KENDRA DE COLO horizontal

A lot of poems in your poetry collection Thieves in the Afterlife reference female desire and the body. Have you always written about sexuality?

The first writers I fell in love with were Pablo Neruda, Anais Nin, and Henry Miller. I remember reading Delta of Venus when I was 14 and wanting to write just like her. I was compelled, not necessarily by the content, but by the tough sensuality and unapologetic voice. She was my hero—probably the first model I had for bisexuality and writing outside of standard hetero/gendered love forms.

Starry-eyed and ravenous, we wait for it
to serenade us like a bullet singing to a wound.
Is this what you meant by romance? Me, scouring the remains
of my life over a pool of ketchup, thick as the spunk of creation
while the city blooms smoke, waiting to be swallowed?