January 11, 2019
There are scant few bits of non-musical media that fans of shoegaze music would consider essential canon. There’s the 33⅓ book about My Bloody Valentine’s Loveless. There’s a 2014 documentary no one really watched called Beautiful Noise. I think The Perks of Being a Wallflower references a song by Ride maybe. And most famously, there’s Lost in Translation, the 2003 film featuring Scarlett Johansson and Bill Murray looking sad to a hazy soundtrack of My Bloody Valentine, The Jesus and the Mary Chain, and Kevin Shields solo tracks.
But that was about it, right up until this March, when Wichita’s Troy James Weaver put out the delightfully bleak and brutal Temporal (Disorder Press, 2018). “Set to a shoegaze soundtrack,” goes the synopsis, “Temporal is the story of one tumultuous summer in the lives of three teenagers in Wichita, KS.” As a lover of both shoegaze and indie lit, this seemed like an obvious new favorite. And you know what? It was. I loved this book.
I spoke with Weaver a little bit about the writing of Temporal and the role that the different kinds of music referenced therein play in the larger narrative.