I first discovered the Reverend Al Green’s rich, tenor voice where many others of my generation did: the Tiki lounge scene in Quentin Tarantino’s Pulp Fiction. Half a lifetime later, the brassy intro to “Let’s Stay Together” brings me to the sparsely populated bar where Marcellus Wallace does business. In the interim years I have used Green’s 1972 classic album Let’s Stay Together to set the right mood at a party, unwind after a night at the bars and separate young women from their clothes. It’s never failed me in any of these endeavors.
Utility aside, Stay Together is a classic of 1970s soul. It seamlessly straddles two subgenres, uniting the ‘60s and the ‘70s. First, Memphis soul: The harder-edged sounds of the ‘60s synonymous with Stax Records. Memphis was on the wane in 1972, increasingly eclipsed by the funk of soul stalwarts like James Brown and younger upstarts like Parliament. Second, Philly soul: The ascendant smooth sounds that would dominate the ‘70s before morphing into quiet storm and adult urban contemporary.