turns to Jesus to be saved, even as their relationship hurtles toward a shattering conclusion.
Available from Rare Bird Books
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In The White Album, Joan Didion famously wrote that “a place belongs forever to whoever claims it hardest, remembers it most obsessively…loves it so radically that he remakes it in his image.” Cruising in her Daytona yellow Corvette Stingray, taking it all in behind dark glasses, Joan Didion claimed California for all time. Slouching Towards Los Angeles is a multi-faceted portrait of the literary icon who, in turn, belongs to us.
This collection of original essays covers the turf that made Didion a sensation―Hollywood and Patty Hearst; Malibu, Manson and the Mojave; the Summer of Love and the Central Park Five―while bringing together some of the finest voices of today’s Los Angeles and beyond. Slouching Towards Los Angeles is a love letter and thank you note; personal memoir and social commentary; cultural history and literary critique. Fans of Didion, lovers of California, and fellow writers alike will all find something to dig into, in this rich exploration of the inner and outer landscapes Joan Didion traveled, shaping our own journeys in the process.
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