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Lan Samantha Chang is the author of the novel The Family Chao, available from W.W. Norton & Co. It is the official February pick of The Nervous Breakdown Book Club.

 

Chang’s other books include the story collection Hunger and the novels Inheritance and All Is Forgotten, Nothing Is Lost. A recent Berlin Prize Fellow, she also has received grants from the National Endowment for the Arts and the John Simon Guggenheim Foundation. Chang is the first Asian American and the first female director of the Iowa Writers’ Workshop. She lives in Iowa City.

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Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today’s leading writers.

Launched in 2011. Books. Literature. Writing. Publishing. Authors. Screenwriters. Etc.

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Now playing on Otherppl, a conversation with Madhuri Vijay. Her debut novel, The Far Field, is available now from Grove Press.

A graduate of the Iowa Writers Workshop, Vijay was born in Bangalore. She is the recipient of a Pushcart Prize, and her writing has appeared in Best American Non-Required Reading, Narrative Magazine and Salon, among other publications. The Far Field is her first book.

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Screen Shot 2014-07-09 at 7.37.52 AMEdan Lepucki’s characters in her debut novel California are living during a time of duress. When I met the author, so was I. Cal and Frida coexist alone in the woods after the collapse of civilization. When Frida gets pregnant they go in search of others, but the community they encounter is full of secrets and peril. My catastrophe occurred when my writing mentor committed suicide. Personally, I was devastated, and professionally, I was lost, until a friend led me to Edan. She gave me a safe place to write again. I signed up for classes with Writing Workshops LA, the company Edan founded and runs from her home in Berkeley. A staff writer at The Millions, she previously published the novella If You’re Not Yet Like Me and her stories have appeared in magazines like Narrative and McSweeney’s. While being smart, witty and outgoing, she is kind and generous to emerging writers. I promised Brad Listi this interview would entail “two blonds talking about death and destruction,” since California takes place in a post-apocalyptic world. He was all for it. Don’t tell him, but when Edan came over to my place for Brown Butter Peach Bars (like Frida, I like to impress people with my baking skills), the conversation never grew dark. In fact, we hardly quit laughing. This is that interview.

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R. Clifton Spargo knows how to find the un-findable.

When confronted by the great absence in the late portion of doomed jazz age/literary power couple F. Scott and Zelda Fitzgerald’s mad and troubled romance—their undocumented trip to Cuba—he did what any debut novelist with enough gumption to change careers would do: he fabricated (and went to Cuba himself), with style and perceptive nuance.

I.

The first time I lived in Iowa City, I didn’t have any local numbers in my phone. I didn’t know anyone from Iowa City; I only knew people who had moved there. I knew people who had moved there from Los Angeles and San Francisco and North Carolina and Chicago; from Boston, like me, and Seattle, and Palo Alto—and New York, of course, ubiquitous New York, the 917’s peppered through my contact list between 415’s and 323’s and 310’s and 206’s and 617’s. I was a 617.

JC: After the Workshop centers around Jack Hercules Shannon – yeah, Hercules, no shit – he had a story published in the New Yorker when he was at the Iowa Writer’s Workshop. He was working on a novel, a rising star. Anthologized. He had the pedigree and the stuff to make it big. Somewhere, however, something went wrong. Twelve years later, he’s given up on that novel, and on writing altogether, scraping an income together by squiring authors around town for book signings and dinners, forgetting, when possible, what might have been.

Then he picks up an author who disappears just before a shitstorm of bad pr, and later the same day plays chauffeur/metaphorical punching bag to the literary flavor of the month, all while feeling a personal upheaval he’s been avoiding for years.

This is funny stuff. Jack wonders the snowbound streets of Iowa City hounded by a maniacal publicity manager from NYC, a hot-and -cold ex-fiance, and a former literary star now down on his own luck. They drink and scheme and lie their way from bars to book signings.

There’s a lot to like in After The Workshop, especially the hilarious cast of characters, who you know from your own workshops, bookstores, publishers, and quite possibly the comments section of this site. Lots of fun, reminescent in lots of ways to Wonder Boys.

Check back tomorrow for John McNally’s contribution to the the When We Fell In Love Series.

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