February 04, 2016
Curiosity #84: Aztec volcanic rock sculpture, circa fifteenth century A.D., probably made for the temple of Tenochtitlan. An example of a traditional demon princess, or Cihuateteo, who escorts the sun from the underworld each morning, she wears a simple skirt, breasts bared, hair long and over her shoulders.
The truth about Set is the truth about all ghosts: there is a weightlessness that keeps them fluttering, light as leaves—and in turn they are drawn down to instability, to the volatile, to cracks that open and can split whole mountains. To the volcanoes. Specifically, in Set’s case, to Lana Volcana.
That wasn’t her real name, of course, or even her screen name. But it was what they all called her after her breakout picture, Vera and the Volcano—a two-reeler about an island girl that sent her star up and up. LANA VOLCANA! the picture magazines screeched, with accompanying photographs of a dark-haired vamp in a grass skirt and clamshell top. The IT GIRL, the papers called her, a new kind of girl for these daring times. Filmstar Rag said she was the girl you don’t bring home to mama.