At the supermarket yesterday, I was greeted by patriotic bouquets and signs to celebrate the Day of Remembrance, next to displays of blueberries, strawberries, shortcakes and whipped cream. Has September 11th become another Fourth of July, an occasion for barbeque and red, white, and blue?

Swallows in Midair

By Meg Worden

Memoir

Watching the towers, like two roman candles all lit up and waiting to take flight, we tense for the whistle, the earsplitting boom. The air is a sweltering buzz of fiberglass and dissonance, it’s full of walls that no longer protect anyone from anything and it clings to my skin. I breathe it in and it singes my lungs. Someone says the words asbestos and attack.

The absurdity of our direction is becoming painfully apparent.

Standing at the top of the pedestrian entrance to the Brooklyn Bridge we are bookended by two very different sorts of skies. One is so black and the other so very, very blue. It’s a glass marble sky. A circular world sky. We are walking forward with the intention of going into Manhattan to check the office, but the way we are pressed into this crowd it’s just too hard to move. This direction is absurd.

Old stone and new people span the bridge from arch to arch, suspension wire to suspension wire, an exodus of phantoms no longer angry at co-workers, spouses, not thinking about the raise, the stockholder’s meeting, the diet, the myriad of ways they fail themselves. They are now The Great Witnesses Of Gravity, a sea-of-faces, marching on solemn feet this way. Not that way.

The sound is an unearthly roaring – internal, tidal, absolute – and the bridge pulls itself taut like a swing at the top of its rise. The-sea-of-faces, masked in white dust and marked with fear, swivel back toward the city in unison like swallows in midair. Swoosh. The collective intake of breath.

Everyone knows someone who is still there. And the marble spins, the sky upends.

A cloud of dust precedes the collapse of the first tower. It crumbles in a sort of slow motion effect. A special effect. A summer blockbuster, alien and unbelievable. It slips and spreads, down and down and down, until it is swallowed by its own insides. Ashes to ashes, and it’s gone. The Manhattan skyline loses a tooth from its iconic grin, and everyone is bleeding. When the faces reappear they have open, screaming mouths. They are all eyes, throats, tongues, tears.

I have a thick handful of Drew’s jacket as we are backed up to the railing and carried into the current off the bridge, where we spill onto the grass, a little under-the-bridge park scattered with sitting and waiting and seeing. Witnesses telling witnesses where they were when the planes hit, how they got out, where they lived, not here in Brooklyn, but in Long Island, New Jersey, Queens, somewhere where they couldn’t reach their family, get their car out of the  garage because there was no more garage, or car.

Drew and me we make nervous jokes about the grassy knoll, under this strange sky with asphalt-gray clouds punctuated by paperwork liberated from files, desks, inboxes. Pavement clouds. World-turned-upside-down clouds. I still have a handful of jacket, his hand rests on my shoe. But we don’t notice these things. We also don’t say the things we usually say. This chaos is sufficiently trumping our own. And maybe we’re just sick of ourselves and our redundant, self-perpetuating problems. Or we’re scared. Yes, we’re definitely scared. I don’t know whether or not we notice these things. Too stunned to cry, too tight to collapse, we laugh about grassy knolls and their cliched connection to American tragedy.

“Where were you when the towers fell?” the interested parties would inquire.

“On the grassy knoll,” we would reply, stifling inappropriate hysterics.

Ha ha ha ha ha ha and we aren’t really as funny as we were hoping. We notice this and become quieter than quiet. Dense quiet. Asphalt cloud quiet. We would have to completely rethink our plan, change direction. Swoosh. Just like that. Swallows in midair.

There is nothing that wouldn’t require a new perspective. The fabric of our reality has been irrevocably unravelled.

“I finally get clean and the world falls apart.” I say, mostly to myself, but loud enough for him to hear. Last night in Brooklyn, in the basement of Grace Church, they were different than before. They asked if my life was unmanageable, which was an entirely different question than, “Are you an addict?” They sat in a circle, drinking the coffee that Hazel I’m an alcoholic made. They were kind of funny. Mostly, they didn’t make me feel like crap and they didn’t annoy the crap out of me.

Swoosh. Just like that.

Hazel with the coffee pot said I should make no major moves, no big changes for the first year. Just don’t use and come back. She said quitting wasn’t the end of the world.

I woke up the next morning to a city on fire.

Drew pretended to ignore my getting clean comment and, instead, was starting a conversation with a man who’s eyebrows hung low over his narrow eyes, who had stopped in front of Drew and I on the grass, set down an armload of books and asked if they were letting anyone into Manhattan. “I have to get in, to school. A test. Important.”

Confusion was pandemic and all directions seemed absurd. Because no one really knows how to go swoosh, just like that. Because we aren’t actually hollow-boned swallows, covered in feathers, light as air. We have bodies, heavy, fleshy, burdened. It takes an act of Congress, God, Terrorists.

We ordered Reubens with extra Russian dressing at a diner a few blocks up on Atlantic Avenue, iced tea to drink. I can see us growing old together, drinking iced tea. Problem solved.

The pastrami sours in my throat when the waitress announces the second collapse. I notice her tired legs in compression stockings, the way her shoulders strain under an invisible burden. I don’t notice her take Drew’s order for a vodka tonic. Worlds ride high on apron strings.

Two days later dust covers unclaimed bicycles and the witnesses wander the streets, chanting the names of the missing and the dead. Two days later, we shield our faces from the smell, sweet and acrid, identified by the Vietnam Vet on the subway as “Burnt flesh, man. I know that smell, I smelled it before and I swear to you it’s burnt flesh.”

Two days later over styrofoam cups of Hazel’s coffee,  someone asks what would you do if you stood between fire and a seventy fifth floor window? Who can imagine a choice like that? To fall or to burn. Opinions split among us, as they were split among the ones that actually had to make that choice. We knew this for certain: too many burned and too many jumped.

And it was two days after the bridge and the grassy knoll and the reuben sandwiches, all of us still trapped under mortar and glass and grief, that I got pregnant. Swoosh. Just like that.

I bet it’s hard for some people not to be jealous of Madison Smartt Bell.  He published his first novel, The Washington Square Ensemble, in 1983 when he was only 25.  Since then he has published 20 more books and has been named a finalist for the National Book Award and the PEN/Faulkner Award for All Souls Rising. Additionally, in 2008, Madison was awarded the Strauss Living Writer Award from the American Academy of Arts and Letters.  Aside from all the awards, Madison has a black belt in Tae Kwon Do, he plays guitar, and he sings like a cross between John Lee Hooker and Johnny Cash.  And let us not forget that  Richard Avedon took a very cool photo of him once for The New Yorker!

Paul A. Toth has published three novels, Fizz, Fishnet and Finale, informally known as the “F” novels. These novels form a non-linear trilogy; they can be read in any order. The trilogy deals with questions of self-identity: whether we’re born with an identity, naturally develop an identity, or invent an identity. The individual novels present characters who must face these questions, and each novel illustrates a different approach and outcome. Meanwhile, Toth has published over 150 short stories, poetry, and multimedia works. Most of these pieces, as well as links to order his novels, can be accessed via his web portal.