In Part I we introduced each band member, with particular emphasis on attention-deprived lead singer David Lee Roth. In Part III we tried to surmise what, if anything, can be taken from an Alex Van Halen drum solo, and we somehow survived Dave’s guitar playing in Part VI. In Part VII, I identify the rock I lost.

(Clip 22, 0:36)

In Part I we introduced each band member, with particular emphasis on attention-deprived lead singer David Lee Roth. In Part III we tried to surmise what, if anything, can be taken from an Alex Van Halen drum solo, and we watched Dave throw a tizzy-fit in Part V. In Part VI, let’s try not to cringe as Dave plays guitar.

(Clip 17, 0:52)

In Part I, we introduced each band member, with particular emphasis on attention-deprived lead singer David Lee Roth. Part II delved deeply into the squat as a Van Halen performance tool, and we explored possible explanations for Little Lord Fauntleroth in Part IV. In Part V, let’s enjoy a quiet moment with Eddie before Dave throws a tizzy.

(Clip 12, 0:20)

In Part I, we introduced each band member, with particular emphasis on attention-deprived lead singer David Lee Roth.  Part II delved deeply into the squat as a Van Halen performance tool, and we examined why you damn well better have a good time at a Van Halen concert in Part III. In part four, we now take a closer look at what’s really happening onstage…

Want to start at the beginning? Part I is here.

And you can find the whole series here.

(Clip 3, 0:01)

Two songs into the set, Roth offers a final “WOOW,” and Alex gets his double kick drum rumbling in a way that even a caveman would understand signals “drum solo.” I’ve never been a zealous fan of the drum solo, but I respect that these folks can put together complex rhythms, and without an obvious place for them in pop music, it’s nice for drummers to have this little forum where they can dump their more abstract work on us. All this to say, drum solo time equals pee time for me.

Want to start at the beginning? Part I is here.

(Clip 1, 1:59)

The band opens with a song called “Romeo Delight,” which is the fourth track off their third album Women and Children First. I wouldn’t have been able to name this tune until I remembered it as a favorite off that album. It’s a great “guy song”—a demographic Van Halen never had a problem accommodating—with an aggressive beat and the memorable couplet from the chorus: “I’m taking whiskey to the party tonight/And I’m looking for somebody to squeeze.” The band accentuates the tempo with plenty of first-song-of-the-night regalia: lots of jumping and kicking and gesticulating. Dave struts around like a transvestite on some very expensive amphetamine, bopping his shoulders for the camera, preening, sticking his tongue out.

In October of 2010, I was getting ready to submit my recently finished third novel Badge to agents. This process involves writing a query letter, and it’s important to have a good one. I busied myself writing the best query letter possible, and I took a draft of it to my writing group for critique. The last paragraph of the letter read as follows:

My second novel, Ghost Notes, released on my own imprint in 2008, won the 2009 PODBRAM Award for best work of contemporary fiction. My work has appeared in The Writer and Writers’ Journal, and I am also a  contributing writer at The Nervous Breakdown. In the 1990s, I was co-founder, co-songwriter and bass player with the Refreshments, a band that sold over 400,000 units worldwide, had a hit single (“Banditos”), and wrote and recorded the theme song for the Fox television series King of the Hill. I live with my wife, artist Raquel Edwards, in Portland, Oregon.