The Gypsy Moth Summer by Julia Fierro

 

Powered by prose at once enchanting and colloquial, true, vividly-realized characters, and a literary voice that practically reverberates with authority, Fierro’s The Gypsy Moth Summer may not only be this year’s best second novel, but its best book period. Featuring a complex plot, a many-faceted story brimming with insights into people and families at all stages of the life cycle, zoology, myth, and allegory this is the rare beach read that doubles as a novel of ideas.

 

I’ve read a lot of books this year, more than usual. I attribute this to, of all people, Donald Trump, who seems not to have cracked a book since college. Starting back in December, when the shock of the “election” was still fresh, I quit all social media (I’ve since relapsed on Twitter), removed the Safari app from my phone, canceled my newspaper subscription, and stopped watching all forms of televised news. It was a total media fast, and it lasted about two months, all the way into February, at which point I slowly began to fall off the wagon and return to my old ways.

An addict.

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The TNB Book Club is thrilled to announce The Essex Serpent, by Sarah Perry, as its official May pick! It will be published in the United States by Custom House Books / HarperCollins on June 6, 2017.

Helen MacDonald, bestselling author of H is for Hawk, raves:

I loved this book. At once numinous, intimate and wise, The Essex Serpent is a marvelous novel about the workings of life, love and belief, about science and religion, secrets, mysteries, and the complicated and unexpected shifts of the human heart—and it contains some of the most beautiful evocations of place and landscape I’ve ever read. It is so good its pages seem lit from within. As soon as I’d finished it I started reading it again.

Sign up now to get your copy! Deadline is April 15.

u34+1F!EVWH7ngw7NLVXIcKIKW2pmYA+Gl!w8rbMsYH!BRIAG5OUet9tcq9F2XjffXkZsjELHH1dotzfe59AzyGvF052d2UykJBErmXhkayWsW1OYzkgsRAdZgmVYczu Book Clubbers! In April we’re reading The Book of Joan, the incredible new novel by Lidia Yuknavitch.

The buzz is really building for this one:

The 25 Most Anticipated Books by Women for 2017, Elle Magazine

The 32 Most Exciting Books Coming Out in 2017, BuzzFeed

50 Books We Can’t Wait to Read in 2017, Nylon Magazine

33 New Books to Read in 2017, The Huffington Post

Most Anticipated, The Great 2017 Book Preview, The Millions

Also: The movie rights just sold!

Be on the lookout for Lidia’s appearance on the Otherppl podcast in the weeks to come.

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The Nervous Breakdown Book Club is reading Ron Currie’s  The One-Eyed Man this month, available from Viking Press. Richard Russo calls it “a revelation, a wonder.”

Stay tuned for Ron’s appearance on the Otherppl podcast in the weeks to come.

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After I self-published my third novel Badge—both in paper and through a number of ebook platforms—in February 2014, I noticed something different about its Amazon page. In the upper right section where Amazon lists Badge’s paper-book availability, it read, “Usually Ships in 1 to 3 Weeks.” All of my novels have been self-published through the print-on-demand company Lightning Source. The availability of my other two, Stuck Outside of Phoenix and Ghost Notes, both published in the aughts, have been listed, with little variance, at the more POD standard “Only 2 left in stock (more on the way).” My books are stored in Lightning Source’s database and can be printed and mailed at will. The beauty of print-on-demand publishing is there is really no way to be “out of stock,” short of a computer crash.

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TNB, The Rumpus, and Hot Dish reading series proudly present…

Nerdy, Wordy, & Dirty

An off-site event to help kick off the LA Times Festival of Books weekend!  Live readings!  Comedy!  Music!  Beverages!  Friendly banter!

WHEN:

Thursday April 10, 2014
Starts at 8 p.m.

WHERE:

Bootleg Theatre
2220 Beverly Boulevard
Los Angeles, CA 90057

WHO:

Readings by Gina Frangello, Dana Johnson, Jerry Stahl, and xTx!

Comedy by Ted Travelstead!

Music by DJ Mira Gonzalez!

Hosted by Brad Listi, J. Ryan Stradal, and Zoë Ruiz!

See you there!

_____________

Original poster art by Lyndsey Lesh.

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One of the biggest problems with selling people on the idea of a rock novel is the term “rock novel.”  There’s something about the two words that don’t want to go together. In 2014, “rock” suggests teenage boys—or men acting like teenage boys—watching one of their favorite bands on TV and getting excited. “These guys rock,” might be said. The word “rock” as a verb also has become shorthand for anything anyone does well. For example, “Thanks, Bob and Jackie, for inputting those contacts into the spreadsheet. You guys rock.” It seems “rock” can be used across the board for the least rocking things imaginable. As a rock novelist three times over, I can’t say this rocks.

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I haven’t worked full-time in over two years, so my response to the title of this essay is very simple: I need the money, and of the thirty-six resumes and vitas I recently sent out online or hand-delivered, a chain bookstore was the only place that responded. Prior to this, I was a full-time seminary student working toward national ordination in my faith. Before that, I was a part-time seminary student and full-time college teacher. Then, in 2011, shortly before I was to be granted tenure, I was informed, owing to precipitous drops in enrollment, that my contract would not be renewed for a crucial final semester. After eleven years of teaching for the state, collecting awards, certificates, and the friendship of many students, I was being let go.

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Amazon’s announcement that it has begun offering opportunities to riff off of the work of Kurt Vonnegut on its fan fiction licensing site, Kindle Worlds, has caused a stir. Rightly so. Amazon is The Man and Vonnegut tilted against The Man, as all great artists do.

Scott Nadelson is the guest. His new memoir, The Next Scott Nadelson: A Life in Progress, is now available from Hawthorne Books.

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My daughter is two.  Already sounding out letters, she’s learning the concept of reading, taking pleasure in memorizing  shapes and sounds, proudly scrawling the first few letters of her name.  On the night before “take-a-book-to-school” day a few weeks ago at her daycare, she had difficulty choosing from her favorites. Three feet tall, chubby-faced, she towered over the picture books she’d spread on the living room floor like a colorful hopscotch grid, her dirty blonde hair frizzing around her head in wild curls, her glasses cockeyed. “This one,” she kept saying. “No, this one!”

When do we begin to decide what books we love? At what point do we start choosing to read books about one subject, but not another?

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Know any writers? Facebook and Twitter much? If so, you know that last week VIDA announced its 2012 Count. For three years, VIDA’s pie charts have shown in stark relief the gender bias at several top-tier literary publications. Yet for many of the writers and publishers engaged in heated discussions about The Count at the annual Association of Writers and Writing Programs conference in Boston, the “real story” was in VIDA’s three-year comparisons, which looked at publications’ numbers since the first Count in 2010.

For the launch of my third novel, I thought it would be fun to have the story editor, Patrick J. LoBrutto, ask some questions. He’s not only conversant with the novel; he made it better.

Pat, who worked in-house at Bantam and at half a dozen other major imprints, has edited more books than most people read in a lifetime. Over a career spanning three decades, he’s worked with Isaac Asimov, Stephen King, Eric Van Lustbader, Walter Tevis, the Louis L’Amour Estate, Don Coldsmith, Jack Dann, F. Paul Wilson, Joe R. Lansdale, Brian Herbert, and hundreds of others.

Obviously, if any of my answers come across as incoherent, it’s all Pat’s fault.