Now playing on Otherppl, a conversation with Brad Phillips. His new story collection, Essays and Fictions, is available from Tyrant Books.

 

The late Anthony Bourdain calls it: “Searingly honest, brilliant and disturbing. [Phillips] peels back the skin and bone and stares right into the human soul.”

Born in 1974, Phillips is also an accomplished visual artist  known for dark work that engages with themes of eroticism, depression, and mortality. His paintings display stylistic breadth, from text-based to photorealist, referring in many cases directly to his daily life. He lives in Toronto.

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Now playing on Otherppl, a conversation with longtime TNB contributor Duke Haney. His new essay collection, Death Valley Superstars, is available from Delancey Street Press.

Haney has spent most of his adult life working in the movie business, with twenty feature-film credits as an actor and twenty-two as a screenwriter.  He used pseudonyms for some of the screenplays and went by “D. R. Haney” as the author of a novel, Banned for Life, and an essay collection, Subversia, published by TNB Books. After he was struck by a car in a crosswalk on Sunset Boulevard, a friend claimed he walked like John “Duke” Wayne and gave him the nickname by which most people know him and he has adopted belatedly as his pen name. He plans to follow Death Valley Superstars with a novel tentatively titled XXX.

This is Duke’s second time on the podcast. He first appeared in Episode 36 on January 18, 2012.

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Now playing on Otherppl, a conversation with Meghan O’Gieblyn. Her new essay collection, Interior States, is available from Anchor Books. It is the official October pick of The Nervous Breakdown Book Club.

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Now playing on Otherppl, a conversation with Kristi Coulter. Her new essay collection, Nothing Good Can Come From This, is available from MCD/FSG Originals.

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Now playing on Otherppl, a conversation with Genevieve Hudson. She has published two books this year. A Little in Love with Everyone (Fiction Advocate) is a work of queer commentary and Pretend We Live Here (Future Tense) is a story collection.

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Now playing on Otherppl, a conversation with Chelsea Hodson. Her new essay collection, Tonight I’m Someone Else, is available from Henry Holt. It is the official June pick of The Nervous Breakdown Book Club.

This is Chelsea’s second time on the program. She first appeared in Episode 340 on January 7, 2015.

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Now playing on Otherppl, a conversation with Sloane Crosley. Her new essay collection, Look Alive Out There, is available from MCD Books.

This is Sloane’s second time on the podcast. She first appeared in Episode 424 on July 27, 2016.

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Now playing on the Otherppl podcast, a conversation with Sarah Kendzior. Her book, The View from Flyover Country: Dispatches from the Forgotten America, is available from Flatiron Books.

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Now playing on the Otherppl with Brad Listi podcast, a conversation with Will Dowd. His debut essay collection, Areas of Fog, is due out from Etruscan Press on November 14, 2017.

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Fiona Helmsley is the guest. Her new essay collection, Girls Gone Old, is available from We Heard You Like Books.

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Kristin-Dombek-The-Selfishness-of-Others-An-Essay-on-the-Fear-of-Narcissm

This week on the Otherppl with Brad Listi podcast, a conversation with Kristin Dombek, author of The Selfishness of Others: An Essay on the Fear of Narcissism, available now from FSG Originals. 

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David-Shields-Other-People

Now playing on the Otherppl with Brad Listi podcast, a conversation with author David Shields . His new book, Other People: Takes and Mistakes, is available from Knopf.

David last appeared on the program on Episode 26, in December 2011.

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Matt-1Your first book, Vellum, was a poetry collection. Why the shift to essays with your new collection A Cloud of Unusual Size and Shape?

A couple of years back, I wrote a poem about the Trinity Site—where the first nuclear bomb was tested—but the piece never felt as if I’d adequately addressed either the history or issues linked to the place. Trinity is just a few hours drive from me, and, years after my failed poem, I subsequently visited during one of their Open House days. I came home rattled and stewing, and with a notebook teeming with details and questions I had jotted down. When I started putting the notes down on the page, I pretty quickly realized that a poem just wouldn’t serve me as a vessel, given everything that I now wanted to fit in. It was liberating and exhilarating to not worry so much about line breaks and compression in the same way, and instead make use of the place’s history and what I encountered during the visit. It was a much wider field of play, and writing that piece ended up whetting my appetite for how I might be able to make use of lyric prose within the essay form.

photocredit Thomas V. Hartmann

Let’s look over your writerly bio. It says here you’ve written two books on your love of the rock band Queen (God Save My Queen I and II), a book of poems (The History of My World Tonight), something called “humorous nonfiction” (How to Be Inappropriate), and edited a book of sestinas (The Incredible Sestinas Anthology). What’s this book called?

It’s called Shader: 99 Notes on Car Washes, Making Out in Church, Grief, and Other Unlearnable Subjects.

 

That’s a pretty long-ass title.

You can call it Shader for short.

Moor_Dear Mister Essay Writer GuyHow Tasty Was My Little Frenchman

In August of 1563, Michel de Montaigne, the father of the essay form, was in Rouen, France, at the invitation of King Charles the Ninth. It is not entirely clear why King Charles invited Montaigne, since the French monarch was only thirteen years old at the time and Montaigne doesn’t come immediately to mind as a rollicking playtime companion.

Perhaps the young king needed Montaigne’s help with his high school admissions essay?

In any case, also at Rouen that fateful weekend were three Tupinambá Indians, natives of what we now call Brazil, who had been lured onto a ship and transported to Europe for reasons not fully established by the historical record.

One theory (mine) is that the French wanted these fellows to taste the coq au vin.