Day 1: a song that reminds you of being 9 years old and drinking honeysuckles in the backyard after piano class while your mom pays the teacher

Day 2: a song that you listened to driving on the interstate for the first time, even though you weren’t allowed, and you got off one exit from where you got on because you were nervous

Day 3: a cover song that you never knew was a cover until someone at a party–where you were already feeling self conscious anyway–made you feel really stupid about it and now it’s the only thing you can remember when you think back on that party

Day 4: a song your coworker would always play and it used to annoy you but now you kind of love it and want to tell them, but you probably won’t

Day 5: a song that you only ever listened to 30 seconds of because it was on a “hit clip” that you got inside of a happy meal

Day 6: a song by someone you personally know that comes on shuffle—every time, like a cruel joke—when you are just trying to make out and not think about your friends

Day 7: a song that always makes you think “i should do this at karaoke” but then you forget when you are actually at karaoke and you just do “Cowboy Take Me Away” again

Day 8: a song that feels like the first cold day in early October and it makes you want to cry from nostalgia but also smile with hope for the future and the combination makes your arm hairs tingle—but it could just be the cooler weather doing that

Day 9: a song that you only know about because it was featured on one of the biggest cultural influences of your generation—an OC mix

Day 10: a song that you used to say you’d play at your wedding until you started questioning if getting married was ever something you would actually want to do and if you did, it probably wouldn’t be the kind of wedding with traditional “wedding dances” anyway

The Big Bang Never Happened

Turtle shells and yarrow stalks became Chinese
tools of divination. Metagalaxy and antimatter
appeared in books. Mom said I get upset
because I think too much. Everything is spinning.
Cities torture trees. Suburbs farm powerlines.
Cats and birds are always cleaning themselves.
The universe is bigger and older than we thought.
Two galaxies can collide with no star collisions.
Mom said the less we think the happier we’ll become.
Little gifts from her made me cry years later.
All my prior selves seem unconscious later on.
Atlas of Peculiar Galaxies is an American book.

artwork by Tao Lin

For Lewis MacAdams

This morning the birds
ate most of the black sunflower seeds.
I fill up the feeder,
watch squirrels on the grass
look at asparagus fern in the garden
and read old poems.
I move from room to room,
think about my mother, my sister.
I sit quietly for a long time
then mail letters and observe the hummingbird.

For by one Spirit are we all baptized into one body…
—I Corinthians 12:13

I’ll try to explain.
First you immerse.
Okay, go ahead.
There’s water all around.
You’re suddenly submerged
In meaning.
Next, let go. Start slow.
Float.
Simply stretch straight out, face down.
Flippers if you have them help.
Occasional gentle foot movements
And you shoot forward.
You can peer up, lift your mask and see
The green rim of distant coast.
(But we’re not doing that now.)

They say it unabashedly.

Sometimes a twenty-something,
half my size, will lean across the bar
to touch my leg. Hey, Daddy,
he says, can I buy you a beer?

Others in their late thirties
or mid-forties, some even
older than me. And still they
say it. In hushed baby talk.
Or a taunting whisper.
Part plea, part demand.
A bratty whine. Usually
punctuated with a hungry sigh
when I take off my belt.

Come here, monster child. I lead weary. I take your hand and look at your knees. Your ankles with flea bites, your eyes cocked.

Come here, monster child, I see you in me, give me your palm. We lick piss into prayer. We lick like our hearts are made of milk. We lick like three is infinity, but we know that it was only ever:
not like that, not like this, put that down.

but the bird doesn’t know it. The bird is thirty birds who soared
out of dreaming to invent sky, thirty birds flying in the formation

of a bird. God tells them, Open, O moon-beak O silver-black O sliver
of luck, and the bird says, Break me until I’m whole. God says, Empty,  

and the bird spills a splendor of jewels from their thirty beaks into
the valley. Don’t think I’m a diamond, God says, Find me, and hands

An armored shark in lava, I move on all fours across the rug
While your daughters leap over me, shrieking.
With an unblinking eye, I feel the heat of the earth rise—
Its erupting egg, yolk-rug and the shore of the bed, as we play.

That night you wake up to tell me you were sinking.
Half-asleep, I say, water in dreams always means emotion.
I think I feel a pair of cool hands pressing on my temples,
A vial of cooking oil in my pocket. 

            to breathe together

Last week, a woman smiled at my daughter and I wondered
if she might have been the sort of girl my mother says spat on my aunt
when they were children in Virginia all those acts and laws ago.

Half the time I can’t tell my experiences apart from the ghosts’.

A shirt my mother gave me settles into my chest.

I should say onto my chest, but I am self conscious—
the way the men watch me while I move toward them
makes my heart trip and slide and threaten to bruise
so that, inside my chest, I feel the pressure of her body,
her mother’s breasts, her mother’s mother’s big, loving bounty.

I haven’t stopped stealing chapsticks from Target. I haven’t
stopped questioning the afterlife. My mother
sings to me every year and I’m still
dying. I’m measuring distances
by the ache in my throat, the border
of my body, navel to pussy. Is this
my punishment for slipping the small cylinders
so easily into my pocket? I have faith
that all the pretty people
are prettier than me and all the pretty people
are geographically out of reach.

Artwork by Scott Aicher

Part #1

Palm trees
standing gorgeous
erect and regal
they call to me
they whisper things
to each other

what’s the harm in
letting your toes wriggle
away from your shoes
& over the sudden edge
of a waterfall? painting
the town not in red but
in earth tones? saying no?

Sylvia,

Aren’t we all looking for a way out of the owl’s talons?

A way not to remember

the honeybee’s sting, the shape of a boot on your back,

all the nights your breasts would leak, a child,

the sucking, the screaming.

Aren’t we all looking for a way not to remember

the poems that cry us to sleep, the little ghosts

we carry in our hands, dare we tell?

Forget the Ativan, the razor, your car in Little River.

You wrote in blood, and for your sacrifice, I thank you,

dear Poetess, dear Mother, you took care of your children

the best you could. I’ve heard the stories.

ACT 1
i’m stooping scooping
ants out of their home
where grass meets path

The Good Humor ice cream stick
catapults them into the air
to drop and scurry crazily about

i dig with a vengeance
faster and deeper
to get to the bottom of things

“You must have chaos within you to give birth to a dancing star.” — Friedrich Nietzsche

How do you synthesize what feels like nine lives, consolidate them into one?

Giant-sized puzzles take time to assemble, especially jigsaws with four different

I do plots. Raised in Barbie-Cinderella era, unrealistic narratives

skewed your sense of reality. Grateful for your upbringing, girlhood was cushioned

with advantage: stylish clothing, summer travel, pricey dinners at fancy restaurants.

As if your early story had been written in purple prose. After your father died,