Double Barrel Rock and RollBy Nicholas Pell
August 12, 2011
Many, many moons ago I used to write for a magazine you’ve never heard of. My editor had a curious theory: Rock and roll had hit the wall during the 77-era of punk. It’s not that he didn’t like music made since then. On the contrary, he was a huge Nirvana fan and was a mainstay on the American hardcore scene of the early 1980s. It’s that rock and roll could only get so fast and heavy before it ceased being rock and roll and started being something else.
I respectfully disagree. It’s true that many strains of rock music are too damn tight to allow for the little shimmy-and-wiggle action that puts the “roll” in “rock and roll.” Greg Ginn discovered this during Black Flag’s early days. He compensated by making everyone play at one-quarter speed during rehearsals, working their way up to the mid-tempo hardcore the band’s post-My War years. Motörhead, on the other hand, are a prime example of a band playing music both heavier and faster than punk with more than enough swing in its step to properly be called “rock and roll.”