Now playing on Otherppl, a conversation with Katharine Coldiron. Her debut novella, Ceremonials, is available from Kernpunkt Press.

 

Coldiron’s work has appeared in Ms., the Washington Post, LARB, the Times Literary Supplement, the GuardianBUST, the Kenyon Review, the Rumpus, VIDA, Brevity, and elsewhere. She earned a B.A. in film studies & philosophy from Mount Holyoke College and an M.A. in creative writing from California State University, Northridge. She has read many, many books. Born in the American South to a professor of poetry and translation and a U.S. Navy captain, and raised along the East Coast, she now lives in Los Angeles.

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Now playing on Otherppla conversation with Nicolette Polek. Her new story collection, Imaginary Museums, is available from Soft Skull Press.

 

Polek is a writer from Cleveland, Ohio and is a recipient of the 2019 Rona Jaffe Foundation Writers’ Award.

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Now playing on Otherppl, a conversation with Fiona Alison Duncan. Her debut novel, Exquisite Mariposa, is available from Soft Skull Press.

Duncan is a Canadian-American artist, writer and organizer. She is the founding host of Hard to Read, a lit series, and Pillow Talk, community organizing on sex, love and communication. She lives in New York City and Los Angeles.

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Now playing on Otherppl, a conversation with Adrienne Brodeur. Her memoir, Wild Game: My Mother, Her Lover, and Me, is available from Houghton Mifflin Harcourt. It was the official October pick of The Nervous Breakdown Book Club.

 

Brodeur has spent the past two decades of her professional life in the literary world, discovering voices, cultivating talent, and working to amplify underrepresented writers. Her publishing career began with founding the fiction magazine, Zoetrope: All-Storywith filmmaker Francis Ford Coppola, where she served as editor in chief from 1996-2002. The magazine has won the prestigious National Magazine Award for best fiction four times. In 2005, she became an editor at Harcourt (later, HMH Books), where she acquired and edited literary fiction and memoir. Adrienne left publishing in 2013 to become Creative Director — and later Executive Director — of Aspen Words, a literary arts nonprofit and program of the Aspen Institute. In 2017, she launched the Aspen Words Literary Prize, a $35,000 annual award for an influential work of fiction that illuminates a vital contemporary issue and demonstrates the transformative power of literature on thought and culture.

She splits her time between Cambridge and Cape Cod, where she lives with her husband and children.

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Now playing on Otherppl, a conversation with Kristi Coulter. Her new essay collection, Nothing Good Can Come From This, is available from MCD/FSG Originals.

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For the kids reading this, coming of age in the 90s wasn’t for the faint of heart. It was like the 70s but with pushup bras instead of no bras. Nobody watched their language – twelve-year-olds might as well have been twenty-one. Families were broken; “dysfunctional,” we called them. Dads were disappointing, dads were nonexistent, dads took us aside and told us our mothers were crazy. Moms were over it; moms did their best; we blamed our moms for not protecting us from our dads, from the world. Tanya Marquardt grew up in Vancouver; I grew up in Ohio; you grew up in Oklahoma; New York, Kentucky, Oregon, Texas; it’s all the same pain with a different accent. Teen angst, abuse, abandonment. In Stray, Tanya tells the story of an angry young woman just discovering that her voice is a rebel yell. She hit the road at sixteen against a soundtrack of weird industrial noise bands like Skinny Puppy, and found that a BDSM dungeon can sometimes be a better option than home bitter home. Managing to stay in high school despite it all, with Stray and her work in the theater, Tanya Marquardt has turned trauma into art.

 

You famously talk in your sleep. Can you talk about the process of recording yourself and the most surprising thing you learned? 

Alongside the book, I’ve been working on a performance piece called Some Must Watch While Some Must Sleep, which is about my experience as a lifelong sleeptalker. In 2015, I started recording my sleeping self on my iPhone and discovered that I have an entirely different ‘person’ that rolls around in my head. She has her own desires; she talks to herself, to me, to people I don’t recognize, and to the people that are sleeping next to me. And when I listen to the recordings, this sleeping self sounds like a younger version of me, a cup ½ full little creature walking around in my brain when I am unconscious. Sometimes she talks like a child, other times she seems to have some kind of mysterious, poetic knowledge.

Now playing on Otherppl, a conversation with T. Greenwood. Her new novel, Rust & Stardust, is available from St. Martin’s Press. It is the official September pick of The Nervous Breakdown Book Club

This is Tammy’s second time on the program. She first appeared in Episode 267 on April 9, 2014.

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Get to know me: I die for books but I live for television. The former is my bff, the latter is my one true love. Give me a meaty, well-written drama with an ensemble cast of Emmy nominees who can transport me to another time, place, or life experience, and I’ll binge it on a loop until it becomes embedded in my emotional memory like a song. Earlier this year, ER, the 15-seasons-long saga of daily life at County General in Chicago from the perspective of its emergency department, finally became available to stream (on Hulu). Created by novelist Michael Crichton, the show debuted in 1994 and holds up like a motherfucker; even its so-called bad seasons toward the end that no longer included anyone from the original cast make Grey’s Anatomy look like General Hospital when it comes to its medicine. Never pandering to its audience, ER calls procedures by their proper names and manages to educate, even as it works to destroy you emotionally with its too-often relatable human dramas. So, for months I’ve been watching all 335 hours of the show at home. Since episodes are often on as background noise the way some people do with NPR, I figured I’ve absorbed at least 1,000 hours of medical school by now, practically a junior resident. Right when I was missing the high of seeing an undiscovered episode ever again, I had the pleasure of meeting editor Megha Majumdar at Catapult, who told me about Paul Seward, MD, a now-retired pediatrician turned emergency department specialist, whose first book Patient Care is just as mesmerizing a read as seasons 1 – 4 are to watch. I couldn’t put it down.

Now playing on Otherppl, a conversation with Ottessa Moshfegh. Her new novel, My Year of Rest and Relaxation, is available from Penguin Press. Her previous novel, Eileen, won the PEN/Hemingway Award and was shortlisted for the Man Booker Prize.

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Kristin-Dombek-The-Selfishness-of-Others-An-Essay-on-the-Fear-of-Narcissm

This week on the Otherppl with Brad Listi podcast, a conversation with Kristin Dombek, author of The Selfishness of Others: An Essay on the Fear of Narcissism, available now from FSG Originals. 

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michelle-tea-black-wave

This week on the Otherppl with Brad Listi podcast, a conversation with Michelle Tea . Her new novel, Black Wave, is available now from Feminist Press.

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margaret_wappler_neon_green

This week on the Otherppl with Brad Listi podcast, a conversation with Margaret Wappler, author of the debut novel Neon Green, available now from The Unnamed Press.

 

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Claire_Hoffman_Greetings_from_Utopia_Park

So Claire, why did you decide to write a memoir?

I don’t know. I mean, I’ve been working on this project forever. I’ve always felt like it was really important and meaningful despite a number of obstacles. But now, on the eve of its publication, I can’t help but think of all the other things I could have done with my time.  Why didn’t I use all that grit and perseverance on something…bigger?

 

Like what?

I could’ve gone to medical school.  That’s just like one thing that comes to mind.  Or, you know, written a novel. Or been a better mother.  Or become an international newspaper correspondent.  Or maybe all of those things—I could have become a medical doctor who wrote a novel on the side while also being a much better parent and also doing some dispatches from war zone.

michaell098300Michael Landweber’s debut novel, We, which will be released on September 1 by Seattle-based Coffeetown Press, has already gotten wonderful blurbs from writers such as Jessica Anya Blau (“a family story…wrapped in a suspenseful, gripping, and totally original sci-fi narrative”), Dave Housley (“a captivating, genre-bending psychological mystery”), and Jen Michalski (“a suspenseful and emotionally engaging novel”). We follow 40-year-old Ben Arnold as he regains consciousness following an accident, only to discover that he is inside his seven-year-old self—and his younger self, whom everyone calls Binky, is not happy about it. Ben would just as soon not be there either, until he realizes he is three days away from the worst day of his childhood—the day his sister Sara was raped, setting into motion the slow, painful unraveling of his family. Somehow, he has to figure out how to get Binky to save Sara.

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Jeff Selingo’s new book, College Unbound: The Future of Higher Education and What It Means for Students (New Harvest, 2013), finds the editor at large for the Chronicle of Higher Education articulating the challenges to contemporary higher education. He also explores possible new directions for a future in which learning may well be unbundled from many of its traditional structures.

I interviewed Selingo and published a short version of our conversation at the Huffington Post under the title “When the Jobs of Tomorrow Don’t Exist Today: Jeff Selingo on College, Liberal Arts, and the Possible Future.” Here, I let the conversation expand to its full flowering, and then move at its close to issues of contemporary publishing.