Now playing on the Otherppl with Brad Listi podcast, a conversation with Jonathan Safran Foer . His latest novel, Here I Am, is available now in trade paperback from Picador. It is the official June selection of The Nervous Breakdown Book Club.

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“[Here I Am is] an ambitious platter of intellection and emotion. Its observations are crisp; its intimations of doom resonate; its jokes are funny. Here I Am consistently lit up my pleasure centers . . . This is also Mr. Foer’s best and most caustic novel, filled with so much pain and regret that your heart sometimes struggles to hold it all . . . This book offers intensities on every page. Once put down it begs . . . to be picked back up . . . Here I Am has more teeming life in it than several hundred well-meaning and well-reviewed books of midlist fiction put together.” —Dwight Garner, The New York Times

Instant New York Times Bestseller
A New York Times Notable Book of 2016
A Time Magazine Top 10 Novel of 2016
A Times Literary Supplement Best Book of 2016

“Dazzling . . . A profound novel about the claims of identity, history, family, and the burdens of a broken world.” —Maureen Corrigan, NPR’s “Fresh Air”

In the book of Genesis, when God calls out, “Abraham!” before ordering him to sacrifice his son, Isaac, Abraham responds, “Here I am.” Later, when Isaac calls out, “My father!” before asking him why there is no animal to slaughter, Abraham responds, “Here I am.”

How do we fulfill our conflicting duties as father, husband, and son; wife and mother; child and adult? Jew and American? How can we claim our own identities when our lives are linked so closely to others’? These are the questions at the heart of Jonathan Safran Foer’s first novel in eleven years—a work of extraordinary scope and heartbreaking intimacy.

Unfolding over four tumultuous weeks in present-day Washington, D.C., Here I Am is the story of a fracturing family in a moment of crisis. As Jacob and Julia Bloch and their three sons are forced to confront the distances between the lives they think they want and the lives they are living, a catastrophic earthquake sets in motion a quickly escalating conflict in the Middle East. At stake is the meaning of home—and the fundamental question of how much aliveness one can bear.

Showcasing the same high-energy inventiveness, hilarious irreverence, and emotional urgency that readers loved in his earlier work, Here I Am is Foer’s most searching, hard-hitting, and grandly entertaining novel yet. It not only confirms Foer’s stature as a dazzling literary talent but reveals a novelist who has fully come into his own as one of our most important writers.

Jonathan_Franzen_Purity

This week on the Otherppl with Brad Listi podcast, a wide-ranging conversation with Jonathan Franzen. His latest novel, Purity, is available now in trade paperback from Picador. It is the official August selection of The Nervous Breakdown Book Club.

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Sloane_Crosley_The_Clasp

This week on the Otherppl with Brad Listi podcast, a conversation with Sloane Crosley. Her debut novel, The Clasp, is available now in trade paperback from Picador. 

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Jung_Yun_Shelter

Jung Yun is the guest on the latest episode of Otherppl with Brad Listi. Her debut novel, Shelter, is now available from Picador. 

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Tupelo Hassman is the guest. Her debut novel, Girlchild, has just been published in paperback by Picador.


 
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Terry Tempest Williams is the guest. She is the author of several books, including the environmental literature classic, Refuge: An Unnatural History of Family and Place. Her latest book is called When Women Were Birds: Fifty-Four Variations on Voice. It was published in hardcover by Farrar, Straus, & Giroux in 2012, and the paperback edition is due out from Picador on February 26, 2013.

The San Francisco Chronicle raves

Williams displays a Whitmanesque embrace of the world and its contradictions….As the pages accumulate, her voice grows in majesty and power until it become a full-fledged aria.

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Our father told it that Jim was caught dressing up in my grandmother’s black Mikimotos when he was scarcely two years old, but the first time I considered jewelry was the morning I stole my mother’s wedding ring. It was white gold. A hundred-year-old Art Nouveau band with eleven diamonds in two rows across the finger, garnets that were sold as rubies in the centers of tiny roses on both sides, and hand-engraved scrollwork on the underside where it held the skin. It was the only precious thing she had left. It was never from her hand. But there it was on the sill of the window, above the kitchen sink, next to a yellow-and-green plant she kept.