I Have a Terrible Feeling is a series of weekly drawings, cartoons, and sketches by poet Adam Soldofsky.

I Have a Terrible Feeling is a series of weekly drawings, cartoons, and sketches by poet Adam Soldofsky.

I Have a Terrible Feeling is a series of weekly drawings, cartoons, and sketches by poet Adam Soldofsky.

I Have a Terrible Feeling is a series of weekly drawings, cartoons, and sketches by poet Adam Soldofsky.

In December, the TNB Book Club will be reading You Can See More From Up Here (Golden Antelope Press), by Mark Guerin.

Sign up by November 15th to get your copy and join the club!

I Have a Terrible Feeling is a series of weekly drawings, cartoons, and sketches by poet Adam Soldofsky.

I Have a Terrible Feeling is a series of weekly drawings, cartoons, and sketches by poet Adam Soldofsky.

I Have a Terrible Feeling is a series of weekly drawings, cartoons, and sketches by poet Adam Soldofsky.

I Have a Terrible Feeling is a series of weekly drawings, cartoons, and sketches by poet Adam Soldofsky.

I Have a Terrible Feeling is a series of weekly drawings, cartoons, and sketches by poet Adam Soldofsky.

I Have a Terrible Feeling is a series of weekly drawings, cartoons, and sketches by poet Adam Soldofsky.

I Have a Terrible Feeling is a series of weekly drawings, cartoons, and sketches by poet Adam Soldofsky.

I Have a Terrible Feeling is a series of weekly drawings, cartoons, and sketches by poet Adam Soldofsky.

I Have a Terrible Feeling is a series of weekly drawings, cartoons, and sketches by poet Adam Soldofsky.

The TNB Book Club is reading Exile this month, available from OR Books. Join us! Get your copy now!

And stay tuned for Belén’s appearance on the Otherppl podcast later this month.

About the book:

Che Guevara left Argentina at 22. At 21, Belén Fernández left the U.S. and didn’t look back. Alone, far off the beaten path in places like Syria and Tajikistan, she reflects on what it means to be an American in a largely American-made mess of a world.

After growing up in Washington, D.C. and Texas, and then attending Columbia University in New York, Belén Fernández ended up in a state of self-imposed exile from the United States. From trekking—through Europe, the Middle East, Morocco, and Latin America—to packing avocados in southern Spain, to close encounters with a variety of unpredictable men, to witnessing the violent aftermath of the 2009 coup in Honduras, the international travel allowed her by an American passport has, ironically, given her a direct view of the devastating consequences of U.S. machinations worldwide. For some years Fernández survived thanks to the generosity of strangers who picked her up hitchhiking, fed her, and offered accommodations; then she discovered people would pay her for her powerful, unfiltered journalism, enabling—as of the present moment—continued survival.