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Not to have this be an all-out puff piece, but let me try and describe two types of virtuosity I like. Maybe it’s because I spent all summer watching basketball. Dunks and jumpers. Crossovers. If you hate sports, bear with me. But for instance, a jump shot. A technique to it, there’s a purity you can appreciate. That buzzer-beater, last second of the game, or even just pulling up in traffic, as they say, soaking wet; smartly, coolly executed, or from the couch, surrounded by snacks, even watching the pros do it, the effect is weirdly triumphant, gratifying.

Here’s the other type. Because, to get that jumper to go, to have that moment, there’s hours and hours you’ve got to spend, hundreds of thousand of hours, more than shooting, also dreaming, thinking about jumpshots. Let me go ahead and say Jane Liddle’s debut is about murder, not basketball. In that sense, Murder is about nuance. In that we’re all going to die. Right? Sooner or later. And we’re all capable of killing, probably. Consider it that way, and a story, any story is actually, truly, only the details. Fifty-eight murders. Some tragic, some frightening. A funny one or two. Each only a couple of pages. Some like poems. Some, tightly plotted, 3-act short stories. The murder in there about “the Saint,” that was disturbing in a way I can’t exactly explain.

WT-purpleIt’s explained nicely in the blurb, by the way, but could you give us a quick premise/sum-up of your book, Over For Rockwell?

Okoye is pretty much a regular guy in his second year of college, which to him feels like a dead end. He wants to draw comics and he feels trapped doing the liberal arts thing. He’s also developed some romantic ideas about Hong Kong, based on movies and descriptions from a Chinese pal. So he drops out of school, goes on a whim, and from there his life explodes, in terms of excitement. Not that he gets much drawing done . . .

51FkAVmIKtL._SX353_BO1,204,203,200_And I’m telling you, she was about to slip. She was gonna blurt everything, I could feel it. I was sitting just like I am now. You know, legs crossed at the ankle, not too much, medium smirk. I was drinking coffee, just watching her. I was holding back, that’s what I’m saying. And that’s the part that kills me. I know that bitch! She’s dying to tell me! She just can’t bring herself to spit it out! Actually that’s the part that excites me. I can admit it. Like everywhere else, the women here are inveterate liars. But here it’s like they won’t let up! No matter what, the charade must go on!

Q:

It’s gimmicky, but the whole idea of a self-interview is pretty gimmicky, right?

 

Q:

I don’t know. I read a bunch, as, you know, research, and they seem tricky, because you’re either earnest, in which case you seem boring, or you try to be funny, but that actually seems a lot harder to pull off than it’d seem. It’s kind of like trying to do “Who’s on First?” by yourself.

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Karl Taro Greenfeld’s NowTrends (Short Flight/Long Drive Books) is worth reading simply for the exotic locations and unique settings, but there is much more going on in this collection. A layered sadness permeates these stories, often soliciting sympathy for the main characters. At other times, a sense of entitlement causes the reader to become frustrated and even angry at these spoiled people. And still other stories allow us to understand the uncertainty that life offers up, even amidst important events and epic moments, unsure of how to take these revelations, unable to change—even when willing.