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Can you talk a little about the cover of Splendor, your first book of poems?

Growing up, I was always excited to read a new Christopher Pike book. I remember where they were kept at our local book store, with the other kids’ books on shelves that covered the whole back wall. Christopher Pike books, for the uninitiated, are teen genre thrillers that straddle science fiction, mystery, horror, suspense, and fantasy. Embedded within these stories were questions, or hints of questions, about mortality, time, desire, the limits of human experience, and story-telling itself. I loved the books, even down to their repetitive, marketing qualities—the dreamy, California, quasi-suburban setting of many of the books, the formulaic and familiar narrative devices, and the pulpy covers which always depicted an illustrated scene from the book in bright or neon colors. The covers were a tantalizing snapshot of the world contained within the book.

I wanted the cover of Splendor to have that same feeling of promise and thrill. When I was working with Bri Hermanson, who illustrated the cover, I asked her to conjure a scene of an alien astronaut explorer overlooking an alien landscape, with a nod to the Pike book covers. Bri’s arid, volcanic landscape, done in pink and turquoise colors, feels at the same time desolate and invigorating, which fits the tone of the book. She’s an incredible artist and was really fun to work with.

Being pretty
is how a museum feels

All the money
located in one firm spot

Like
someone owns a mansion and they invite everyone to the mansion

To sometimes
drink wine and listen to smart people think smart things

Wearing perfume
or cologne and spare jewelry and black clothes and shaved legs and clean hair

That
is a museum the location where it’s luxury to gather and hear intelligent things