Weddings are holiness and booze, sweat under the dress, sweet icing in the mouth. A whaler’s church in the afternoon, sunlit and salted, gives way to the drunken splendor of a barn-ish-space—who knows the names or categories of these spaces, where we gather to celebrate other people’s marriages?—and an entire island is suddenly yours, yours and everyone’s, the whole fucking thing. You feel the lift of wine in you, you feel the lift of wine in everyone, and everyone is in agreement—not to believe in love, exactly, but to want to. This, you can do. You dance with a stranger and think, we have this in common, this wanting to believe. In what, again? In the possibility that two people could actually make each other happy, not just today but on a thousand days they can’t yet see.

A Gemini Interviews Her Other Mouth

 

Gemini: I suppose you remember what your mother told you about Geminis…

Lidia: Yup. She said, in a thick southern drawl, “Well, you know, being with a Gemini is like being in a room with 50 people.”

 

Gemini: So which you are you today?

Lidia: The Lidia that just picked her kid up from school on her way to the grocery store before she washes clothes.

 

Gemini: Ah. The domestic Lidia.

Lidia: Correct.

 

Gemini: She’s fucking boring.

Lidia: Gee, thanks. But you are dead wrong.

 

Gemini: What’s not dull about domesticity?

Lidia: Gee Gemini, lemme make a list. There’s the fact that our bodies generate, oh, I don’t know, ALL OF HUMAN LIFE, we are the other side of masculine action in terms of reflection, repetition, cyclical experience and generative practices, we make a place of comfort and grace for a body to come home to—

 

Gemini: Busted. You are the worst housecleaner I’ve ever met and you know it. Forget dust bunnies. You’ve got dust godzillas…and I know for a fact there are year old underwear and socks under your bed.

Lidia: I’m not talking about housekeeping. I’m talking about how a woman makes a compassion home of not only her body, but any environment she comes into contact with. Even you do with your bitchy, fierce, chaotic, electric body.

 

Gemini: Oh Jeeeeeeez…..I was wondering how long it was going to take you to get to talking about bodies. That took like 15 seconds. What is your DEAL with bodies? COW is crawling with them.

Lidia: Well, you already know my DEAL with bodies…I love them. All of them. I think they are pretty much the coolest thing in ever. I wish more of us could love them with abandon. The book is a bodystory, and I told it in the hopes that other people might think about their own body stories. I think the body is a metaphor for experience and an epistemological site. And having carried life and death there, I feel like I am in a good position to speak about the body.

 

Gemini: Man. Talk about a buzz kill. But since we’re on the topic – why didn’t you tell in your book what your daughter’s name was?

Lidia: Lily. I couldn’t make a sentence big enough to hold her.

 

Gemini: What’s the one sentence in COW that matters to you the most?

Lidia: “Love is a small tender.”

 

Gemini: That’s not even a grammatically correct sentence.

Lidia: Fuck grammar. It’s fascist in its need to shape experience away from bodies.

 

Gemini: WHATEVER. Again with the bodies.

Lidia: And language. What sentence matters the most to you?

 

Gemini: I think it’s a cross between “This is your daughter leaving, motherfucker,” and “Even angry girls can be moved to tears.”

Lidia: I can understand that. Your you and my me have a lot in common—two sides of a girlbody.

 

Gemini: Why does the body matter? I’ve been throwing this body at life forever and it’s a wonder it’s still functioning…isn’t it the brain that saved us? Isn’t it the brain that makes pretty much everything matter?

Lidia: Well I don’t buy that old Cartesian Dualism thing. There is no mind body split. But the mind is more culturally valued and sanctioned than the body, and the body is more objectified, abjectified, and commodofied in this culture. Like Whitman, I am interested in the mindbody that is closer to energy and matter and the whole DNA spacedust universe shebang.

 

Gemini: Oh I see how you are. Now you are trying to be grad school mouth Lidia. OK smarty girl, how would you define “edgy?” Isn’t that what you are trying to be?

Lidia: Actually, to be honest with you, I think I’m just trying as hard as I can to be precise. Not edgy. I guess I’d define edgy as twitchy and confused. Tweakers and Republicans come to mind. I think when people call certain kinds of writing “edgy” they probably mean it made their brains itchy or something…but in COW I tried to be exact is all. Emotionally, linguistically, physically, lyrically, exact.

 

Gemini: By the way. I know why you refer to The Chronology of Water as COW. And it ain’t bovine.

Lidia: True.

 

Gemini: You wanna tell em, or should I?

Lidia: Go for it.

 

Gemini: “COW” is the euphamism Gertrude Stein used to refer to …

Lidia: Spanking twinkies.

 

Gemini: Which is your favorite bodily fluid?

Lidia: That’s easy. Cum and tears. Because they are salty like the ocean. Although Andy and I did have a good run with breast milk.

 

Gemini: Speaking of bodies and women and language, rumor has it on the cyber streets that you like to sometimes give readings wearing a special outfit.

Lidia: Occasionally.

 

Gemini: Did you ever worry that the “outfit” might embarrass your husband and son?

Lidia: I don’t know…hold on a minute and I’ll go ask them…

 

Gemini: HEY! While she’s out of the room lemme tell you some secrets about her…she likes to wear wigs, in her thirties sometimes on airplanes she’d adopt a foreign accent and invent a name, she plays clarinet, she once peed on the steps of the Capitol, and she once broke into someone’s home and stole all their stuff so they could collect the insurance. Luckily it was a long long time ago. Oh. Crap. She’s back…

Lidia: So I asked Andy and Miles if my reading outfit embarrasses them. Andy said, “Well, sort of it must, because I kind of get a stomach ache when you do it and I think to myself, oh Lidia…” And Miles said, “No, you just look more like you.” Why do you have that shit eating grin on your face? Have you been telling stories about me?

 

Gemini: Absolutely not. So here’s a question that’s been bugging me.

Lidia: Shoot.

 

Gemini: Why is your COW book all …. You know, choppyish?

Lidia: You mean why is it written in fragments and out of order?

 

Gemini: Yeah. Like I said. Choppy.

Lidia: Because I was trying to mimic the way memory works in biochemistry and neuroscience terms. Pieces of things brought together in a resolving system.

 

Gemini: Look at the big brain on the lid. Gimme a break.

Lidia: Seriously.

 

Gemini: Yeah I KNOW. Isn’t this partly why no agents will touch you? Because you have to “do things” to your stories? Every thought of telling them like a normal human being?

Lidia: I am telling them as precisely as I know how…I am telling them the way they feel to me, as true as I can get the language to go strange.

 

Gemini: Yeah yeah yeah. Tell the truth but tell it slant. Dickinson.

Lidia: Yup.

 

Gemini: Look how much action that got her. No offense, but she was kind of an isolate. Definite bummer at parties. Not a very snappy dresser either, I might add.

Lidia: Well, I am quite fond of isolates. And I used to have to breathe into a brown paper bag at parties in the bathroom. And my fashion sense is questionable.

 

Gemini: I’ll say. Ever heard of this thing called a “haircut?”

Lidia: I think you got all the social genes…and I’m guessing I have you to thank for all the unusual undergarments?

 

Gemini: Bingo.

Lidia: And rule breaking? And un-ladylike behavior? And anger? And propensity to fuck up? And a wide variety of boots? And potty mouth? And sexual excess? And drugs and alcohol and…

 

Gemini: Do you have a point, oh miss big breasted faux mother goddess?

Lidia: Yeah. I have a point. Let’s throw a lip over it and drink to it. My friend Karen Karbo gave me a bottle of Ardbeg, and my friend Chelsea Cain gave me a bottle of Glen Livet. Choose your poison.

 

Gemini: Sure you wouldn’t rather brew a nice pot of Jasmine hippie tea?

Lidia: I’m sure. I’m the one who let you into my lifehouse, my bodyhouse, my wordhouse…we are only me together. Cheers.

 

 

I

We will go to the post office.My two girls and I will walk.It is close, so close, in fact, that the old stone building where it’s housed would be visible from our third floor apartment window if not for the still older stone buildings blocking the view.I open the window, thinking what a quick and agreeable walk this will be as the November morning air blows into the room bracing, but the sun over it shines.Maybe winter won’t be as grim-reaper gray as last year.Maybe we can spend one last day in the park.This will be an unfettered, uncomplicated day off.We have no plans.We can simply enjoy what could be, by certain measure, the last day before my daughters need to go back to school, before they start calling friends, before they couldn’t care less, before they leave the house without first checking the temperature or listening to anyone who cares enough to have checked it for them.This day, before all these others, remains open and my call.We need only to go this short distance from our door to the post office to send a medium-sized package.

This should be fun.

 


“Passport?” At 3 am I jolt upright in bed. “Where’s my passport?” In 12 hours I’m to get on a plane on an international flight back to the US–to move back after living her for six years–and at that instant a something massive and visceral smacks me awake. I hadn’t seen my passport in a few days. Inés wakes up, asks what’s wrong, says she’ll always lucky at finding things and that she’ll help me look for it. From 3 to 4 am we search all three pieces of luggage and every corner, shelf and nook throughout the apartment. Nowhere. It’s gone. A numbness covers me, because as I think about when I last saw it and where it should be, I can only deduce that I most likely threw it away, inadvertently. Because this final move consisted of giving away, disposing of or recycling all the surplus, I conclude that I either tossed it in the trash, gave it to a friend in some heap of a donation, or it went in the paper recycling bin along with hundreds of other papers that didn’t make the cut.

That’s right, I threw away my passport and realize it 13 hours before my flight.

Inés falls asleep around 4:30 while I pine away with my eyes open in the dark until 6:30, futilely trying to locate my damned passport.

9:30 comes, which brings alarms and open eyes after only three hours of sleep. I call Lena, the assistant director at the school where I studied here; she tells me to call the American embassy. I do and the man says I should wait until Monday to get another passport. As soon as I hang up the phone, Lena calls me back and says that normally they don’t allow people to fly without a passport but if I have a direct flight to the US and no stopover elsewhere in Europe, then there’s a chance they might let me on. She says go for it.

I print out a copy of my passport (which was scanned and saved in my laptop earlier in the year), take my driver’s license and my Spanish student ID card and off the airport go Inés and I.

We get to Iberia’s customer service desk and, after explaining to the smiling lady that my contact told me to go and see the Intermediario de inmigración y aduenas, she tells me to go to La Policia. Inés and I walk over to the young police officer and, after explaining that I have no passport, he responds (paraphrased and translated), “We’re you from? The States? And you want to go back? Well then we really don’t care about you. We’re concerned about people coming into our country, not leaving it.” So back at the Iberia check-in line, which seems languid and excessively long, the clock reads that my flight leaves in two hours.

One hour later we approach the counter and a young brunette asks to see my passport. I explain the situation with Inés sometimes joining in to aid in the communication. The lady is extremely helpful: she talks to her supervisor, she calls security to notify them that an American without a passport is coming their way. Then she hands over a printed boarding pass, explains that the flight is overbooked but since I’m the first one on the list, she’s pretty sure I’ll get on the flight.

“Phew,” I say,  incredulous, and thank her effusively.

Inés and I walk over to the smoking point. It’ll be the last time I see her for a long time, maybe ever. We don’t say this out loud, but we know it. I roll a cigarette and she pulls out a Nobel and we light up in unison. She puts on her sunglasses, and it’s not the least bit bright or squint-inducing, at least not for me with my highly sensitive eyes. It’s a quick cigarette, with few words to accompany. We crash them out and start walking, holding each others’ hands. I look over and think I see moist eyes. Her face is being pulled down by lack of sleep and the weight of the present moment. I can’t imagine what I look like at this point.

When we reach the entry point to go through security, we begin to kiss rather madly. I wrap my arms around her, hug her tightly and whisper something into her ear which causes me almost to choke with emotion. I say it on the verge of tears; she is too. We let go, I walk into the turnstiles. She’s smiling widely and waving each time I look back to see her with her sunglasses on. Behind them there are tears, I know, and I’m fighting to hold back my own. But there is hardly time for them, because my flight leaves the ground in 40 minutes and I’m 20 minutes away from the gate. I am supposed to be boarding at the present moment.

Once passed security I turn around for one last wave and a hand-to-the-mouth kiss throw and off I go to catch the plane without a passport. The train takes seven minutes to get to the satellite terminal.

After the train there is another passport control checkpoint.

“Uhm, yes, I don’t have a passport, but I have a copy of it as well as a driver’s license and some other form of–”
“Yes yes we know, they called us. Did you bring the report?” he asks me.
“Report? What report?”
“From the police?”
“No, they didn’t give me a report.”
“You have to get a report.”
“Well they didn’t offer to give me one. They said that if I was leaving the country it didn’t matter to them who the hell I was.”
“Okay, go on.”

That’s how impervious the passport control checkpoints are in Spain.

I run to gate U67. The gate looks like this (but populated with people):

On the left sign reads BOSTON2 pmFinal boarding call.

The right one reads New York CityDelayed.

There’s a short line waiting to board. Since I’m quitting smoking for good for the 20th time since I moved to Spain, I decide that there’s time to choke down one last grit. I do and return to a now line-less gate with a small group of people gathered around the adjacent desk. All of these people are on standby, I assume. We huddle around it while a fat Spaniard sitting down calls out a bunch of names, and finally mine. I raise my hand, hand him the boarding pass, he takes it and writes down a seat number. To his immediate right and directly in front of me is a female employee who’s head is cocked up and trying to speak with a someone on the second floor above who is behind a wall of glass. She says (in Spanish), “Huh? What are you saying?” then says to everyone of us in the immediate area, “I can’t hear her. I don’t think she speaks Spanish”.

(All apologies for the stick figures inserted into the picture, but I really thought they would help to visualize this crucial element to the electrifying conclusion, as well as my confusion.)

Since the woman is directly in front of me and obstructing my entrance into the door behind the sign marked Boston, I decide to back out, double around and go through the door straight on. As soon as I take one step back, someone says, Dejalo pasar (”let him through”), which she does. I walk through the door to Boston, begin an ascent up a wheelchair-enabled walkway. It’s a smooth, gradual incline and I’m following a group of  about 50 people who are staggered and strolling. Along the way, I notice there’s a woman talking to a security guard walking in the opposite direction. We pass each other. At the time I don’t recognize it but it is the woman on the second floor who was trying to communicate with the female employee who was obstructing my path in the above picture.

I keep walking and texting a somewhat poetic, emotive final text message to Inés. As I get to the second floor, I begin to wonder where I’m going, because usually you descend into a plane and not ascend onto a horizontal escalator that looks like it goes on for about a mile. Before I get on the first one, I ask a woman in front of me if this is the plane to Boston. She pauses, nods her head and says, . I keep walking and walking and about halfway I wonder where the hell this airplane is, and why I’m backtracking through the airport. I ask another guy if this plane’s for Boston and, again, I get a pause and a nod.

Eventually I start jogging. Following the crowd I see the passport control that is re-entering the country.

I then realize that I’ve walked about half a kilometer following dimwitted and haggard passengers who just got off the plane from Boston. Their answers were true, they were on the plane from Boston, but not to it.

I am the jackass who hadn’t the cognizance to stop and say, “Wait a minute, maybe I walked through the wrong door.”

And sure enough, I did. I walked through the door marked Boston — which was supposed to be my flight — instead of the door under the sign that read New York City/Delayed, which is actually where the Boston flight was boarding from.

The door behind the Boston sign should have been closed, or the signs should have been switched, or some sort of obstacle should have been placed in front of it.

Or someone should have said, “Sir, that’s the wrong door.”

I should’ve realized that the woman who was confused on the second floor and trying to communicate with the employee below did the same thing I was doing, and that when I passed her walking in the opposite direction, that should’ve triggered a realization that would’ve saved me about 450€ and the most surreal subsequent 24 hours I’ve had in my adult life.

But, I didn’t. I ran back to the gate and the fat Spaniard just looked at me in disbelief and said that the plane was already gone, that the door was closed. I was huffing and sweating and explaining that that was my plane, that I was misguided, that I walked through the door marked Boston, not NYC and before I realized it, I was de-embarking. I show him the boarding pass and he shakes his head and points me to customer service.

Everything was perfectly and tenuously held together just enough for me to get on that plane. Without a passport, I got through about four security points where said documentation is required. I had the impassioned and teary goodbye with Inés. I smoked the final cigarette. They put my luggage on that plane as the very last passenger and, as I was fully ready to turn a rather symbolic and important page in my life and finally leave Madrid once and for all, I walked through the wrong door.

Sunday June 1st, 2009 was the most absent day of my life.

My mind and spirit were on a plane headed to Boston while my body lingered around a quiet neighborhood where I had just finished a large chunk of my thirties.

I was there, and I wasn’t.

Numb, vacuous and bitter.

Some people since have said, “Well, everything happens for a reason, and there must be a reason you didn’t get on that plane.”

Some have said that it means that it’s my destiny to stay in Spain and not move back to the states.

It could also just as easily mean, “Nice work, deadbeat. Lost your passport and somehow get through the airport, catch the plane in time but walk through the wrong door. I’d say that Madrid was giving you a swift kick in the sweetbreads on your way out, just so you’ll never forget her.  Maybe she’s saying: HIT THE ROAD JACK.”

I tend to think that everything just happens, and then we ascribe a reason to it.

I’ve been back in the USA for two weeks now, and I still have yet to be able to apply one to this aberration other than I was highly stressed, emotionally brimming and not thinking fluidly.  Also, arriving late, not having a passport, not seeing people board through the gate door and their lack of proper signs to point me in the right direction were certainly reasons that aided in helping me walk through the wrong door.

Regardless of the meaning or non-meaning central to the metaphysics behind my failure to get on that plane, I will never forget the day that my luggage boarded a plane and my body stayed behind, that my mind left for America and my self remained in Spain, that I somehow existed in two places at once, that I became my own ghost while alive, that I stayed in Madrid one day too long…