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Meg Tuite’s novel, Domestic Apparition, challenges the strictures of the novelistic form. One could qualify it as a “novel in stories” or even call it a collection of stories, but by the end of reading it, its cohesiveness and narrative pull firmly place it in the land of the novel, albeit a unique one, both in structure and content—one that perhaps only a small press would publish (and by saying that, I’m applauding small presses everywhere).
