indexUp and down Broadway, in and out of journalism, taken by daguerreotypes, transported by opera, gathering gathering gathering experience—but for what? By the early 1850s, Whitman began to feel what he later described as a “great pressure, pressure from within.” With his thirty-fifth birthday fast approaching, he grew pained by the notion that at the same age Shakespeare was “adjudged already to deserve a place among the great masters,” having by then written such plays as Romeo and Juliet, A Midsummer Night’s Dream, The Taming of the Shrew, The Merchant of Venice, and Richard III.