1. Don’t Die

2014. My dad calls to tell me about a sheep hunt he’d been on with an old fisherman friend in the interior. He tells me to call this friend because I’ll be working on this friend’s fishing boat this summer. “You’ll either be with Andy or his identical twin brother Pete.” Two people I’ve never met or heard of before. Fishing after high school is a mundane fact in coastal Alaska, but when I tell my friends I’ll be fishing they don’t believe me. The cognitive dissonance of imagining my 18 year-old-self working on a seine boat is too much and everyone worries for me. The most common two words I hear before I leave the first time are “don’t die.” 

 

2. Cordova

So I fly into Cordova to fish for a man I’ve never met, with a backpack full of books I think a recently graduated 18 year-old should read. I won’t read any of them, and later in the season I’ll wish I used the backpack space for more socks. 

Andy and his wife, Mel, pick me up from the airport. Andy has a lazy eye and a limp and he says it’s because his twin beat him up in the womb. Andy seems a little shy at first so Mel does most of the talking. She wears wire transition lenses, and chain smokes Marlboro reds. She is a born and raised Cordova girl.

Cordova had a railroad in and out of town, but now there’s a 30 mile stretch of dirt road where it used to be, ending at a bridge which was swallowed by the unforgiving Copper River during the Good Friday earthquake of 1964. Now, Cordova is cut off from the Alaskan highway which would connect it to other parts of Alaska like the city of Anchorage. Cordova doesn’t want this road to the city. They fear a road will take away what is special about Cordova which is that it’s really only fishing and things related to fishing. There are bumper stickers on lots of cars and businesses around town “NO ROAD.”

1989, thirty years after the Good Friday earthquake of 1964, and seven years before I am born, the Super Tanker “Exxon Valdez” runs aground on Bligh Reef and spills over 10 million gallons of crude oil into the Prince William Sound. After the spill kills the fishing industry, financial anxieties, spikes in substance abuse, domestic abuse, and suicides plunge Cordova, a town of 3,000 (mostly fishermen), into chaos. Twin fishermen and lifelong Cordovans, Andy and Pete move south along the coast to Sitka to continue fishing in waters untouched by the oil.

 

Andy’s boat, The Ace is brand new, fresh from the boat yard in Washington. Unlike other boats in the fleet, the living quarters are comically small. It’s the first thing people comment on when they step inside for the first time. “Oh it’s like… really small.” Andy designed it this way so as to not invite any other sort of leisure or unnecessary passengers (like his wife). “It’s a work boat, not a piano.” Andy also takes this as an excuse to keep the boat as messy as possible. The deck of The Ace is spacious and incredibly efficient in its operation. Andy likes to make sets fast. The more sets you are able to make in the fourteen hour fishing periods, the more fish you catch, the more money you make. The price of the salmon varies year to year. That’s one tactic Andy uses to keep me coming back. He keeps predicting how high the price is gonna be. “It’s gonna be the biggest year, pricewise, you’ve ever seen.” And usually it’s not and it’s a lot lower than he predicts. He makes up for this by always being one of the top three boats in the Sound. Some years his twin beats him.

 

3. Thom, Ethan, and Paul

Thom has minor gauges in each ear and wears a red knit cap with devil horns. He’s one of the boat builders and is on the crew to help fix and finish the boat since it was rushed out of the boat yard. One day he runs out of chewing tobacco. I hand him a slice of pizza at the end of the fishing day and he throws it in the water. He teaches me mechanical things, but it is confusing because he compares everything to jerking off. Changing oil? Just like jerking off. Tying lines? Exactly like jerking off. Unbolting a piece of equipment? Just think of it like jerking off. I don’t remember any of the practical knowledge.

 

Ethan was recently asked to leave his Christian college in Homer, Alaska because the administration found out he had sex with his girlfriend. He says he was called into the dean’s office and they asked him if it was true he had had sex with his girlfriend and he said yes because he was worried being caught in a lie would be worse for him. 

 

Paul is basically the co-captain and Andy’s oldest friend. Paul is patient and teaches me a lot. Each piece of the boat is designed for a specific part of the fishing operation and I have no idea what any of it is. I’m told to do things like “shorten the purse line” and “change the oil,” “pull up the bunt,” “pop the release,” and I have no idea. Eventually you learn things until one day you understand. It took me two summers to understand what each part of the net is for. There’s the corkline, the lead, the lead line, bunt, web, breast line, purse line, rings, king ring and so on. One day it all clicks. 

 

Dear Syd, 

I didn’t know your friend, and I’d fail if asked to list five simple  biographical facts about you, but I know you–maybe you know  me too, maybe not. And I understand this “you” is not you, but  rather, my perception of the version of yourself curated for the  amphitheater of social media, as it’s cropped up in my feeds from  Tumblr to Instagram to Twitter, among fields of people I know  IRL, which is likely the root of this intimacy I feel. Although I  believe you and I are similar insofar as our membranes between  public/private are thinner than most, I know there are things I  don’t or can’t know, but I’ve always found you interesting, likely  had a large crush on you at some point, and your tweets about  your friend’s death hurt my heart like it wouldn’t have if I didn’t  know you. Your commentary while watching the highly esteemed  Saw franchise for the first time earned its place in my Internet  Hall of Fame, and it was a little disorienting, yet in retrospect  made perfect sense, for me to laugh to the point of pain at what  you had to say on the spectacle of gore orchestrated by dying-of cancer John Kramer, because I know you, or this image of you,  built from the way autumn sunlight kisses the angles of your face,  the Edwardian dresses you pose in, the melted glacial blue of your  gaze, how you inhabit the mundane in eternal photoshoot; it was  natural incorporating your funniness into all this, not as revision,  but as something there from the start. Part of me feels I shouldn’t  be writing this letter to you—who am I to intrude upon such a  highly intimate moment when I’m not even remotely an integral  part of your life? Perhaps the urgency I felt to write to you isn’t  sufficient enough an answer, but it was intense enough for me to see this through. Freshman year of UMass, around the time you  and I first connected, I think, I was friends with this girl, Nina,  who lived in my dorm, who’d see me pulling all sorts of stupid shit  (i.e. piggyback riding some guy through the halls, knocking on  each door to offer a spoon-fed glop of Nutella to whoever opened)  and tell me, bursting with giddiness, “You really need to meet my  boyfriend, you’d love each other.” One weekend he visited and  proved Nina right—Jake and I were so same-wavelengthed  hanging out was like sitting next to a mirror–but more than that,  here was this whole other human who saw and understood me,  who I saw and understood, better even, than we saw and  understood ourselves. Another weekend, I hadn’t known he was  coming until I heard TONIGHT WE RIDE! right outside my window, in his best imitation of the La Dispute vocalist; I threw on shoes and rushed outside to tackle-hug him.

 

I’ve never, and will never, fit the skin of my father’s name. People call him Steve, and when people call me Steve, I tell them I prefer Steven. Steves are the all-American in their varsity jackets and high school sweethearts and salaries, while Stevens are just Stevens. The day I was born, A Bronx Tale, a film so important to my father he watches it weekly, was commercially released, so he saw it the first time while I was a pudgy pink infant spitting up breast milk, with no clue as to how it’d define his relationship with me. The day I was born was also my parents’ third anniversary and a weird one in terms of when I’d start kindergarten— my parents were conflicted but decided I would be a year younger than my classmates, which hardly mattered because things consistently came easy: I aced quizzes and tests without studying, finished cross-country meets as a high school freshman short seconds after our captain, read every book I could. But while I exhibited ability and potential, clinical depression and anxiety bubbled under the surface. I ran cross-country for the endorphins and friends, so it hardly mattered when other runners outpaced me; I discovered authors like Palahniuk, Robbins, Hesse, Kundera, so it hardly mattered what was on the curriculum; I didn’t live up to my previous report cards, which hardly mattered because I was filling journals. My parents swore I was on drugs because they couldn’t think of anything else– but I’d known early on bad things happened in my brain and I refused to take or drink or smoke anything that might make things worse. They were so ashamed their first was a black sheep, they’d tell white lies to protect me.

 

The opening sentence I first wanted to run with was: “I may have inadvertently endorsed an actual cult.” Then, I thought: “I would like to take this opportunity to close the curtain,” would be more fitting. Although both true, I don’t wish to bring further attention to my potential cult endorsement, and I forfeited my right to privacy when I decided to write this book. But more importantly, neither sentence does the work of kicking off a month in which—for the second time in my life—I thought, “God is happening.” Disclaimer: I don’t believe in God, neither do I disbelieve in God—it’s not a question I’ve ever found vital enough to answer. The thought popped up only because there aren’t words to describe what occurred to me at night, October 7th. Things got set in motion, a smidge more than a week before, when I woke to a text from Pola: Hi Steven, happy birthday! Hope it’s a really nice day for ya. It was the first time, I think, she’d initiated contact since February, aside from the time I sobbed so hard I puked blueberries and unfollowed and removed her as a follower on Instagram because a photo she posted of herself and Bella forced me into the moment I felt closest to her—we’re on our stomachs, trying to lure the skittish and wide-eyed cat from beneath a bed, when Pola says, “It’s okay Bella, we’re your parents now.” Days after the birthday text, I pinned down why it disquieted me. Blind to everything but the short story I was working on, Sarah J. texted she was close by and wanted to do schoolwork on my couch while I wrote at my desk, something we’ve been doing weekly, and I said sure, just gotta shower first. A drop of lavender Dr. Bronner’s cupped in my palm, collecting water to dilute it, and no longer thinking of the divorced dad narrator and his weekend with Audrey, his daughter—something gave: the whole of the relationship, the breakup, the bereavement, caved in on itself and buried me in its rubble. I didn’t cry until I dried and sat naked in my desk chair, but it wouldn’t stop once it started, regardless of the Klonopins and the mindfulness exercises—I texted Sarah J. over-apologetically asking to postpone.

 

The dreams I’ve been having have trickled into reality in the hides of false memories. At work, all the electricity went kaput and I bushwhacked the dark to find the urinal. I’m unsure where the mice are getting in from but a strong guess is the extinct fireplace. When Under The Skin was released in 2014, a mouse in the theater darted past my socks. I remember that so vividly but not simple things like I have to eat meals. The people from apartment 1 and apartment 3 and apartment 4 have all vanished. Unsober, I floated through the rooms of 4 and discovered a replica of my extinct fireplace. Their kitchen lent more counter space and their bathtub had claws and a window beside it. Now, I refuse to be dead before eating raspberries in my very own claw-footed bathtub. In January, the roses addressed to Leslie Walton died on 4’s welcome mat. A subscription service meal kit got delivered to 3 and it’s been rotting in the vestibule. Someone moved it to the stoop then someone moved it back inside then I threw it out. Sarah J. said she didn’t have the attention span for movies, so I eased her in with short ones. We watched Jonathan Glazer’s The Fall and the first segment of Todd Solondz’s Storytelling. We came very close to swapping out a tire, we went out to her car and everything, but didn’t. Storytelling is a fitting preface for the remainder of my year because I’m taking 2 workshops. I enjoy Chelsea Hodson’s course because it’s pushing me deeper into what I’m already doing. But I won’t write about the most emotionally intense moment I’ve experienced, it isn’t mine. Just as I won’t describe the plan I’ve devised to get to the life I want to live, in case I can’t. 

 

How could I have anticipated becoming friends with two Sarahs in less than a year? In July, I wrote 31 sentences about 11 hours because the timespan unfolded into a tidy narrative. But I didn’t write about meeting the second Sarah and I didn’t write about drinking humongous Bud Light Oranges on her roof, the overlap of our Venn-diagram so fat we both kept saying, “Wait, wait! I got a story about that,” and then never telling any of them. I began writing this novel January 1st with two parameters: 1. I’d compress the primary occurrence, thought, or theme of each day into a single sentence 2. If anyone is mentioned by name, I must get their green (or, in some cases, yellow) light prior to publication. I ditched the first rule in lieu of the linear essays I wrote in June and July and I’ve abused punctuation to turn full paragraphs into sentences and there are a slew of other ways I’ve circumnavigated to allow myself greater narrative freedom and, if I’m being completely honest, to save my ass from habitual procrastination. But I’m committed to literary consent because no sentence is worth bridge-burning or hurting someone and I’m committed to real names because if someone says they’re comfortable only if I pseudonym, they’re not comfortable. First Sarah has been mentioned twice so her name will remain “Sarah” while second Sarah will appear as “Sarah J.” I think often of the sentence couplet in Scott McClanahan’s The Sarah Book where he writes: “She had a brother named Jack who I never liked but who I always said I liked. I never liked him though and I’m not putting him in my book.” I didn’t write about the divorce my coworker is going through, how his wife blindsided him one day with “I don’t think I ever loved you.” And I didn’t write about how he discusses it in such a water-cooler way even though it’s gotta be weighing on him. Or how I could never be like that, my interior life on full display even when I’d rather it not be.

 

Returning from Dunkin’ with my daily order of large iced coffee with cream and sugar, large iced matcha with whole milk, everything bagel with strawberry cream cheese, hash browns, and the little bag they fill with small strips of seasoned bacon, I’d envisioned a Saturday spent watching the last half of the last episode of Evil Genius: The True Story of America’s Most Diabolical Bank Heist then working on writing until it came time to sleep, but the sparrow that appeared on the ledge had other plans. I can’t pinpoint why I was in the kitchen but I was, the window wide open without insect screen. The sparrow and I sized each other up in a sick twisted game of What Happens Next? I itched for it to do something other than sit and swivel its head because I wanted to milk it for a more interesting image—it didn’t budge. This is an autofiction novel so I can invent sparrow fiascos whenever the hell I want but everything on the page so far, save an inconsequential detail or three, has been true, so it didn’t cross my mind to ascribe actions to a bird that hadn’t performed them; I started to craft a sentence about disappointment—then, in an awkward flapping fit, it pulled itself to the dish rack, did a shit, and flung itself inside the drop ceiling. It got in through the missing section under the fluorescents and I watched it skitter across the other plastic panels, splattering them with well over a dollar’s worth of dime-sized defecations.

 

This isn’t a history textbook but history is happening. It was convenient weaving COVID-19 into the narrative of my day-to-day as a universally relatable backdrop but this isn’t like that. The pandemic was and remains tragic but it’s the result of microscopic pathogens that cannot make logical decisions for themselves; what’s happening now in America is the result of millennia of horrors by way of the brains and hearts and hands of humans who have had millennia to witness the harm wrought and vow not to pass the hateful torch on to their offspring. But no such thing happened, the horrors so ingrained they remained fabric, breaking point after breaking point. I was raised in an overwhelmingly white part of a suburb, where parents accused Black kids of infiltrating from an abutting neighborhood to parasitically suckle from the teat of our top notch public school system paid for with our hard-earned tax dollars. I can only recall a single African-American student from elementary school; his house burned down from some appliance gone awry in the garage and everyone knew, even the librarian, who in front of our whole class, treated him with disproportionate cruelty over unreturned Goosebumps. All four elementary schools streamlined into a single middle school and I became friends with Marlon, the funniest kid I’d ever met, so capable of making my gut bust our Geography teacher had to alter the seating arrangement so we’d be as far away from each other as possible, but that was useless, all it took was a single backwards glance, him pulling down his eyelids with his fingers and puffing his cheeks, and I’d once again disrupt the lesson; toward the end of sixth grade, we signed ourselves up to perform improv in the talent show; per audience suggestion, we got on our hands and knees and became cows, we pantomimed chewing some cud, then I made the low-hanging joke that he produced chocolate milk; our peers laughed, shouted more suggestions, and we went on with our act–I’m not sure whether I felt off about it then, or if its offness only comes now, over a decade later, superimposing itself over the memory, but the joke had no basis other than me viewing my friend as my “Black friend.”

 

Nat is pregnant. Nothing remarkable is happening to my body besides the fact I’ve gotten fatter. We’re all used to that now. This started well before the virus. It’s her body where things are happening: my pregnant wife. There is a 6-inch boy-to-be somersaulting inside of her right now. That’s my kid in there. Life. 

 

We’ve been quarantining with my parents for over two months. Two months is how long it takes to be in a room watching a movie together, hear your father fart and have no one feel the need to remark on it. I could cry, or at least mist up, probably, if I kept really thinking about it. The closeness. All of us on pause from the inertia of before, with nowhere to be, in a room watching something dumb. Remember, we’re all going to (you know what)

 

We garden too, me and my dad. Dig out dirt from under a pile of dead leaves. Worms are a black gold bellwether. That’s what he mutters when I pitch some good looking soil into the barrel as he sifts through for rocks. Black gold. Black gold. We take turns wheelbarrowing the stuff to the little, planting square. Pick up speed with the barrel on the approach to the little hill. Watch out for the lilies, son. We plant rows of breakfast radishes that the deer won’t eat.

 

Dad grew a pandemic goatee. 

 

Something tragic must have happened but the sirens snapped me fast awake in a way my procession of phone alarms never do. A couple months ago, I started a daily movie discussion group that gives me passable doses of socialization and structure. Mumblecore is a film movement defined by low budgets, close-cropped shots of blackheads and the oily skin of actors who look like regular people, and loose scripts which give way to mostly improvised dialogue, all adding up to the closest narrative cinema has ever gotten to the pulse of real life, turning the tiniest emotional nuances into the end of the world. Joe Swanberg’s 74-minute-runtime Art History took me 4 hours to watch because I kept having to pause and sob on the floor. All day, I was pure Pavlov’s dog; the VEEDER-ROOT would beep until I silenced it so it was my job to jump from my desk and press the red button, soon impulsively jumping at different disruptions. It takes me two weeks to get adjusted to being at work and two weeks to get adjusted to being at home, which means I’m not. I have been eating, at most, one full meal a day. I spoke with my therapist about sleep hygiene and made the decision to stop using my bed for anything other than sleep. I didn’t follow through but did wake up reasonably early for a Saturday. A loud romantic argument went down at 4am on a work night and I looked outside to see both lovers were maskless. Minor daily frustrations, like a text message when I’m trying to focus, or someone nearby saying “Hello!” to a friend louder than needed, have the power to rattle and derail me so hard it takes upwards of 40 minutes of zoning out to regain composure and get back to what I was doing. When in the kitchen speaking on the phone with Jackie, one of my best friends, I looked out the window just in time to witness the act of a man pissing on the side of my building; he looked up and witnessed my witnessing while seeing his stream to completion. Regarding the piss man, I said, “This is it, this is my sentence for the day,” and Jackie told me to jot it down. 

 

Got slapped with a $150 fine because I missed a psychiatry appointment because my sleep schedule inverted because of this weird new life. I am biologically prone to exist nocturnally in the absence of external responsibility and structure. I work for a utility company, which is as essential to the upkeep of society as it gets, but my position is not essential. My department, however, which repairs its vehicles, is essential, and it was decided we split into two groups, switching off biweekly between who stays home and who comes in. I’m nervous that I must go out into the world tomorrow but count myself lucky I’m still getting a full paycheck. The windshield from the totaled truck looked like crumpled paper in the trash can. The businesses that remain open have large panes of plexiglass hanging from their ceilings to keep the cashiers safe from customers who have come for burritos or coffee. I’ve had to revise habits, such as shooting snot rockets and picking up and pocketing every coin I see glint from the sidewalk. Almost everything I see or hear or think can kickstart a train of thought that delivers me to Pola.

 

Christopher and I saw it running across the street in a neighbor’s front yard. At first, we thought it was a large cat and didn’t think much of it. There are stray cats in our neighborhood. They run in people’s yards. After about 10 minutes of the animal appearing in and out of our window’s view, I was annoyed. I walked to the window and saw that it was a small black dog, trotting diagonally down the middle of the street with its mouth open. It didn’t seem totally aimless–I got the sense that it lived within our crescent shaped street’s selection of houses. A red car drove by and the dog started chasing the car.  I got our dog’s leash and Christopher went ahead of me to try to get the dog’s attention.

When I walked down the street, Christopher was talking to the dog, with it standing about 5 feet away from him. He had a red collar on, and the collar had a tag. The dog eventually approached us and we were able to look at the tag. The owner had put the dog’s license for the county on but not a tag with their name, phone number or address. The dog was fine with us putting him on a leash and wanted to keep walking. At this time, the red car that the dog had been chasing drove by again, and I waved at the driver in case it was the dog’s owner searching for the dog but missing it both times they drove past, and they did not respond. We called the dog shelter and it was closed.

 

I did a bunch of demerol when I was 13 years old. I was in a hospital in Plano, Texas, and I had both feet. 

 

I still have both feet, but at the time, it came as a shock to me. 

 

I got hurt playing football. 

 

I played strong guard for the Wilson Rams, and my running back, Jessie, was a dipshit. He tripped and speared my lower leg with the crown of his helmet during a trick play.  

 

Essentially, our coach sent in every running back we had—loaded the backfield, if you know the lingo—so that the Renner Raider’s defense thought we’d be running. 

 

The center hiked the ball to the quarterback. He handed the ball off to the halfback, who faked a handoff to the fullback before pitching the ball to the tailback, who then passed to the quarterback who had made his way downfield and assumed a receiver’s role. 

 

Trickeration, some people call it. Gimmickry, others say. 

 

The whole point is deception. 

 

But Jesse, my dipshit fullback, tripped on his own feet, ended up head first in my lower extremities, and  I came to on my back with my right leg in the air, and my foot wasn’t where it was supposed to be, and wherever it was, I couldn’t see it. 

 

Boom.

 

My mind went wild—the broad October sky shined black above me. 

 

Under the Friday lights of a Texas autumn night, I screamed, “My foot. My foot.” The crowd fell still and some of my teammates were puking. “Where’s my foot?” 

 

My hands searched the ground for my torn-away part. My heart beat my brain with blood and my breath felt frantic.

 

One of my coaches—I can’t remember their names—screamed into my helmet, “Shut the fuck up,” and I went still, and my body thrummed in the tangy, grass-scented air because maybe it wasn’t as bad as I thought. I could hear the crowd holding their breath.

 

“Think it’s just dislocated?” someone said. 

 

“Hopefully,” was the answer. 

 

My foot was still on me, just hanging the wrong way. 

 

“What’s your name?” they asked, I guess wanting to see if I was addled beyond comprehending myself.

 

“Brian Carr,” I told them. “Did we get the first down?”

 

Everyone—but who were they?— laughed and things felt easier, and then I was in an ambulance, and then I was on a bed, and then I was listening to directions, and then the true pain came. 

 

The night cut in and out. My whole body quivered like the ribs of a kicked dog. 

 

“We can’t put you completely under,” a doctor said. I was bathed in light, but maybe my eyes were closed. “We have to turn your foot back around, and you ARE going to feel it.” 

 

The twisting began. 

 

Even now, I can hear the gnash of the process. The same kind of noise any accident makes. Drop a glass on the tile floor. Rear end another driver on the highway. Bang and crunch and fuck and shit. 

 

I yelped curses at God, bleated like a dying goat, lowed anguish unintelligible. 

 

A great darkness pulled across me. The world rattled closed in heaves. 

 

When I woke up, they gave me a button. 

 

Pola said she needed space and time, then gave me the hat she had finished crocheting, which, I noticed, after she left, smelled exactly like comfort and security and happiness and her bedroom, so I stuck it in my bureau, so cigarette smoke or fresh air couldn’t take that away from me. One of the trucks from my job swerved and flopped onto its side, and there was footage of it on the internet which I watched over and over while intermittently looking at the truck itself standing upright in the garage with a gouge instead of a windshield. Whoever sequenced the stoplights and walklights at this intersection, did it with the intent of killing people. A part of me wishes I believed so deeply in astrology that I could explain this all away with mercury retrograde. When I listen to music in the shower in the morning, it’s often interrupted by alarms I neglected to turn off, and I get frustrated, but then I feel a little guilty because they were only trying to do what I instructed them to do, so then I think, “I’m sorry for getting upset with you. You were just trying to wake me up.”

 

Late into the night, the traffic lights outside start to blink, as if to say, “Go ahead, do whatever you want, I don’t care.” It’s easier to apologize profusely for my room being messy than it is to clean it. I remember two times I called 911, although there may have been others. The crossword clue was: “Message written on a car window” and my first guess was SAVE ME, and my second stab was CALL ME, when the answer was WASH ME. When I was on the cusp of graduating college, I ended up in a psych unit for three days instead. Pola and I walked down the same street in different directions so that we could bump into each other to walk in the same direction and it was dark and drizzling and the headlights and streetlights didn’t help so everyone walking towards me was Pola until they got close enough and were not her until it was her. People often give me the heads up that my fly is down. As of now, I think the most beautiful song lyric is: If being afraid is a crime, we hang side by side. I much prefer phone calls to texting. I had to explain the messy details all over again when I met with a new mental health professional. I’m not sure which parts of me are worth keeping secret. The olive oil sputtered and got me, and I held my fingers and arms under the faucet so I’d have smaller blisters to deal with. Learning that the name for something that has been happening with me is OCD, has heightened my OCD. We were watching Big and Pola fell asleep before Josh Baskin returned to the Zoltar machine so he wouldn’t have to be Tom Hanks anymore. In a coffee shop, Pola taught me the basics of crocheting, and a man in a wheelchair wouldn’t stop saying to me, “Yes, that’s a good thing. Crocheting is good. There’s nothing wrong with crocheting. It’s a good thing.” For months now, Pola and I have been stealthily planting two specific mayonnaise tubes on each other’s person each time we see each other and today I found one tucked inside my Zoloft bottle and the other fell out of my hat when I got back home. My belts break at a rapid pace. I dreamt that I lost my cool at work and when I told my coworker about it, he laughed. In lieu of dinner, I ate two Ben And Jerry’s. The scab from my blister got crusty and yellow and looked like a booger and even though I knew better, I fiddled and fussed until it fell off and now the exposed skin is tender and deep red. I’m much more embarrassed when the embarrassing thing occurs in private. But there are major drawbacks to having an audience as well. I think I may have just committed the most brutal act of self-sabotage that I have ever committed in my life. While I was sobbing in a Lyft, my driver made a fatal wrong turn and, at the end of the ride, he gave me three dollars from his own pocket and said it was for making me late to work but I choose to believe it was out of compassion for the crying. I bailed on the movie with Pola because I haven’t really slept for three days. How do I write definitively about something that’s yet to be defined? I’m learning the distinctions between unhealthy sadness and healthy sadness. My phone died and forced me to listen to the things I was thinking and feeling. Cliffhangers are devices used in fiction to keep audiences hooked, beside themselves with anticipation for the next chapter or episode, and a lived life can present you with things that feel like cliffhangers, you’re left wondering what will come next, what another person is thinking or feeling, it can drive you mad, but it’s best to keep in mind that life is not a structured narrative, it happens and it keeps happening, and so I cast off my frantic anticipation and sit here patiently waiting for tomorrow without torment.