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Andy had spent three years at art school. His angle – because in the arts one always has to have an angle – was that he painted things at microscopic level. Encouraged by his tutors, he referred to this as “Interiorization of External Space.” Andy liked cauliflowers a lot, he was always painting cauliflowers, because he couldn’t think of anything else to paint; initially, a friend had recommended them to him, because of their “interesting structure.” Sometimes he’d leave them lying around for a couple of weeks until they went brown. He was always mindful about giving his paintings industrial-sounding names: “Rotten Cauliflower, Batch I,” “Rotten Cauliflower, Batch XXII,” etc. One of his best compositions was called “Rotten Cauliflower, XIX,” he painted it one morning when he was badly hung over and suffering from nicotine withdrawal and therefore full of spontaneity.