51h6MXJbAjL._SX329_BO1,204,203,200_On its face, minimalism might seem like an ironic term for fiction—one more suited to architecture or interior design—but in describing the style of writing that still dominates many MFA programs, it’s entirely fitting. Featuring spare prose and terse descriptions of the everyday, this is the manner of literary writing most easily taught, most simply reduced to a matter of craft. Often purposefully lacking in plot and story—and stripped mercilessly of personality—minimalism in its most realistic form can become a study not in nonfiction but in a sort of antifiction, work that may qualify as literary in ambition, but not effect. Unable to animate the seemingly realistic world it has created, minimalism often fails the most basic of literary tests. Like a song sung to perfect pitch, but without passion, minimalistic fiction can want for soul. It can lack magic.

9780374182212The cover of Jonathan Franzen’s strange, wonderful, and occasionally frustrating latest work, The Kraus Project, is immediately striking. Its peach smoke and antiquated type make for a different and mysterious feel. The typical Franzen cover is big, abrasive, traditionally American and in some cases, tactile or reflective. Into the world came The Kraus Project and it was greeted with a small well-mannered hooray and scarcely a glimmer of anticipation, like someone whom nobody was excited to see arriving late to a dinner party. The usual Franzenian hallmarks were strangely absent—there was no cannonade of tweets, motions for canonization or general controversy.

I will admit, the title of Stacy Bierlein’s debut story collection made me somewhat uncomfortable and more than a little nervous. A Vacation on the Island of Ex-Boyfriends has an ominous ring, summoning imaginary scenes of one’s own hypothetical island of ex-boyfriends. In my mind, there are few things more dangerous than a group of men one once bedded, all converging in the same, small space. I circled the book for a few days, uncertain of what angle to approach it.