The story in my debut novel, The French Revolution, takes place over thirty years, beginning in 1989 and ending in 2019. This put me in the unenviable position of envisioning the future. As I wrote the book from 2005 to 2008, I had to update several storylines—replacing DVDs with web video, adding the Obama campaign, reducing the influence of newspapers. And as much as I tried to keep the story timely, after the book went to press I knew my educated guesses would wind up making me look like a bozo. After all, the weather guy can’t tell you if it’s going to rain with the aid of the world’s most sophisticated technology; how the hell am I, a lazy, research-inhibited, professional liar, supposed to prognosticate anything past breakfast?