Now playing on Otherppl, a conversation with Chloe Aridjis. Her new novel, Sea Monsters, is available from Catapult Press.

 

Aridjis is a Mexican-American writer who was born in New York and grew up in the Netherlands and Mexico. After completing her Ph.D. at the University of Oxford in nineteenth-century French poetry and magic shows, she lived for nearly six years in Berlin. Her debut novel, Book of Clouds, has been published in eight languages and won the Prix du Premier Roman Étranger in France. Aridjis sometimes writes about art and insomnia and was a guest curator at Tate Liverpool. In 2014, she was awarded a Guggenheim Fellowship. She lives in London.

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Now playing on Otherppl, a conversation with Steve Anwyll. His debut novel, Welfare, is available from Tyrant Books.

Anwyll’s work has appeared in Hobart and Tyrant Magazine, among other places. He lives in Montreal.

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Now playing on Otherppl, a conversation with Mattilda Bernstein Sycamore. Her new novel Sketchtasy is available from Arsenal Pulp Press.

 

This is Mattilda’s second time on the podcast. She first appeared in Episode 237 on December 25, 2013.

Described as “startlingly bold and provocative” by Howard Zinn, “a cross between Tinkerbell and a honky Malcolm X with a queer agenda” by the Austin Chronicle, and “a gender-fucking tower of pure pulsing purple fabulous” by The Stranger, Sycamore is the author of a memoir and three novels, and the editor of five nonfiction anthologies.

Now playing on Otherppl, a conversation with Katya Apekina. Her debut novel, The Deeper the Water the Uglier the Fish, is available from Two Dollar Radio. Buzzfeed, Kirkus, and Entropy call it one of the best books of 2018.

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Now playing on Otherppl, a conversation with Laura van den Berg. Her new novel, The Third Hotel, is available from Farrar, Straus, & Giroux.

This is Laura’s second time on the program. She first appeared in Episode 224 on November 10, 2013.

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Now playing on Otherppl, a conversation with Poe Ballantine. His new novel, Whirlaway, is available from Hawthorne Books.

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Now playing on Otherppl, a conversation with Jonathan Ames . His latest book is called You Were Never Really Here (Vintage). It has recently been adapted into a major motion picture starring Joaquin Phoenix. Ames also writes for television, having created the shows Blunt Talk (Starz 2015-2016), starring Patrick Stewart, and Bored to Death (HBO 2009-2011), starring Jason Schwartzman and Zach Galifianakis.

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“Her heart was not hardened but her skin was thick,” writes Jean-Patrick Manchette of the titular protagonist in his last, unfinished novel, Ivory Pearl, translated from the French by Donald Nicholson-Smith with a superb ear for Manchette’s incomparable voice that easily shifts between the grit of the hyperfactual—“…in his right hand he held a semiautomatic Sauer Model 38 chambered in .380 ACP and fitted with a silencer”—and the nimble ability to sketch with the sparest of words the heart of a character, laid out, in this case, in three easy steps: “She wanted to become a professional photographer. She dreamt of meeting Robert Capa. She had an alarming predilection for images of dead bodies.” Ivy is a survivor who at one point casually, almost happily, admits having conveniently lost her appendix when she “caught that Viet round in ‘52.” And like so many other of Manchette’s characters, she also knows her jazz. Everything helps when you’re on a mission.

Now playing on Otherppl, a conversation with Melissa Broder. Her debut novel The Pisces is available from Hogarth Press.

This is Melissa’s third time on the program. She first appeared in Episode 58 on April 4, 2012 and again in Episode 404 on March 13, 2016.

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Now playing on Otherppl, a conversation with Susan Henderson. Her new novel, The Flicker of Old Dreams, is available from Harper Perennial.

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Now playing on the Otherppl podcast, a conversation with Lauren Grodstein. Her latest novel, Our Short History, is available from Algonquin Books.

This is Lauren’s second time on the podcast. She first appeared in Episode 216 on October 13, 2013.

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Now playing on Otherppl, a conversation with Natalia Sylvester. Her new novel, Everyone Knows You Go Home, is available from Little A Books.

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Your book is dedicated To Ceci. Who’s that?

She’s my mom.

 

So why not say, To Mom?

My sister and I have always called my parents by their first names. It’s always been the most natural thing for us—I think I tried calling them Mom and Dad once, and it felt weird and impersonal. When I was nine, one of my teachers asked my mom if “Ceci” meant “Mom” in Spanish, because she kept hearing us call her that. I thought, it is our word for Mom.

Your novel The Italian Party is about someone trying to manipulate an election using some very sneaky methods. Are you about to be subpoenaed?

I don’t think so, but it’s a pretty weird coincidence. When I started writing the novel in the summer of 2013, I came across a couple of passing references to how the U.S. had influenced Italian elections starting in 1947 and going forward through the 1950s. I found that very intriguing—I remember pausing in my reading when I came to the phrase “opinion moulders” and staring out the window and thinking, I can imagine bribing someone after an election, but how do you actually throw an election in a foreign country??? The idea was so odd to me that I decided to boil it down to one not very well-trained American trying to sway one small election in one town (Siena), and to make it very hard for him, for all the comic reasons that come to mind in terms of how bumpy it is to try to get anything done in Italy.

2.

Michael and Scottie stood out from the moment they strolled down the gangplank of the sleek ocean liner that carried them and their possessions to Italy. They seemed to have stepped right out of an advertisement for Betty Crocker, Wonder Bread or capitalism itself. He was twenty-four, handsome, always in a nicely cut suit, camera around his neck. She, barely twenty, was a knockout. Blond, pretty, quick to laugh, always in an elegant hat and pearl choker. She had what the Italians call raffinatezza, a word that covers everything that is the opposite of vulgar—a quality Italians deeply aspired to, while at the same time remaining powerless to resist anything gilded, mirrored, shiny or bejeweled. This spring the papers were full of the marriage of Grace Kelly and Prince Rainier, and it was as if Siena’s own version of the royal couple had arrived. Even though there were other Americans coming and going in Siena, those two would become the Americans. Gli americani. Both of them so young, healthy, wealthy and in love. They seemed so free. That was how they seemed.