1.  The King of Wishful Thinking
is thinking a lot about patterns
and gluing together his busted crown.
Yes, the word open is scratched over his heart.
Yesterday he smoked a cigarette for the first time in twelve years.
He is chips of shale today.
Auditioning for the Pagliacci Parade.
Don’t judge him.

He’s gonna go down swinging, this kid.
He’s checking the weather report and it looks like
the cold ain’t gonna snap much longer.
Still, he is debating growing a beard.
He wants to be a mountain man for awhile.
Or maybe he just wants to be a mountain.
He is afraid of becoming an avalanche.

2.  The Lady of the Lighthouse always knows
which window to put the candle in.
She is never a wall.
She went to door school
and teaches people how to open.

She’s lived on the same shoreline
but never in the same lighthouse for long.
Her dictionary tongue never learned the word
She is vagabond kerchief lovely and she is
the romance of car keys and suitcases.

Now here’s where the story swerves for a few blinks.

3.  Where the mountains ease into the sea,
that’s where these two meet.  This stumbling
pile of plaid and this flutter of feathers and circles.
They are orbiting each other, studying
each others’ flight patterns.

So maybe they stumbled into each other’s mouths
a little too soon.  It could be blamed on
the airport bottles filled with courage and release.
It was probably the way they negotiated escape
in the postcards that they loved each other through.
Maybe, someone posits, they are both each other’s doors,
both with open etched all over their frames.

4.   It is difficult for him when they part.
The newspapers are always thick with her life.
The sidewalks whisper, “This is where
she skipped once”.  The walls sigh and say,
“Yes, a boy more sinew than synapse
kissed her here,”
and the floorboards creak trying to mimic
her blooming laughter.

He has started going to Spirits Anonymous to kick
his haunting habit.   She leaves empty boxes
at his doorstep, full of the space that he needs.
It is an awkward waltz at first, as they are prone
to swept-out rugs and intermittent paralysis.
To negotiate this, the King and the Lady
think a lot about patterns.
Small circles, he thinks, watching his feet.
Sets of threes, she thinks, trying to look

First things first:  Are you really trying to grow a beard?  It’s looked like a five o’clock shadow for, like, two weeks now.

I have faith it will beard up in due time. And I thought it a cool thing to do: to tell myself that I am settling down for a few. I give big props to poets who spend nine months on the road, just hustling and doing college shows and whatnot. I’m still pretty underground. Three months doing features at all the big slams across the country is a hell of a fun way to hone your skills on the road. Before the tour, I had fallen in love with writing again. On the tour, I fell in love with performing.

That’s a little pretentious, dude. Do you think you’re an indie rock singer-songwriter or something?

Well, you know, no, I don’t, first of all. But what I will say is why not go for that level of recognition as poets? Watch the documentary The Comedians of Comedy, and you’ll see Patton Oswalt and Brian Posehn and Maria Bamford and Zach Galifinakis tear up rock clubs with words. I’ve been to some pretty rock and roll slams, man. Boston Cantab is pure rock ‘n’ roll. The Green Mill was rock and roll.

People are constantly, like at the supermarket and everything, asking you what it’s like to be a Write Bloody author. Give us some insight.

Okay, first of all, and if this leaks, you heard it from tmz.com and not me, Write Bloody authors are given a special key when we are chosen. I can’t tell you what it’s for. We also have to give Derrick Brown a vial of our blood. It was never specified why. Then, after what Derrick calls “a ritual sacrifice dance party,” we drink wine and listen to Cold War Kids until everyone’s uncomfortable.

Um, I dunno. It’s a great group of people to be associated with. I mean, it’s like a record label and I’m labelmates with you know, Andrea Gibson. Buddy Wakefield. Robbie Q. Telfer. I’m honored. There’s a lot of firepower in these pens. It’s the dysfunctional family I never had.

How’d you put together your book, Miles of Hallelujah?  And what’s up with that creepy bleeding hand on the cover?

Miles of Hallelujah the manuscript was about one-fourth of what ended up in the book. I think I went into it wanting to have a magical fantastic arc, full of jetpacks and dinosaurs, but then real life became a lot more interesting to write about. And I had four editors help pound me into shape, which can be a brutal thing to take. Ultimately, I’m incredibly proud of what ended up in the book. I worked hard on those suckers. The hand? I dunno. It’s the work of the amazing Paul Smith, who is one of the Write Bloody artist hook-ups. Derrick sent it to me as a possible cover and I dug it. It seemed to fit the title somewhat, too, more so than the rejected titles …

Rejected titles? What didn’t make the cut?

When I sent in my manuscript, I called it “Be Wishful About What You Care For.” Super emo, right? I believe Derrick was hip on “Punch Dagger” or “Get Pretty Soon.” Ultimately, we both liked Miles of Hallelujah and it stuck. And the crazy thing is, when I came through Oklahoma City, I met a singer-songwriter, Tahra Dergee, who wrote a song based on just reading my book title. She sang it at a show we did at the Scissortail Social Space. It was a great feeling.

Last question:  What do you want to be remembered for, you pretentious windbag?

I hope I’m remembered for being a good and honest writer. And that words can be fun. They can be as loud or soft as you want. I hope that occasionally I can surprise you on the page. Or make you laugh (and not at my crazy hat). And that it’s okay to write about stuff like wrestling and not feel like a goofball. Night of the Living Nerd. Y’all ain’t ready.