When I first read The New York Times write-up “Fiona Apple Faces Outwards”, I am struck by how deeply her transformation over the past seven years from big-eyed girl-woman to gaunt and isolated artist has affected me. Apple was always talented, but this write-up of The Idler Wheel encapsulates how Apple has transcended the fleeting pop stardom that is often offered to young, attractive female artists and has instead become a full-fledged musical auteur.