portugueseThe first release from the exciting new collaborative-poetry series of Tin House and Octopus books, Brandon Shimoda’s Portuguese has its origins in a racial slur. As Shimoda explains in the epilogue: “The bus is driving itself. Floating. Out the windows the trees are thick green, with passing revelations of yellow and brown. The fourth grader makes one final attempt, though his enthusiasm, at this point, feels forced: Portugueeese. He brings his pointer fingers to the sides of his eyes, pulls the skin to make his eyes disappear, and says it once more.”

In 2007 Black Ocean released Zachary Schomburg’s The Man Suit, a poetic collection that sprawls in gasps of poetry, full of imagery and surreal landscapes, tinged with faux history and savagely tender deaths. Then in 2009, Black Ocean released his second book, Scary, No Scary, which took these surreal landscapes even farther, threading them into a pseudo-narrative of hummingbirds and trees and visions of fright, blooming in a triumphant poetic score. And now, since the excellent people at Black Ocean are either smart enough or lucky enough to continue publishing Schomburg’s work, we get Fjords.