“I Dug the Hole Already, joseph”
My beauty a shovel.
A spoon of aconite and arsenic.
In your mouth refusing food.
To beg instead a stylish garter drama.
Prussic acid gimlet.
Open veins bleed hell.
I’ll ring your bell, son.
I will ring your bell.
–Dena Rash Guzman, Joseph
The word “revelation” is a popular superlative in literary circles, popular to the point of overuse. It’s not the only one, of course. There’s an element of hyperbole to criticism, one born of multiple impulses: some noble; some less so. Does the critic desire so passionately to illuminate the art before him that he fails it and his audience, falls back on hyperbole because it conveys at least part of what he means to say? Or does he do it for himself, try to prove his own intellect by overstating the success (or failure) of another person’s art?