It’s funny how life turns out sometimes.

Once upon a time, I had a dream. No, it wasn’t to be a writer, or a producer, or a director—having done all to varying degrees of success—it was to open a little bakery.

Nothing grand. Something manageable. Fun. With booze.

It was something I had kept in the back of my mind for Some Day. You know, in case the other thing, the Artist thing; the real thing I was doing with my life didn’t pan out.

And then it didn’t.

When failure came knocking at my door, it knocked hard. Failure banged with a sledgehammer. Failure went fucking Medieval on my ass with its Battering Ram of Suck.

I

We mad fly; we
Dream dry; we
Scribble drunk; we
Fake the funk; we
Keeps it real; we
Sly conceal; we
Royal hall; we
Southern drawl; we
Bleed tears; we
Clink cheers; we
Fling curves; we
Gnaw nerves; we
Break it down; we
Class clown; we
Write raw; we
Down by law.

Jeff and Lisa, looking out the rear window of Jeff’s apartment, watch Miss Torso – a beautiful leggy blonde, swat away multiple suitors ravenous for her attention at a cocktail party.

JEFF: She’s like a queen bee with her pick of the drones.

LISA: I’d say she’s doing the hardest job a woman has: juggling wolves.

— Rear Window, 1954

*

I am not a whore.

Yeah.

That seems like a good place to start.

*

I’m cute. Almost always. Sometimes I think I even manage pretty. I have a great rack and a small waist. Hourglassy. Much more Marilyn than Moss. My big blue eyes are my very best feature and I’ve been told that my smile can be blinding. I like dresses. Girly ones. And heels. Tall. I paint my nails. Occasionally blue or black or brown, but usually red. Vampy, glittering reds are my favorite.

Make no mistake about it: I’m a girl.

But I also know where to draw the line. My clothes fit, they are both age and event-appropriate and you will never see what I do not want you to see.

After all, I’m also a lady.

Consequently, I’ve never, ever, felt like a whore.

Not until this past weekend, that is.

*

It’s no secret I’m raising money for my next film. One tactic is to find wealthy individuals with disposable income who have a passion for film and somehow convince them to invest in yours. Folks like that tend to be businessmen[1]. Risk-takers. Gamblers.

How do you find those people? Film festivals. Especially ones in wealthy towns.

I was invited to be on a jury at one such festival and seized the opportunity to attend – with the aim of networking within circles I would be otherwise unable to access. I printed my paperwork, practiced my schpiel, packed my bag with the perfect party gear and dove in headfirst.

*

At the opening night party I met “Horace”. Horace was a charming older gentleman. He was well-dressed, well-spoken, witty and thought critically about the evening’s film. I enjoyed talking with him immensely. He had done extremely well for himself working on Manhattan’s trading floor and was a fellow cinephile. He had even had been in a few background scenes in the films Trading Places and Wall Street. He retired comfortably and when the conversation got around to what I did and what I was working on, he immediately started introducing me to the other attendees – especially ones who he felt would take a personal interest to the material. He collected business cards for me and made it a point to tell me that making connections was his forté. We parted with a polite cheek-kiss and you can only imagine how thrilled I was to have started off so well.

The next morning, I awoke to an email with an invitation to join him for a cocktail party on the rooftop terrace of a snazzy new waterfront building. It was THE place to been seen and an opportunity to shake the hands of, not merely rich, but wealthy individuals.

Horace closed the email with “What are your plans tonight? I am looking for some ‘uncomplicated’ fun.”

AYFKMWTS[2]???

I responded with a polite and friendly reply. I thanked him for the invitation, told him how very much I enjoyed his company and would be delighted to join him, but that I was quite devoted to my boyfriend[3] and was there to enjoy the town, the festival and new friends and colleagues. I mentioned my investor search and how I would relish the opportunity to expand my network. I invited him to call if he still wanted me to join him at the cocktail party for networking and the like.

But yeah.

I shot him down.

Hard.

Because no matter how grandfatherly and pleasant he seemed the night before, he propositioned me.

And while there are innumerable things I will do for my film, sucking a 72 year-old dick is not one of them.

*

Two nights later, I paid dearly for a ticket for the festival’s big gala. While I did receive an otherwise pricey VIP badge in exchange for my services as a judge, the pass granted me access to everything but that one party, and when you’re looking for investors, a $200-ticket party is where you’ll find them.

As a brief respite from schmoozing some of the people Horace (whom I never heard from again) had introduced me to, I stopped to chat with some of the festival staff.

A gentleman wandered toward the group and greeted the people he knew. Introductions were made. He was high up in the “Jaymond Rames” family and didn’t necessarily flaunt his wealth, but did frequently and somewhat annoyingly refer to it. Also, he was a handsy fellow. A close-talker. And kind of loud. But it was a party and the DJ was spinning at a pitch just two decibels above ‘pleasant conversation’ and so I forgave him, but neither did I pay him much mind. Braggadocio is a less-than-admirable trait in my book.

When he mentioned that his brother was an opera singer, my ears perked up. “Who?” I asked. Small world of small words – I not only had heard of his brother, I had worked with him some ten years’ previous. I immediately saw the family resemblance. How had I missed it?! So I began to hone in on little clues as to his interest in, perhaps, another art form. Say… independent film?

My chattiness in sussing out whether he was an investor candidate was immediately assumed to be sexual and “Matt” got handsier. Grabby, actually. I got pawed like so much PlayDoh. I kept him at arm’s distance (as much as I could) and refused to “smell his neck” when repeatedly prodded, nor would I let him anywhere near mine.

It was at that point when he said, “Don’t worry. I’ve got the money for your film. Now just relax and let’s have some fun already.”

Upon parting ways, he told me to follow him in his car and he would steer me back to the interstate.

The valet brought my crappy little veedub (vs his slick beemer) first and I knew the way back. After all, I had driven myself there, hadn’t I? He called to tell me that I had turned incorrectly. The message was bitter.

“Kimberly. It’s Matt. You’re going the wrong way.”

I wasn’t.

Nor do I believe I’ll be joining him in the Bahamas next month.

*

Looking back at Rear Window, I don’t remember the specifics of Miss Torso’s party. We know all about the songwriter’s crescendo towards success and Miss Lonelyheart’s deep depression, the newly-wed bride’s insatiable appetite and of course, what happened to Mrs. Thorwald and the little dog too…

But why the party, Hitch?

The scene set up Miss Torso as a whore; a ditzy dancer who rehearsed in her granny panties during those hot summer afternoons and by the very nature of her affability and attractiveness, was asking for it.

Just like that poor little girl in Texas.

*

What the hell? Do I have to start wearing combat boots and black trench coats to be taken seriously by a man? Do I have to bind my breasts and shave my head? Assume a dour and aloof disposition and hope that someone just walks up to me and takes over where Ed McMahon left off??

*

I have another similar festival to attend in two weeks’ time and I don’t want to make the same mistake twice. I mean, seriously. Why would I prance around in my granny panties if I know everyone’s got binoculars?

After a thorough review of the weekend, I still contend that I dressed appropriately and professionally. I am certain that my pitch and business acumen was rock-solid. My friendly approach of “Hello! What did you think about the film?” came straight from the Dale Carnegie handbook, so I know that market’s cornered.

But ever the student, I knew there was something I could learn from this experience. Something I could do differently. Something I could change.

And it hit me.

Like a giant fucking rock.

[4]

– – – – – – – – – –

[1] I don’t know the percentage of male-to-female film investors, but my experience thus far leads me to believe that like the rest of the film industry, it’s pretty heavily male dominated.

[2] Are You Fucking Kidding Me With This Shit?

[3] It wasn’t a total lie. I mean, I would be if I had one.

[4] This is the wedding set I just bought (for a whopping $7.35) and will sport at the next film festival and subsequent parties. Otherwise, I’ll do and wear everything exactly the same as I did this past weekend. Even if I don’t raise a penny for the film, it should be a FASCINATING experiment.



Major Depressive Disorder (Source: NIMH)

  • Major Depressive Disorder is the leading cause of disability in the U.S. for ages 15-44.
  • Major Depressive Disorder affects approximately 14.8 million American adults, or about 6.7 percent of the U.S. population age 18 and older in a given year.
  • While Major Depressive Disorder can develop at any age, the median age at onset is 32.
  • Major Depressive Disorder is more prevalent in women than in men.

*

I had to look those numbers up, because too often I feel alone in my diagnosis.

You see, contrary to most people’s impression of me, I am depressive. Clinically. Sometimes, debilitatingly. But only my two closest friends and my psychiatrist (no, not even my family) know how grim I can get.

*

Here’s how it usually goes when I mention it to the uninformed:

“I’m sad.”

“But your life is so awesome. You are so awesome. Cheer up!”

*

I don’t know how to write about it. It’s embarrassing. And I don’t understand it.

But I do know what pisses me off about it.

Articles like this one, recently published in The New York Times:

Talk Doesn’t Pay, So Psychiatry Turns Instead to Drug Therapy

The article examines the switch from psychiatric talk therapy to becoming mere pill factories and how disgruntled older psychiatrists are (or aren’t) about it and how patients are suffering nonetheless.

*

I was going through a crippling wave of depression about seven years ago. I was finally convinced to see my friend’s psychiatrist. I was terrified. This would be my first trip to a real, live, “New York Shrink”.

I had been to one social worker/therapist in Chicago six years before that, but with awful results. After two visits and a recommendation for a bottle of St. John’s Wort and a couple bars of dark chocolate, I was sent home with a treacle-dripping “Feel better!” and a wave.

And that was during the truly borderline years.

So while I told myself that a ‘professional’ would be better than that particular weirdo therapist, I knew I didn’t want drugs to solve my problems. I knew I was a smart person and that I could figure things out if someone would just listen to me and understand me and give me some tools to help me fix the sadness.

*

I got a prescription for Zoloft at the end of my first visit.

“After you’re chemically balanced, we’ll be able to figure out what’s really going on.”

After I was chemically balanced, I had nothing to talk about.

*

Sure, I was no longer on the emotional roller coaster, but neither did I have the capacity to talk about what was making me so miserable, because suddenly nothing was making me miserable.

I spent two years rehashing broken relationships, parental annoyances, professional disappointments, but they seemed so inconsequential. I was putting on a performance for her, because that was what I felt I was supposed to be doing, and I didn’t want to waste a penny of my $200 45-minute hour.

Also, I got fat.

Zoloft stopped what little metabolism my diabetically-inclined body has, and because I was an emotionless blob, I started eating and staring at the television all the time.

More than usual, anyway.

Add ‘overweight slob’ to my weekly schpiel.

*

Eventually, thankfully, my rational senses took over and I weaned myself off of the drugs and the shrink’s staid head-nodding, non-responsive “um-hmm” attempts at fixing me.

And for a while, I was better. I was. My brain came back. I met a guy. The thrill of meeting him was exhilarating, the orgasms were mind-blowing and the break-up was devastating.

As it should be.

*

Life resumed its normalcy.

*

Slowly, ever so slowly, the depression came back. I don’t know where it came from. It’s genetic, I had learned that, so certainly it was in my DNA. A chemical imbalance? Maybe. A learned coping mechanism? Sure. I could see that.

But whatever it was, things were getting bad again.

Really bad.

And I didn’t know how to deal, other than I knew I needed to talk and I didn’t want to keep bothering my two friends. I know friends say that’s what they’re there for, but nobody is there for long when things get like my things get.

So I looked for another psychiatrist.

But no drugs this time. I was adamant.

Plus, it took me two long years to lose those additional 40 lbs.

And I was lookin’ good.

*

I found one. One who was in the business for all the right reasons. He didn’t think I needed drugs. He even gave me a massive discount because I was broker than broke.

I talked.

He talked back.

And it helped.

A lot.

*

I’ve been away from him and our bi-monthly sessions for nine months and I can feel the all-too-familiar twinge creeping back.

But I recognize it now. And I know what to do before it gets too ugly.

I have to go talk to someone.

*

No drugs.

*

Talk.

*

My appointment’s next Tuesday.

Each year (2009, 2010) I review the Oscar contenders* for you in 6 words each, as inspired by my friends over at SMITH Magazine.

This year, the 2011 nominees are:

“You have to collect one hundred ‘no’s for a single ‘yes’”

“If at first you don’t succeed, try, try again.”

“That which does not kill you makes you stronger.”


Lights, camera, action!  KIMBERLY M. WETHERELL, filmmaker extraordinaire, Sunshine State refugee, developer of TNB A&C’s “21 Questions,” inveterate foodie and baked goods aficionado, multi-hyphenate, six worder, true blonde.


Not, emphatically, a Twit…although her genius does not extend to games played in church auditoriums.


Adherent of the brevity-is-the-soul-of-wit school of Oscar handicapping.  No, really.


On the subject of feminine body hair removal, she waxes poetic…and Brazilian.


Wrote the book on online dating.  Or at least appropriated one for her use (and our enjoyment).


Possible PETAphile.  An a-moo-zing, if unengaged, chanteuse, who knows what she wants in a man (hint: don’t work for Cablevision).


She shoots to conquer…and also to show videos of TNBers reading at the Literary Experience — her brainchild, incidentally.  TNB would not be the same without her.

I like socks.

Big fan.

*

Of late, my track record with socks is primarily happenstance. Obtained by necessity and without forethought. Acquired on a whim. Impulse socks. They feel good for a moment. Familiar and warm. Comfortable. But after wriggling around for a few hours, you realize that they are ill-fitting; simultaneously restrictive, and yet with elastic that’s pre-shot to Hell. The cheap acrylic fiber gets itchy – fast. It soon becomes apparent that these are Casual socks – disposable – worth nothing more than mere momentary gain and non-existent resale value.


If you happen to find yourself in New York on Wednesday, May 19, do stop by the upstairs lounge at Pianos at 7pm for an evening of fun & games, music & mayhem, dungeons & dragons, and books & booze.

The lineup of literary luminaries includes TNB regulars Gina Frangello (Slut Lullabies) and Robin Antalek (The Summer We Fell Apart), as well as Allison Amend and Zoe Zolbrod, who, in addition to having great books coming out (Stations West and Currency, respectively), also have perfectly complementary initials.

There will be music by Madame X (not to be confused with the lounge of the same name; don’t go there; the beers are too pricey), Ted McCagg supplied the awesome poster, and Yours Truly will host.

Kimberly M. Wetherell will atttend — that we know — but rumors that Slade Ham will pop out of Allison’s birthday cake are, as of this writing, unsubstantiated.

Hope to see you there!





 

A friendly reminder:

The Nervous Breakdown’s Literary Experience, NYC will soon be bloomin’!

Mark your calendars now for Friday, March 26th for readings from your favorite TNB writers, centered around the theme: GROWING PAINS!!

The details:

As some of you may remember, each year I review the Oscar contenders* for you in just 6 words each, as inspired by my friends over at SMITH Magazine.

This year, the 2010 nominees are:

One of my very favorite things about The Nervous Breakdown’s Literary Experience-NYC, is the games.

Not that I don’t love the readings or meeting my fellow TNB writers or drinking heartily and making out with each and every one of them, but the very best part for me, is making the ‘Experience’ interactive.

Getting the audience involved.
Brainwashing the masses.
Buying your affection.
With fabulous prizes.

On the First Date of Christmas, my true love gave to me:

One of those waxy, chocolate-crunch foil-wrapped Santas. We were seven. He liked to read as much as I did – we even co-won a reading contest. I knew right then that we should get married, because that’s what love was: reading together and eating candy.

 

On the Second Date of Christmas, my true love gave to me:

A kind word. I was in fifth grade and had to wear this awful orthodontic headgear that looked like the inside of a football helmet, and his first worry was that I had been in a terrible accident and was I going to be okay? And then he defended me when all the other kids pointed and called me ‘Jabberjaw.’

 

On the Third Date of Christmas, my true love gave to me:

Nausea. We were playing Spin the Bottle at my eighth grade Christmas party. I was terrified that he didn’t like me, or wouldn’t like me, or thought I was fat, or stupid, or both. So rather than make-out with him behind the drawn curtain, panic-stricken, I told him that I was sick and quite possibly contagious. So we stood there like two idiots until it seemed plausible that we had been frenching.

 

On the Fourth Date of Christmas, my true love gave to me:

The honor of being the first person he came out to.

 

On the Fifth Date of Christmas, my true love gave to me:

A Godfather marathon. I was home from college and we started from separate ends of the sofa, but by the time Fredo was praying his last Hail Mary, the two of us were a tangled mess on the middle cushion and nothing but the deafening screech of the auto-rewind on my parents’ VCR could stop us. And then we went to the movie theatres to see Godfather III – our first “official” date – but all I remember about that film was that we played with each other’s fingers throughout. Well, that and Sofia’s nose.

 

On the Sixth Date of Christmas, my true love gave to me:

An official NHL hockey jersey. No, seriously.

 

On the Seventh Date of Christmas, my true love gave to me:

One of those Verse-a-Day bibles. Same guy.

 

On the Eighth Date of Christmas, my true love gave to me:

A complex. After years of friendship, peppered with on-again-off-again relationship attempts, rather than simply tell me that he had met someone else (with whom he would eventually fall in love and marry), he ended things by reporting that it was, in fact, me and not him.

 

On the Ninth Date of Christmas, my true love gave to me:

A perfect first kiss. One of those idyllic kisses, where the guy walks you to your car and stops you just as you reach for the door handle. He spins you around and pushes you firmly, yet gently, against the car door as he drinks in your eyes with his. One of those kisses where he gently traces the line of your jaw with his fingertips and brushes your cheek, and right as he leans towards you and you think your heart is going to explode – at the precise moment your lips meet – tiny snowflakes begin to fall.

 

On the Tenth Date of Christmas, my true love gave to me:

A vibrator. I was alone that year and my date was me.

Best. Christmas. Ever.

 

On the Eleventh Date of Christmas, my true love gave to me:

Silence. Alone again. Batteries? Dead.

Worst. Christmas. Ever.

 

On the Twelfth Date of Christmas, my true love gave to me:

Anticipation – for the date that’s yet to come.

There’ll be no bibles or hockey jerseys. No movie marathons, no kind words, no frenching. No batteries. But neither will there be rude awakenings or callous dismissals.

I’m not exactly sure when my next date will be, or where.

But I have hope that wherever, whenever, with whomever, there’ll be stacks of books and heaps of candy.

 

The Nervous Breakdown’s Literary Experience is back in New York City this Friday night!

Brave the cold and let the writers of The Nervous Breakdown warm your cockles with stories written expressly for you and read aloud to you (and only you) around the theme: HOLIDAZE.

Details:

The most important thing for any Multi-hyphenate (Writer/Director/Producer) to know before embarking on an independent film project is this: No One Knows Anything.[1]

First and foremost, you must always remember: This rule does not apply to You.

You are right and everyone else is wrong.

You are the only person who knows How It Should Be Done.