I am not innately funny. I am, in fact, a very solemn, somber, pensive man trapped in a funny man’s body. In much the same fashion, I am not a fat guy: I’m a little heavy because I am way out of shape, but in reality I am a skinny guy in a plumpish guy’s body. I have the pictures to prove it.

Buried deep in the heart of every comedian lies the barely faded memory of a bygone dead puppy. With the preeminent geniuses of comedy, the likes of Bruce and Pryor and Carlin and Hicks and so on, that puppy didn’t just die, it was tossed into a pot to be boiled up like the pet rabbit in Fatal Attraction, while the young child version of that future funny man was forced to watch. With any given story, comedy is indeed tragedy plus time; a comedic sensibility is born of accumulated incredulousness. One becomes a comedian the day he ceases to wonder why a thing just happened, and instead observes, “Wow, that was fucked up.”

A little over a year ago, I wrote a pretty awful suicide note that, for a variety of reasons, it turned out I couldn’t use. A few days later I wrote a much more eloquent reflection on that note and on the night it was written. I considered how shamefully glib I had been in addressing my closest friends. I recognized that, as I was attempting to put the final touches on what I thought were my soon to be infamous last words, the sun had risen, meaning I had run out of time: I claimed an unwillingness to kill myself during daylight hours, suggesting that two or three in the morning would be the ideal time to do the deed because anyone who might possibly have prevented it would be deep in sleep. I went on to admit that I’ve never been comfortable even hearing about knife wounds, let alone inflicting one on myself, but a knife was all I had. “In the end, I just couldn’t run a sharp blade along my wrist,” I wrote. “I can’t tie a noose, can’t afford drugs, don’t own a gun. And I don’t cook with gas.” Those were my utterly appalling reasons for not killing myself. That night.

A few weeks later, on a Sunday afternoon in November, I spent most of the little money I had on beer and cigarettes, a bag of Munchos and a pound of M&Ms, and I settled in for what turned out to be a thirty-hour drinking-sobbing-loud-music-smashing-shit binge that culminated in me sending an email I don’t remember to one of my best friends, asking him to take care of something for me when I was gone. Sometime later, two best friends arrived, took away the knife, and loaded me into the truck.

I spent the night in the emergency room, primarily because I was still far too drunk to be let loose in a psych ward, but also because it took some time to find an empty bed – as seems to so often be the case, those wards were overflowing. My friends stayed with me the first few hours. They each took a turn in a room down the hall with the crisis worker, telling her all the pertinent stories. They offered me reassuring thoughts, promised this was the right thing for me to do, told me I was going to be okay. They could just as well have been telling me I’d been voted Homecoming Queen: by then I’d taken up semi-permanent residence in the rabbit hole and at that sad hour I was busy contemplating the drapes. I was too desperately sad and too ashamed to absorb anything save the fact that I was in a bad place and it was about to get much worse before there was any hope of it getting even marginally better. They recognized that, my buddies Peaches and Hank. They understand me in a fundamental way, the true me, not the distorted version of me they found in my apartment that night, the version they had watched drag his ass around for months, a version which, looking back, is entirely unrecognizable to me now. Regardless of how hard I had made it for them to be my friends those miserable months, they get me, which is why, when I left the hospital room once to use the bathroom, Hank climbed into my vacated bed and struck a pose, Peaches snapped a picture with his phone, and sometime later Peaches posted the photo to Facebook with the caption, “I don’t think he’s going to make it.” It would be one of the first things I’d see when I flipped open my laptop after I got sprung from the psych ward, and even in my ongoing black fugue I laughed so hard I almost cried. I also noted the one comment accompanying the picture, from my friend Edge: “Uh-oh. Where’s Gary?”

Indeed, where was Gary?

Generally speaking, I was lost. The final straw for me was a girl – and I almost literally mean a girl, she’s seventeen years my junior (don’t worry, I’m easily old enough to be your cool uncle) – but it’s neither fair nor reasonable to say it was because of the girl. She’s not to blame for me ending up in the hospital. Saying any of that was her fault would be the same as if I wrecked my car and blamed it on the telephone pole around which it was wrapped: I was the one in motion, sir, not the pole. She was young and careless, I was old and foolish, but more than that, I had spent the previous two years dropping the ingredients of my life into a stew pot, seasoning the mix with self-pity and a burgeoning sense of worthlessness, and leaving it over a low heat to simmer. This is never a good idea, but in my case, I don’t really even cook – I’m generally hapless in the kitchen unless you need a pickle jar opened or want to have mildly adventuresome sex – so there was no way this could possibly end well.

More specifically, by the time Edge’s question appeared on Facebook, I was strapped to a gurney in the back of an ambulance that carried me an hour southwest to the nearest hospital with an available bed. My shoes and belt, cigarettes, lighter, a fistful of cash and my down jacket were stuffed in a plastic bag, which one of the ambulance attendants passed to the admitting tech when they deposited me on the business side of a set of doors that locked automatically behind them the instant they departed. I was interviewed and probed and prodded and wrist-banded and, eventually, shown to my room. And then I was watched. I don’t know if it could be called my official status in the first twenty-four hours after I arrived on Ward A3, but it comprised the admitting tech’s parting words to me before she relinquished me to my unadorned room: I was on CVO, “constant visual observation.” It makes a certain kind of sense, considering I’d arrived there on the heels of trying to kill myself, but at the same time, unless I decided to either drown myself in the toilet or brain myself (to death, which I’m not sure is possible) by smacking my head repeatedly against the floor, there was absolutely nothing within reach that matched my imagination’s capacity to do myself the ultimate harm. But I’d brought this on myself, which meant that if they told me I’d have company every time I took a pee, I had no standing to get either bashful or indignant.

We’ve all read this book or seen the movie: it is, to varying degrees, the Cuckoo’s Nest. The nurses and techs were efficient and appropriately solicitous, if at times a bit overbearing as they saw fit. The doctors had slightly less personality than a watermelon rind. There was a smirking, edgy twenty-year old kid with pure psychotic eyes; a woman in her sixties who sobbed nonstop for two days, then proceeded to do laps around the ward in a Thorazine shuffle; a painfully beautiful young woman whose johnny kept sliding off her shoulder, revealing a long, thin neck that would have been lovely without the burn scars; and a very old man, my roommate the first night on the ward, who croaked a chant half the night: “I pray, I pray, I shall return.” The feel and sight and smell of the place can only be described as that of errant but earnest futility, a cluster of adhesive bandages cross-hatched on the scalp in the general vicinity of a brain hemorrhage. If all those aching skulls could simply be cracked and an atlas of maps could be drawn, designating the streets and boulevards and avenues and cul-de-sacs of fear and ecstasy and shame and joy and forgetting and faith and remorse . . . in which case, there would be no need for Ward A3. Instead, there is a tremendous need, and yet they are little more than the sanitary corridors of a place we go to be reminded of the many ways language can and will fail us when we desperately need it to access the very essence of what it is to be human and therefore at least a tiny bit fragile.

The failure of language that intrigued me most was the recurring question that fell from the lips of every staff person there so consistently it was as though they had just stepped out of a pep-rally type meeting in which they were reminded to keep asking: “Do you feel safe?” The first time the question was put to me, I cocked an eyebrow and hesitated for a few extra long beats because, honestly, it puzzled me. I realize it’s intended to be a purely simple, straightforward question, but the potential nuance felt inescapable. I wanted the question rephrased. Do I feel safe? No fucking way. Do I feel like I’m out of options? You bet your ass I do.

I behaved myself from the moment I arrived on the ward, but for the wrong reasons: I didn’t toe the line so I’d get better, I did it because I wanted to get the hell out of there as fast as possible, and I understood immediately that good boys get to go home and bad boys should have their mail forwarded. As miserable as I’d made my life, as soon as I gave it away I wanted it back, or parts of it, anyway. I wanted cigarettes. I wanted my laptop and my iPod and my idiot-phone, in spite of the fact that it had by then taken to giving me nothing but bad news. I kind of wanted a drink, but that was less a driving impulse than a habitual inclination. I desperately wanted my shoes and my belt. If you’ve never spent any time shuffling around a psych ward in no-slip socks with your pants falling down, I can tell you right now, you’re not missing anything splendid. They did offer me a pair of hospital-issue pajamas, but I’d already made up my mind where I wanted the indignity to taper off, and that point fell just shy of those jammies.

One thing you should know about me is that I’m really bad at getting a haircut. When a hairstylist asks me, “So what are we doing today?” I invariably start to babble, and then I tell her to surprise me. A little crazy, I guess, but if you’ve seen my picture, you’d be right to guess my vanity doesn’t reside in my looks. I am, as it turns out, equally incompetent when dealing with doctors. There’s something about the forced intimacy of strangers for hire that knocks me off balance in an unexpected way – unexpected because I’m not generally shy. I’m not a good patient under any circumstances, but if I have to see a doctor for something below the skin, something that isn’t as glaringly obvious as a broken bone or a steadily bleeding flesh wound, I always feel like I have to talk him into it. Pretty soon I’m talking way too much and even I’m growing less convinced. It turns out actually saying, “I tried to kill myself,” sounds as unconvincing, out of context, as saying, “I love you.” No matter the truth of how you feel, it just sounds lame. So eventually I tried a different tack: I told him I’d given up. That did the trick because there were concrete, meaningful things I’d given up: I’d stopped paying my mortgage, stopped looking for a job, stopped writing, stopped doing pretty much everything except drinking, smoking, listening to loud music and punching holes in my own walls. “Okay,” the doctor said, “let’s get you better.”

Except that wasn’t exactly my plan. My plan was simply to get out of there. While getting better sounded terrific, doing so in that place was incomprehensible to me. It just wasn’t going to happen, and so instead of accepting what those fine professional healers offered, I launched my version of a psych ward charm offensive: in a remarkably short time I became the best behaved, least suicidal person any of them had ever seen inside those four walls. It was shameful and unwise, but what can I say, I’m a great interview.

I wasn’t purely a model citizen. But for one group session, I avoided all gatherings other than meal times. The one group session I did attend began with one of the techs passing out stubby pencils and slips of paper on which there was a line for our names and two more lines for us to write our “Goal for Today.” I’ve attended a lot of corporate team-building programs over the years, and this holdover from first grade has always struck me as the worst sort of condescending bullshit imaginable. In other words, I hate it a lot. But there I was, determined to be a good boy, which meant I had to play the game as it was being presented to me. So I scribbled my “Goal for Today,” and at the end of the session when the tech said, “One more person – Gary, we haven’t heard from you,” I cleared my throat, lowered my eyes and read, “My Goal for Today . . . is to be more goal oriented.” Even as the murmurs spread around me – “Wow. Yeah. That’s good. Good job.” – I felt my scrunched up little heart sing for the first time in what seemed like four days past forever. And I wanted out of there all the more because I’d just rolled out my A-material and, of course, nobody laughed.

And so I conned the doctors, conned the nurses, conned every staff person with whom I came into contact: I conned my way out of the hospital, knowing full well I still wanted to die, and with a faint inkling that what I’d imagined was the hard part – giving in and letting someone take me to the hospital – would in truth prove to be no more difficult than tying my shoes when compared to trying to get my shit together out in the real world.

One supremely good thing did come out of the experience of being there, though. In the hallway outside my room sat the phone on which patients could take calls that were put through from the nurses’ station. I must have listened to the near side of forty or fifty phone calls while I was on Ward A3. With slight variations, every single call went like this: a conventional greeting, followed by predictable responses to what appeared to be small-talk on the other end, and culminating in words separated by sobs before the person gently replaced the receiver and continued to sit there in the hallway, plainly visible from every angle (including where I lay on my bed just twelve feet away), silent tears streaming down his or her cheeks. Honestly, I didn’t want to see or hear any of that, ever. And yet I lay there transfixed. The day you know you’re going to go on living is the day you realize your pain is not only not unique – it is, in fact, the most obvious kind of ordinary – but it is also not the worst thing that ever happened to anyone.

I was up very early my last morning on the ward. The nurse who got my meds from the dispensary asked if I wanted a nicotine patch or if I’d be smoking as soon I left the hospital. “Actually,” I replied, “I’d like a nicotine patch, and I’ll be smoking the second I get out of here.” When she suggested I consider giving them up, I smiled at her and said, “Don’t worry, I’m pretty sure smoking isn’t what’s going to kill me.” Yeah, I said that. My GAF (“Global Assessment of Functioning,” in case you were wondering) at discharge was a 50, meaning I was, as far as they could tell, no more than average super-depressed: I’d managed to share deep thoughts in coherent sentences, which indicated I was as close to high-functioning as I needed to be to walk out of there. Sometime late morning Peaches rolled in, the tech handed me my bag of goodies, and I left without saying goodbye.

There are loads of suicide related statistics available for consumption, but they are mere statistics and we all know those are the most insidious of lies. For instance, what does it tell you that women attempt suicide three times more often than men, but for every suicide attempt men are four times more likely to pull it off than women? Statistics: they sketch the outlines of a picture, but they don’t tell a story. Depending on your perspective, they either confirm or defy what you already thought you knew. The concept and study of statistics evolved, I imagine, from the same impulse that created man’s gods: as a comfort in a too often disconcerting world. I’d call that awfully cold comfort to the friends and loved ones left behind.

In the epigram to his book Gargantua, Rabelais said, “I’d rather write about laughing than crying,/For laughter makes men human, and courageous.” I’m not writing this because I want to share my life story – I’m writing it precisely because it is not my life story, although had things turned out differently it very well may have been, in which case somebody else would be telling it, and that would be very disappointing to me because, under the circumstances, that person might have forgotten to find something to laugh about. That would have been a genuine shame.

I spent a very long time kicking myself for all of it, but especially for what I did to the people who care most about me. I put my two best friends in the position of having to sit in a small room with a relative stranger and tell her in excruciating detail every dark, dangerous, humiliating thing they’d watched me do over the previous few months. To their credit, they stole a moment that terrible night and created an ounce of levity, and for that in particular they’ll always have my unqualified respect. What I put them through is a shitty thing to do to people who love you. But do you know what’s worse than doing that to your friends? Not giving them the option.

 

In my darker moments, usually after being away from art for some hours, and, mind you, this doesn’t just mean literature, but paintings, sculpture, film, or whatever, I start feeling kind of jittery, but the darkness takes on an especially despairing hue when I start to think about the pronounced lack of ambition and its concomitant general distrust of virtuosity in the contemporary arts scene. Sure, I’m guilty as anyone else of romanticizing past eras, characterizing them as golden ages, when of course the amount of dross to gold has always been grossly disproportionate all throughout history. However, these necessary caveats do little to assuage my disappointment with the various contemporary scenes and milieus. That said, there are, of course, massive exceptions, and fortunately these examples do provide respite from our consumerist culture’s celebration of mediocrity, its wallowing in sloppiness. For instance, as I write this, I’m listening to Beirut’s odd fusion of folkloric textures from the Balkans and Eastern Europe with pop forms, all seamed together by Zach Condon’s plaintive, Jeff Buckley-influenced vocals (something which would normally annoy me but, strangely, as with Andrew Bird, the sincerity of the voice outweighs the obvious debt, and it might be because Condon also blends a bit of Robert Smith’s melancholy and Morrissey’s effete tonality). And during February, when New York City’s interminable winter and its resultant gloom invariably descends upon my household, well, upon my partner, but somehow it ends up being the primary theme anyway, I pulled through with books by William Gass, continuing my plan to consecutively read (and reread some of the books) his complete oeuvre. (I should mention that writing with music on is near impossible for me to do these days, and it is an incredible struggle for me to do this now, but there’s a feeling I want to stay in, and Beirut is helping me do that.)