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The girl with pink hair is in the opening band. Later, she will sing and writhe on the stage. Her red microphone cord will be wrapped around her head and neck so tight that it will leave marks. But right now the couple working the door don’t know who she is. The are taking tickets and checking identification. They either don’t recognize her or don’t believe her when she tells them she’s performing. “I can show you my ID,” she says, “If I have to.” They tell her that, yes, that would be good. The girl with pink hair opens her pocket book and the couple at the door check a sheet of paper and wave her through. The couple at the door are with the company that is promoting the show.

Born in the Ukraine but uprooted to the Boston suburbs after the KGB blacklisted her physicist father, Alina Simone is responsible for several great indie rock albums. Her 2008 all-Russian-language tribute to the too-short career of Siberian punk-folk singer Yanka Dyagileva, Everyone is Crying out to Me, Beware, was called “lovely and mournful” by Billboard, “mesmerizing” by Spin. Released simultaneously with her third full-length album (Make Your Own Danger), Simone’s You Must Go and Win is an essay collection that chronicles the author’s struggles with family, with her homeland, and with the elusive dream of success in the music world.