Preorder Comaville from Clash Books. 

Josh Husk awoke in a bed that had once belonged to him. The sun peered through the nearby window, gently stroking his face. He lay there for a brief moment, feeling the textures enveloping him. The bed was much too small for him, his legs dangling over the side at mid-shin. He sat up, confused and alert as if he had just left a nightmare behind. He took in the room. It was foreign, yet familiar.

The floor was a sprawling, orange, shag carpet; a disgusting sea of burnt pumpkin. Sparse blotches of brown were mixed in, which seemed more like accidents than artistic choices. The length of the shag bordered on experimental, reaching almost two inches in height. 

A dial television set sat on the floor, surrounded by an old gaming console. The controllers sat amongst the shag, their wires tangled in unsolvable knots, snaking through the carpet. Action figures were scattered about like the bodies of fallen soldiers. The walls were blanketed with posters from Saturday morning cartoons and beloved video game characters. 

It became apparent to Josh, at that moment, that this was his childhood bedroom.

[The following is an excerpt from Shane Jones’ new novel, Vincent and Alice and Alice, now available from Tyrant Books. Get your copy today.]

§ § §

“You look like Bert, from Bert and Ernie,” says Alice when I walk into the apartment. It appears she hasn’t moved today, the apartment surrounding her looks untouched. She’s dressed in what she wore last night. 

“Thank you.”

“It’s the shape of your head,” continues Alice, who sits on the couch with her feet up on the table. The TV shows a man in a leather vest and American flag bandana with his outstretched arm aiming a gun at a crowd of forest-green ski-masks. In the background is a storefront framed in fire and people running in and out. Holding up one hand toward my jaw Alice pretends to turn my face in a deep study. “I don’t know if it’s because you’re getting older, but your head is longer and has a pinched quality to it now.”

“Like Bert’s.”

“Exactly,” she replies satisfied. 

The following is an excerpt from Noah Cicero’s new novel, Give It To The Grand Canyon, which is forthcoming from Philosophical Idiot.

On the bus heading down the west rim, six in the morning, looking out the window. Barely anyone on the bus. I decided I would hike down to the bottom of the canyon. I hadn’t done it in over a decade and knew I had to do it again. The shimmering green world had always haunted me. I had to get back. The Grand Canyon had something to say to me, some truth, I knew it was down there, I just needed to get to the bottom.

The bus stopped at Yaki Point, the sun barely up, a pale light. I went over to the water bottle filling station and loaded up six bottles, put them in my backpack. The bag was heavy on my back, but I knew I had to carry it. There was no water on Kaibab Trail. There wasn’t going to be any water until I got to Bright Angel Trail.

I started hiking down, there were tourists at the beginning, all bumbling around holding one bottle of water. I walked by them telling everyone good morning, hello, have a nice day. I smiled and felt good.

[An excerpt from THE GREAT AMERICAN SUCTION, forthcoming from Tyrant Books on Feb. 26]

Once a month, the Brothers Tully host militia training maneuvers in and around the thirty-odd acres that entrench their house. Since Shaker owes the Brothers approximately a full week’s labor for use of their truck, he has been conscripted into service this Sunday afternoon. The game is paintball, and he joins the angry secessionists and meth mummies and paroled vagrants who have also been coaxed through assorted Tully-related obligation. Shaker is kitted up in camouflage and fourthhand hockey pads, humping things into position. Thanks to the dearth in available head armor, he can see a few exposed faces that he recognizes. Stool slouchers from the Regal Beagle, grocery stockers, an alderman, a Shriner. Even Bob Mossenfeld, who managed the only used auto lot in town and sold Shaker his old van before he was fired for lagging odometers. The Minnesotan sits with a shotgun cracked open on its hinge. He’s trying to huff the paint cartridge inside. Hunkered on another tree stump is Bitters McCaulky. The reverend’s face is clamped with concentration as he velcros on his body-molded shin guards and aluminum crotch shield. He’s suiting up for some serious castle siege. Shaker hurriedly crams his head into his ski mask. Then he straightens his bullet belt and thermal gloves, his night-vision goggles although it is not night. Fully pieced together, he walks up and holds his gun point-blank to McCaulky’s cheek and gives the trigger a dainty pinch. A loud lisp of compressed air. The man’s head jerks. Red paint decorates all immediate parties. Shaker thinks he can read in the spatter the cryptic intimations of his own existential liberation. It more or less resembles red velvet cake.

“Bombs away,” Shaker says and returns to his team of junky addicts and lonely stalkers and school board members. A Tully blows a bullhorn.

The skirmish can now officially begin.