You’ll find decades-long repressed memories dislodged in Micheline Aharonian Marcom’s The Daydreaming Boy, where eyebright prose perfectly puts across a distressed narrator’s unrestrained thoughts. Orphaned in the midst of Turkey’s massacre of the Armenians, Vahé Tcheubjianthrough descriptions of unfulfilling trysts, brutal flashbacks, disturbing dreams, bizarre encounters with a monkey at the zoo, and imagined conversations with the mother who abandoned himconfronts his denials and ultimately challenges his very identity. Mirrors are Vahé’s tools for examining his past and its resultant pain, but it is the warped reflections of funhouse mirrors that he ultimately sees: distortions abound: here one stretches, this one condenses, and still another magnifies.


Like most expats and/or struggling writers, you take pretty much whatever work comes your way.

I’ve done a lot of trickle down jobs that range from networking computers, translation, travel guide writing and DJing to the obligatory English teaching.

I sometimes call the last one “slingin’ ‘glish” (but never to my students).