Georgia O’Keeffe, the vaunted painter of periwinkle vaginas, once remarked of your landscape, “It is a burning, seething cauldron, filled with dramatic light and color.” I read O’Keeffe’s words and, Texas, I think she’s got you pegged.
From your Gulf Prairies and Marshes, that moist welcome mat for countless pirates, tycoons and explorers before me—to your tangled, pubic Pineywoods and fetid Savannah, I ache for you, Texas. Your Rolling Plains, your Edwards Plateau…Mmmmm. I can virtually run my finger down your vast belly. Although you are awfully big and grotesquely frustrating to get a handle on.
Why is this, Texas? Perhaps it’s because you’re always changing. At one moment, you’re a beacon of warmth and naked, Bacchanalian invitation a la Laredo Boys Town 1998, the next, you’re like the Summit in Houston. How so? Let me explain.
Like the Summit, sometimes, you are an arena filled with hope, Van Halen with David Lee Roth. You evoke nostalgia for Akeem Olajuwon dunking over The Admiral and you inspire memories of being eleven years old and chased on a scooter by Donnie Wahlberg of New Kids on The Block after pelting him and his bandmates with rocks for stealing our would-be girlfriends,
Other times, you become frustratingly similar to Joel Osteen’s faith-toaster, Lakewood Church, a veritable Six Flags Over Jesus where the destitute stumble in to put money in your capacious G-string, with only a hint of a lap dance and no champagne room in sight. I’d pick up my sling shot and my rocks again, but I fear Mr. Osteen may be equipped with more than a scooter and a entourage far more intimidating than Jordon, Jonathan, Joey and Danny.
Texas, you just don’t seem to know what you want to be. Do you want to be the bisexual travesty of nature Tila Tequila of Houston, or the homosexual travesty of nature Rick Perry, of the Governor’s mansion? You’ve gotta let me know. Do you want to embrace Dallas and Ft. Worth, the bloated, silicon titties of your Cross Timbers or showcase your fertile NASA mind? You know you’re capable of sending men and women into low-Earth orbit, then bringing them down with a septic splash after an exhausting interstellar session of toggle and yaw. You did say you were doing post-graduate work in aerospace engineering at nights. Was that all a lie, Texas? Or maybe you said it was medical school. Texas, what’s it going to be? Sometimes I feel like I’m sucking from the proverbial hind tit, here, Texas, a dying lone star, a black dwarf, like Emmanuel Lewis, without the cute cardigan.
Sometimes with you, I feel like a 10-year old boy, road tripping to Amarillo with my parents in 1984 to see Twisted Sister at the Civic Center. My teeth sweat with anticipation. “Ama-fucking-rillo!!” shouts Dee Snider. Then cops, then show’s over, with nary a chord struck. Cock tease. I protest in agony that we’re not gonna take it, but in the end, I always do.
Maybe this is why I’ve left you so many times. Well, I’m back now, Texas. And I’m hoping you’ll have me, if not forever, then for just this one night
I’ll finish up with another line for you from Georgia O’Keeffe: “There was quiet and an untouched feel to the country (that’s you Texas) and I could work as I pleased.” You and Georgia must have come across each other much earlier, because I certainly don’t get an “untouched feel” with you, but I do always believe that I can work with you pretty much as I please. It may seem crazy that I’m starting and ending these sappy scrawls to you by channeling Georgia O’Keeffe. But it really all comes down to art. And while Georgia creates her art with easels and acrylic, brushes and canvas and you create your art with an ill-fitting thong and a pole at the Yellow Rose Gentleman’s Club on weekdays from noon to four, you both serve as infinite inspiration for me. Well, that and of course, you’re both named after States.