unnamedColin Fleming’s fiction appears in Boulevard, AGNI, the VQR, Post Road, and Cincinnati Review, with nonfiction running with Vanity Fair, Rolling Stone, Sports Illustrated, The Washington Post, and Boston Magazine. He’s a regular contributor to NPR’s Weekend Edition, and is completing three books at present: Same Band You’ve Never Known: An Alternate Musical History of the Beatles, a novel about a reluctant piano prodigy called The Freeze Tag Sessions, and Musings with Franklin, a novel told entirely in conversation between Writer, Bartender, and the guy from the suburbs who dresses up as Ben Franklin.

 

So: how do you feel about me writing while you’re asleep?

How do you feel about me walking seventy miles every week and bringing you along? And this is how you want to handle the pronoun thing?

31gFl7NEfALThe Char Paper Blues Band

They were the type of band, over time, that could play just about any kind of gig you could imagine: wedding, supper club, football stadium, birthday party, Christmas morning brunch, open-air pavilion, museum, right down to the back seat of a car. Not that there wasn’t some controversy in coming up with a name that stuck.

“For the last time, we’re going with Char Paper Blues Band. I appreciate the sentiment of the Dissolution Unit, and the Demolition Unit has a similar feel, but again: they’re both misleading. We’re not doing the dissolving or the demolitioning, are we?”

Silence. Initially. Stafford was used to it. The harmonica player would probably grumble for a few days over having failed, yet again, to rename them.