I.

I Live in a Seaside Motel

I live in a seaside motel. On nights that the ocean is lively I can lie in bed and hear it murmur midnight elegies. When I’m having trouble sleeping the sounds of the sea’s salty breath draws me out into the darkness with my miner’s torch atop my head. I cross Route 1A, scramble over the Army Corps of Engineer-constructed berm and stand before the Atlantic.

The ocean during the day inspires thoughts of nature’s majesty and human frailty. This does not change at night, but the darkness lends a sense that the massive, writhing body of water is sinister.

After I’ve stood for a spell and looked out over the black expanse I turn and walk back to the Pebble Cove Motel. Every time, as I scramble back over the berm and my feet touch concrete, I begin to run, as if unseen enemies are giving chase. The ocean’s booming and roaring seems mocking, telling me to go back to my little box and carry on being a silly human. In obeisance, I slip back into room 3 and lock the door behind me.

II.

A Modern American Family

When I tell people that I live in a motel, they typically react in one of two ways. They either say something like, “Don’t you get lonely?” or, “Cool, man, you’re living the dream!”

Because I lived at home for over a year before moving into the Pebble Cove Motel, I tend to view my life here as quite idyllic. As for the other residents, I can only surmise, but my guess is that any middle-aged or older person who lives in a motel doesn’t go around asking to be pinched.

When I responded to an advertisement on craigslist offering, “winter studio efficiency,” the man on the other end of the phone suggested I drive down to the coast and take a look at a unit that would soon be vacant. A silver-haired, no-nonsense type of guy named Steve greeted me in the parking lot and gave the tour. At the time, a Chinese business man was staying in the room. Steve said he would be out in a couple of days and that the room would be available in one week’s time.

“Don’t worry,” he said, “We’ll have the place spic-and-span for you.”

I think what he meant was that Chinaman odor would be purged by the time I moved in.

With few other short-term rental options, I decided on the spot to take the room. I gave Steve a check for one month’s rent plus a security deposit and he told me I wouldn’t regret it, that the Pebble Cove was like a little family.

Perhaps, if your family is a group of transients who get kicked to the curb come June 1st so that well-off vacationers can occupy the rooms for the peak summer months. Where the Pebble Cove diaspora goes to I do not know. I will go to Beijing because I have nothing or nobody to stick around for.

Living in the unit to the left of mine is my middle-aged sister named either Jill or Lisa who works at either Pier One or Pottery Barn. On the other side is Ulrich, my 70-something-year-old drunken, heating-man, moonlighting-Nazi of a grandfather.

Aside from them and Steve, the acting father of this little clan, I don’t know any of my other family members except by face and vehicle. There’s “Explorer Chick,” (and also “Mustang Dude Who’s Presumably Banging Explorer Chick”) “Green Honda Van Dude,” “Maroon Honda Van Guy,” “White Civic Lady,” “Young Asian Corolla Dude,” “New Jeep Cherokee Older Guy,” and “Early Model Mazda 626 Dude.”

To them, I am no doubt “Silver Subaru Forester Dude.”

It strikes me as being very American to know one another by the vehicles we drive.

III.

Excerpts From the Diary of the Woman Next Door as Imagined by Me When I’m Feeling Conscious of How Thin the Walls Are

6:34: Dear Diary:

Well, so much for sleeping in on my only day off this week. The guy in room 3 is awake and packing his dishes away as he does first thing every morning. He apparently doesn’t realize how paper thin the walls are. That or he doesn’t care. So that means he’s an idiot or a jerk off…an idiot or a jerk off with OCD. It’s bad enough that I have to talk about dishes and cookware and cutlery and wine glasses at work all day. The last thing I want to do is wake up in my goddamned pathetic motel room of an apartment and listen to the sounds of that little OCD neat-nick asshole rattling kitchen wares around. Oh well. Since I’m awake I might as well pleasure myself.

8:08: Hello Diary:

So much for falling back asleep. I was hoping he’d take a day off from the weights but his compulsive little self is back at it. I mean, I’m assuming that he’s lifting weights vigorously. That or he’s masturbating in a suit of plate mail. I really think this guy is some sort of psycho. There are probably dismembered hookers hanging up in his shower. He probably eats hooker jerky for protein after workouts. And there he goes with the music. What the hell is he even listening to? Die Die My Darling? Your Own Personal Jesus? What kinds of lyrics are those? Oh God, now he’s singing along. What, is he serenading the hookers? But he must have a pretty sweet body from all of that working out. Mmm…the thought of his young, engorged body dripping sweat all over his little box is making my little box drip. I’m going to pummel my unfruitful womb with the Black Emperor for a little while and hopefully he’ll be done by the time I get off.

2:24: Hey Diary:

What is he yelling about? Every hour or so it’s “fuck” or “shit” or “cunt” or “fuck shit cunt.” Is he playing video games? Is a hooker trying to escape? Does he have Tourette’s? One thing he obviously doesn’t have is a job, because his silver Subaru just sits there all day.

Life isn’t fair, diary. Here I am breaking my middle-aged ass working at an unspecified home furnishing store while he gets to hang around and work out and play video games and fillet prostitutes. I’d masturbate again but I’m too goddamned depressed. I think I’ll go to Burger King, order two doubles with cheese and hope I choke to death on a piece of mechanically separated beef.

11:46: Hiya Diary:

You’d think that somebody who gets up at the crack of dawn would go to bed early, not stay up all night watching TV. His “friend” in the black car just drove off. I could smell the dope smoke billowing out the door as he left. They probably had drug-fueled unprotected man sex, the sounds of which were masked by a sports broadcast played at high volume. Sometimes I can hear what sounds like German coming from his place, and last week there was that strange incident where a woman left his room shouting, “You’re fucking crazy!” And I’m inclined to agree. Only a maniac would stay up all night getting stoned, flipping back and forth between science fiction thrillers and Mother Angelica. Weirdest of all is the way he sometimes disappears into the dark with a light perched atop his head, only to come running back a bit later and slam the door shut. Meh. I guess if I’m awake I may as well diddle myself one more time.

IV.

Just Another Saturday Night Blitzkrieg

I should have suspected that Ulrich works in the trades by the way that he backs into his parking spot every evening. All of these handy types of guys—men’s men—back into parking spaces.

Ulrich is a heating man. I’m pretty sure I heard him say, “Hello, this is the heating man,” on the phone. He might have said “beating man,” though. Or “eating man.” Maybe even “cheating man.” I’d like to think he said “fleeting man” but Ulrich doesn’t strike me as much of a poet.

It must have been a tough day at the office, whether heating or beating or eating, because ol’ Ulrich moved straight into the fleeting, into the beer, and is finishing them off at a clip of roughly one per 12 minutes.

I hear the fridge door open and the rattling of bottles inside. I hear the “psssst” of a bottle top popping. I hear Ulrich’s bed sag as he falls onto it. I hear the clanking of glass as the empty gets tossed into the bin. I hear the TV growing louder with each successive brew as the alcohol insulates him to his neighbors’ desires for quiet. I know where this night is headed.

I should probably jet before it gets there. There’s that new martini bar down the road where the older women hang out. It’s no secret that I’ve been coveting older women of late. It seems like all of the women my age around here have this creepy faraway look in their eyes which is their biological alarm clock going off, demanding a baby stat. I feel like I’m wasting their time. I’m most certainly not that guy. I mean, Christ, I live in a motel. I’m hardly father material.

But the older women aren’t biting tonight. Something about the blonde girl in the corner screams she’d go home on the first night. Availability is smeared across her face like too much foundation.

Just a few years ago I was flummoxed by women. Now, I obey the simple fact that most people have a hard time saying “no” to anything. Especially when alcohol and licentiousness are involved. It’s just a matter of getting her to say, “yes,” to the right series of questions, starting with, “Can I sit down?” and culminating with, “Do you want to get out of here?”

When she asks where I live I say the Pebble Cove, because it sounds like a charming little place where successful people live, not a brick motel built in the early 1970s that rents to a collection of Recession-products during the off-season.

When we arrive there she says, “You didn’t mention that you live at a motel.” I say, “That’s because you don’t seem like the kind of girl that would come back to a motel on the first night.” This is a lie, however, as she seems precisely like the kind of girl who would come back to a motel on the first night.

But she thinks what I said is funny and this provides an opening to kiss her, which I do, and we stumble around drunkenly while making out until we fall backwards onto my bed. Once her top is off it occurs to me that I don’t want to have to wash my sheets on account of sex stains so I pick her up and move her to the smaller double bed that mostly serves as a hamper and magazine rack.

As the magazines and books and fall to the floor with a racket she giggles and Ulrich cranks his TV up. I hear the sounds of strafing machine guns and a narrator’s voice saying something like, “Hitler’s forces turned upon France in May of 1940 and using Blitzkrieg tactics were able to occupy Paris by June.”

Hitler’s voice rattles, distorted, through the flimsy TV speakers as my tongue encircles nipple. Then come the sounds of artillery being fired, the narrator’s voice, a portion of a Wagner composition, boots marching in step.

“What is that?” she asks, sitting up.

“My neighbor likes to get drunk and watch Nazi documentaries,” I say.

“Oh. Like, a lot?”

“Like every weekend.”

I had a small window to fire her up to the sexual point of no return, where she could ignore the fact that she’s gone home with a stranger to his motel room. Now I can sense that there’s some serious doubt creeping in, doubt that’s compounded by the sounds of Nazi war propaganda.

The way she looks around the room tells me this thing is doomed. I give her nipple one last lick.

“What did you say you do? You’re a writer or something?”

“I write advertising copy.”

“What does that mean?”

“It means I try to convince people to buy things they don’t really need.”

“Oh. And you do that from here?”

“Yes.”

“That must be kinda lonely.”

“Sometimes. That’s when I go to the bar and pick up a woman.”

She laughs awkwardly, probably hoping it’s a joke. I made the comment because I really want her to leave now that I know she’s not going to fuck me. I could probably cajole my way back into a tug job, but despite my targeting her on the assumption that she’d come home with me on the first night, I’m actually disappointed that she did. I think I can do better than a woman who comes back to a motel with a guy on the first night. I tell her this.

She gets out of bed and puts on her clothes to the sound of Hitler’s fiery oration.

“You know,” I say, “I’ve always suspected that German men of a certain age take great pride in the whole Nazi thing. Even though they can’t admit it, I bet you some of them view World War Two and the Holocaust in particular as the ultimate expression of German intelligence, industrialism, orderliness, thoroughness, and efficiency, which are the very cultural traits that make Germans proud, some even arrogantly so. What do you think?”

“Um, I’m Jewish,” she says as she buttons her blue overcoat and pulls on a pair of brown UGG boots.

“So what? You must still have an opinion on the matter.”

“You want to know what I think? I think you’re fucking crazy!”

She slams the door and leaves in her Volkswagen Cabriolet. Imagine that, the indignant little Jewess in her German coupe. It reminds me of those rich Jews who drive around cars made by BMW, a company that once upon a time made Nazi war machines.

I hear gravel crunching under her tires as she pulls away and then the only sounds are of alcohol abuse and German domination.

V.

Of Troglodytes and Men

I know how much forklifts cost. Warehouse forklifts, narrow aisle machines, telescopic, telehandler, straight mast, electric, internal combustion, fuel cell, with inflatable tires, pneumatic tires, heavy-duty off-road tires. I know all of the major suppliers of phone systems and how much they cost, the difference between PBX and VoIP systems and how each can help your business streamline its communications, improve customer service, and boost its bottom line. I know how much point of sales (POS) systems for night clubs, restaurants, retail stores and pizza shops cost, that Comcash has been a leading provider of POS solutions since 1996. I know how much air compressors, ATM machines, trade show displays and digital copiers cost (although individual prices may vary based on location, requirements, and individual vendors). I can give you price quotes for home improvement projects ranging from plumbing to construction to hiring an interior designer. I can explain the benefits and drawbacks of various countertop, roofing, fencing, and flooring materials. I can explain seven projects for a Japanese wood saw and why you should insure your Golden Retriever. And I can tell you without question that if the negligent actions of another caused your injury, you may be entitled to compensation.

What I can’t tell you is how the people reading this information would react if they knew it came from a guy in a motel room who neither owns nor can afford nor has any use for any of these goods or services, who is wearing only a pair of frayed soccer shorts.

“Fuck.”

The computer cursor lags on the screen.

“Shit.”

It stops completely.

“Cunt.”

The computer is frozen again.

I can tell you how much it costs to repair an overheating computer, but I can’t tell you how I’m going to come up with the money to have mine repaired.

“Fuck shit cunt.”

I shut it down, close the lid, and decide to go for a walk.

As I step out of my front door I shoo away a male cardinal who is attacking himself in my car’s passenger side mirror. When I first moved in to Pebble Cove I thought that the handsome red bird perched atop my passenger side mirror was a good omen. Now, it mostly annoys me because he scratches the glass and poops all over the door. But I also feel bad for the bastard. He doesn’t realize that persistent rival male is actually himself. The instinct to protect his turf has failed him.

I nod to Green Honda Van Dude as I make my way out to the road and walk the ½ mile to Odiorne Point State Park. It is the site of the first permanent European settlement in New Hampshire, founded in 1623. The U.S. government seized control of the land through eminent domain in the early 1940s to construct a battery that could adequately protect nearby Portsmouth Harbor. It never saw any action save for the firing of practice rounds and in 1961 the land was transferred to the State of New Hampshire for use as a state park, with all military structures demolished or exhumed except for the concrete casemate. The displaced millionaires never had a chance to reclaim their land, an enduring source of bitterness in a part of America where people don’t need much of an excuse to be enduringly bitter.

I come upon the remaining concrete fortifications which are mostly buried now under fill and secondary growth. The grey stonework peeks out from under fresh spring greens like a confused old man among a gathering of teens. Graffiti stains it in its usual forms of louche wisdom and second rate artistry.

Passing under the entombed structure I notice a breach in the metal door that leads into the casemate. I stick my cell phone into the hole and attempt to use its light to see what lies beyond, but am afforded a mere foot of visibility.

At that very moment two 20-somethings on bikes pass by and the curly-haired lead rider says, “Hold on a minute bro, we’ve got lights.”

I follow them into the hole, squeeze through the jagged-cornered opening with care and step into an environment that is dark, cold, and musty, in stark contrast to the bright, muggy day outside.

The men pan their flashlights from side to side, revealing rusted pipes and ceiling tracks that were used to roll artillery out to the guns. Duct work, beer cans, bottles, and other debris is strewn across the ground, requiring that every step be taken with care. But it’s a challenge to focus on anything except for the walls covered in charnel imagery, made more ghostly by the vertiginous shifting light and amplified sounds of the dank, asbestos-ridden chamber.

“This place doesn’t open up very often. Maybe every 10-15 years somebody finds a way in,” says the curly-haired guy. “You can tell by the dates on the walls and the can designs.”

His friend, with a dark complexion and a thin beard, mutters something about the place being like the Mines of Moria.

Off of the main hall are several rooms, one of which leads down into a wide-chambered basement. I can see my breath in the nebulous light. We descend an oxidized ladder into a small passageway that we waddle through in a squatting position. Only when crammed into a dirt-floored boiler room of approximately 4 feet tall by 8 feet wide by 8 feet long do we introduce ourselves.

When I tell them I live at the Pebble Cove Motel the dark-haired guy says, “You live in a motel? Cool, man. It’s like a movie or something.”

This is the only room where a dedicated mural exists. The rest of the bunker is a cacophony of visions that overlap and choke out any attempts at artfulness. I think about the artist who spent hour upon hour hunched in this cramped chamber, inhaling toxic air and paint fumes, to create a sepulchral work that few eyes will ever chance upon. Could their endeavor be the result of a failed instinct?

This place brings to mind prehistoric caves and how scientists try to glean those peoples’ cultural knowledge from the images drawn on the walls. If nuclear Armageddon or another endgame of humanity transpired this wartime structure would likely survive. At some point it would be discovered and the eggheads of the day would begin to surmise its meaning and what it says about its creators. They would be forced to conclude that our race was obsessed with death and fermented beverages, that we were sacrilegious, contrarian, perverted, resentful of authority, immature, would-be soothsayers, false prophets, plagiarists, charlatans, hopeful yet pessimistic all at once, that we possessed a darkness of spirit that was given expression by our creative impulses. If those surveying this relic of 20th and 21st century Homo sapiens didn’t know any better, they would swear that we were somehow rooting against our own cause, that like a cardinal pecking itself in the passenger side mirror of a Subaru, some instinct of our race had collectively failed us.

As for my own instincts, it seems that at least one of them favors driving me into small, claustrophobic spaces that I share with the company of strangers. The first of June is nigh, and when I turn the page on the calendar I will also turn the page on the next stage of my life. As the vacationers arrive to enjoy the finest New England months the troglodyte slinks into the shadows, holes up in a Chinese ghetto to fester in the heat of summer. The instinct that tells me to do this is the same one that told me to leave Her behind and stare down the barrel of life alone. Only in time will I be able to judge whether this instinct has failed me.

***

It is a humid late-May evening and I am unable to sleep. Listening to the ocean hum and haw in the darkness I decide to head back to the bunker.

With my miner’s torch secured atop my head I proceed to Odiorne Point State Park. When I get to the bunker I find that the opening has been sealed, consigning the paint-splattered interior to memory and posterity. I sit down there in the darkness under the bunker’s arch with my flashlight and my flesh and my instincts and wonder why the hell I can’t sleep, and decide that it’s the same reason why the ocean can’t sleep.

On the way back home I stop at my usual midnight overlook and see a sliver of moonlight break dancing the heaving chest of the sea. When I turn around and head back towards room 3 at the Pebble Cove I don’t run this time.

Click to view a complete photo gallery of The Bunker

A Gemini Interviews Her Other Mouth

 

Gemini: I suppose you remember what your mother told you about Geminis…

Lidia: Yup. She said, in a thick southern drawl, “Well, you know, being with a Gemini is like being in a room with 50 people.”

 

Gemini: So which you are you today?

Lidia: The Lidia that just picked her kid up from school on her way to the grocery store before she washes clothes.

 

Gemini: Ah. The domestic Lidia.

Lidia: Correct.

 

Gemini: She’s fucking boring.

Lidia: Gee, thanks. But you are dead wrong.

 

Gemini: What’s not dull about domesticity?

Lidia: Gee Gemini, lemme make a list. There’s the fact that our bodies generate, oh, I don’t know, ALL OF HUMAN LIFE, we are the other side of masculine action in terms of reflection, repetition, cyclical experience and generative practices, we make a place of comfort and grace for a body to come home to—

 

Gemini: Busted. You are the worst housecleaner I’ve ever met and you know it. Forget dust bunnies. You’ve got dust godzillas…and I know for a fact there are year old underwear and socks under your bed.

Lidia: I’m not talking about housekeeping. I’m talking about how a woman makes a compassion home of not only her body, but any environment she comes into contact with. Even you do with your bitchy, fierce, chaotic, electric body.

 

Gemini: Oh Jeeeeeeez…..I was wondering how long it was going to take you to get to talking about bodies. That took like 15 seconds. What is your DEAL with bodies? COW is crawling with them.

Lidia: Well, you already know my DEAL with bodies…I love them. All of them. I think they are pretty much the coolest thing in ever. I wish more of us could love them with abandon. The book is a bodystory, and I told it in the hopes that other people might think about their own body stories. I think the body is a metaphor for experience and an epistemological site. And having carried life and death there, I feel like I am in a good position to speak about the body.

 

Gemini: Man. Talk about a buzz kill. But since we’re on the topic – why didn’t you tell in your book what your daughter’s name was?

Lidia: Lily. I couldn’t make a sentence big enough to hold her.

 

Gemini: What’s the one sentence in COW that matters to you the most?

Lidia: “Love is a small tender.”

 

Gemini: That’s not even a grammatically correct sentence.

Lidia: Fuck grammar. It’s fascist in its need to shape experience away from bodies.

 

Gemini: WHATEVER. Again with the bodies.

Lidia: And language. What sentence matters the most to you?

 

Gemini: I think it’s a cross between “This is your daughter leaving, motherfucker,” and “Even angry girls can be moved to tears.”

Lidia: I can understand that. Your you and my me have a lot in common—two sides of a girlbody.

 

Gemini: Why does the body matter? I’ve been throwing this body at life forever and it’s a wonder it’s still functioning…isn’t it the brain that saved us? Isn’t it the brain that makes pretty much everything matter?

Lidia: Well I don’t buy that old Cartesian Dualism thing. There is no mind body split. But the mind is more culturally valued and sanctioned than the body, and the body is more objectified, abjectified, and commodofied in this culture. Like Whitman, I am interested in the mindbody that is closer to energy and matter and the whole DNA spacedust universe shebang.

 

Gemini: Oh I see how you are. Now you are trying to be grad school mouth Lidia. OK smarty girl, how would you define “edgy?” Isn’t that what you are trying to be?

Lidia: Actually, to be honest with you, I think I’m just trying as hard as I can to be precise. Not edgy. I guess I’d define edgy as twitchy and confused. Tweakers and Republicans come to mind. I think when people call certain kinds of writing “edgy” they probably mean it made their brains itchy or something…but in COW I tried to be exact is all. Emotionally, linguistically, physically, lyrically, exact.

 

Gemini: By the way. I know why you refer to The Chronology of Water as COW. And it ain’t bovine.

Lidia: True.

 

Gemini: You wanna tell em, or should I?

Lidia: Go for it.

 

Gemini: “COW” is the euphamism Gertrude Stein used to refer to …

Lidia: Spanking twinkies.

 

Gemini: Which is your favorite bodily fluid?

Lidia: That’s easy. Cum and tears. Because they are salty like the ocean. Although Andy and I did have a good run with breast milk.

 

Gemini: Speaking of bodies and women and language, rumor has it on the cyber streets that you like to sometimes give readings wearing a special outfit.

Lidia: Occasionally.

 

Gemini: Did you ever worry that the “outfit” might embarrass your husband and son?

Lidia: I don’t know…hold on a minute and I’ll go ask them…

 

Gemini: HEY! While she’s out of the room lemme tell you some secrets about her…she likes to wear wigs, in her thirties sometimes on airplanes she’d adopt a foreign accent and invent a name, she plays clarinet, she once peed on the steps of the Capitol, and she once broke into someone’s home and stole all their stuff so they could collect the insurance. Luckily it was a long long time ago. Oh. Crap. She’s back…

Lidia: So I asked Andy and Miles if my reading outfit embarrasses them. Andy said, “Well, sort of it must, because I kind of get a stomach ache when you do it and I think to myself, oh Lidia…” And Miles said, “No, you just look more like you.” Why do you have that shit eating grin on your face? Have you been telling stories about me?

 

Gemini: Absolutely not. So here’s a question that’s been bugging me.

Lidia: Shoot.

 

Gemini: Why is your COW book all …. You know, choppyish?

Lidia: You mean why is it written in fragments and out of order?

 

Gemini: Yeah. Like I said. Choppy.

Lidia: Because I was trying to mimic the way memory works in biochemistry and neuroscience terms. Pieces of things brought together in a resolving system.

 

Gemini: Look at the big brain on the lid. Gimme a break.

Lidia: Seriously.

 

Gemini: Yeah I KNOW. Isn’t this partly why no agents will touch you? Because you have to “do things” to your stories? Every thought of telling them like a normal human being?

Lidia: I am telling them as precisely as I know how…I am telling them the way they feel to me, as true as I can get the language to go strange.

 

Gemini: Yeah yeah yeah. Tell the truth but tell it slant. Dickinson.

Lidia: Yup.

 

Gemini: Look how much action that got her. No offense, but she was kind of an isolate. Definite bummer at parties. Not a very snappy dresser either, I might add.

Lidia: Well, I am quite fond of isolates. And I used to have to breathe into a brown paper bag at parties in the bathroom. And my fashion sense is questionable.

 

Gemini: I’ll say. Ever heard of this thing called a “haircut?”

Lidia: I think you got all the social genes…and I’m guessing I have you to thank for all the unusual undergarments?

 

Gemini: Bingo.

Lidia: And rule breaking? And un-ladylike behavior? And anger? And propensity to fuck up? And a wide variety of boots? And potty mouth? And sexual excess? And drugs and alcohol and…

 

Gemini: Do you have a point, oh miss big breasted faux mother goddess?

Lidia: Yeah. I have a point. Let’s throw a lip over it and drink to it. My friend Karen Karbo gave me a bottle of Ardbeg, and my friend Chelsea Cain gave me a bottle of Glen Livet. Choose your poison.

 

Gemini: Sure you wouldn’t rather brew a nice pot of Jasmine hippie tea?

Lidia: I’m sure. I’m the one who let you into my lifehouse, my bodyhouse, my wordhouse…we are only me together. Cheers.