James Tadd Adcox author picBen Tanzer (for TNB): Does Not Love has a lot to say about the state of marriage. Did you start the novel wanting to comment on the state of marriage or did you end up there anyway?

James Tadd Adcox: What has fascinated me about the domestic novel, and novels in general, is this argument that the novel traditionally has been structured by marriage. The form of the novel has been based on the institution of marriage. Marriage is this massive irreversible decision that change dramatically the rest of your life. Once you’re in it you can’t get out of it. The taboo against adultery is like a horror. What can the novel be now that we don’t have the taboo of adultery and divorce exists?

DNL_cover“I don’t want you to kiss me,” Viola says to the FBI agent. “That is a hard boundary for me, I think.”

“No kissing,” the FBI agent says. “Anything else?”

“Could you turn that light down a little bit? Just for right now, anyway.”

“The light has only two settings,” the FBI agent explains. “On or off.”

As its title suggests, May We Shed These Human Bodies (Curbside Splendor) by Amber Sparks is a collection of stories that is grounded in reality, but often has a hint of the surreal, the supernatural, woven into its fabric. The power in these stories comes from the awareness that a life is at a tipping point, and the assignment of emotional weight to everyday events we typically ignore. Just out of sight, behind the curtain, in the shadows, strange things are happening—dark moments that echo our secrets and lies.