Betts is a poet, essayist, and national spokesperson for the Campaign for Youth Justice. He writes and lectures about the impact of mass incarceration on American society. His previous books include the poetry collections Bastards of the Reagan Eraand Shahid Reads His Own Palm, and a memoir entitled A Question of Freedom. A graduate of Yale Law School, he lives in New Haven, Connecticut.
Leidner is also the author of two feature films: the sci-fi noir Empathy, Inc. (2019) and the relationship comedy Jammed (2014), as well as the story collection Under the Sea (Tyrant Books, 2018), the poetry collection Beauty Was the Case that They Gave Me (Factory Hollow, 2011), and the book of aphorisms The Angel in the Dream of Our Hangover (Sator, 2011). He lives in California.
Forrest Ganderis the author of the poetry collection Twice Alive, available now from New Directions. In 2019, he was awarded the Pulitzer Prize for Poetry for his collection Be With.
Gander’s other books include Core Samples from the World, which was a finalist for the Pulitzer Prize and the National Book Critics Circle Award. He has collaborated frequently with other artists including photographers Sally Mann, Graciela Iturbide, Raymond Meeks, and Lucas Foglia, glass artist Michael Rogers, ceramic artists Rick Hirsch and Ashwini Bhat, artists Ann Hamilton, Tjibbe Hooghiemstra, dancers Eiko & Koma, and musicians Vic Chesnutt and Brady Earnhart, among others.
Gander was born in the Mojave Desert and grew up in Virginia. In addition to writing poetry, he has translated works by Coral Bracho, Alfonso D’Aquino, Pura Lopez-Colome, Pablo Neruda, and Jaime Saenz. The recipient of grants from the Library of Congress, the Guggenheim, Howard, Whiting, and United States Artists Foundations, he taught for many years as the AK Seaver Professor of Literary Arts & Comparative Literature at Brown University.
Mik Granthamis the author of the debut poetry collection Hardcore, available from Short Flight / Long Drive Books.
Grantham is the founder and co-editor of Disorder Press which she runs with her brother. Her work has appeared in New World Writing, Hobart, Maudlin House, The Nervous Breakdown, and Fanzine. She currently lives in New Orleans. Hardcore is her first book.
Now playing on Otherppl, a conversation with Michael Schumacher. He is the editor of The Fall of America Journals, 1965-1971, by the late Allen Ginsberg, available now from the University of Minnesota Press.
Schumacher is also the author of the acclaimed Ginsberg biography Dharma Lion (Minnesota, 2016). Along with Ginsberg’s Iron Curtain Journals and South American Journals and Conversations with Allen Ginsberg (all from Minnesota), he has edited Family Business, selected correspondence between Allen and Louis Ginsberg, and The Essential Ginsberg, a reader of Ginsberg’s best work. He lives in Wisconsin.
Now playing on Otherppl, a conversation with Darien Gee. She has two books out this year. The first is called Other Small Histories, a poetry collection available from Poetry Society of America. And the second is a collection of micro-essays called Allegiance, available from Legacy Isle Publishing.
Gee is the author of five novels published by Penguin Random House that have been translated into eleven languages. She won the 2019 Poetry Society of America’s Chapbook Fellowship award for Other Small Histories. She lives with her family on the Big Island of Hawai‘i.
Weatherhead is a writer and artist from Chicago, Illinois. His other books include the poetry collections TODD and Cats and Dogs — and a chapbook, The Kids I Teach, with Mallory Whitten. He currently lives in Brooklyn, New York.
Diaz was born and raised in the Fort Mojave Indian Village in Needles, California, on the banks of the Colorado River. She is Mojave and an enrolled member of the Gila River Indian Tribe. Her first poetry collection, When My Brother Was an Aztec, was published by Copper Canyon Press in 2012. She is 2018 MacArthur Foundation Fellow, a Lannan Literary Fellow and a Native Arts Council Foundation Artist Fellow. She was awarded a Bread Loaf Fellowship, the Holmes National Poetry Prize, a Hodder Fellowship, and a PEN/Civitella Ranieri Foundation Residency, as well as being awarded a US Artists Ford Fellowship. Diaz teaches at the Arizona State University Creative Writing MFA program.
Now playing on Otherppl, a conversation with Megan Fernandes. Her new poetry collection, Good Boys, is available from Tin House Books. It was a finalist for the Kundiman Book Prize and the Saturnalia Book Prize.
Fernandes is a writer living in New York City. Her work has been published or is forthcoming in The New Yorker, Tin House, Ploughshares, Denver Quarterly, Chicago Review, Boston Review, Rattle, Pank, The Common, Guernica, the Academy of American Poets, McSweeney’s Internet Tendency, among others. She is also the author of The Kingdom and After (Tightrope Books 2015).
An Assistant Professor of English at Lafayette College, Fernandes teaches courses on poetry, creative nonfiction, and critical theory. She holds a PhD in English from the University of California, Santa Barbara and an MFA in poetry from Boston University.
Rod McKuen is the Odd Man Out in the history of American pop culture. Music encyclopedias almost never included him even though he released albums for over 40 years. Surveys of contemporary literature overlooked him despite (or perhaps because of) his enormous sales. Rod’s work as a musician and poet didn’t lend themselves to easy categorization. Over the decades, he was associated with the San Francisco beat poet scene, the Twist dance craze of the early ’60, the folk revival, the Great American Songbook school of pop, the early days of New Age environmental recordings and 20thCentury classical music. Yet none of these genres or movements claim him as even an adjunct member. He remains sui generis by his own choice or otherwise.
His fans didn’t care. Try to see him as they saw him at the height of his fame: a rumpled, slightly stooped 30-ish man with lemon frosting-colored hair ambling into the spotlight to the sound of orchestral fanfare. Inevitably, he is dressed in a sweater, jeans (or chinos) and high-topped sneakers – no amount of success could change his outfit. There’s a laid-back cowboy charm about him, as well as the romantic melancholy of a French cabaret singer. He laughs bashfully, gives wistful sideways glances, rises from quiet murmurs to emotional crescendos. Now close your eyes and hear his voice – hoarse, pitted, compelling in its imperfection. It adds to his pathos and his sexiness.
Now playing on Otherppl, a conversation with Milo Martin. He is the author of the poetry collections Poems for the Utopian Nihilist (Echo Park Press) and the forthcoming sublemon/sublime. He is also collaborating on an upcoming art book with Gigi Spratley and Jack Waltrip.
A poet by trade, Martin has toured extensively throughout the United States and Europe. He has been invited to perform at international literature and poetry festivals in France, Italy, Germany and Croatia as well as numerous venues in Estonia, Switzerland, Holland, Liechtenstein and Serbia. His works have been translated into four languages. Educated at San Francisco State University and the University of Southern California, he currently resides in Los Angeles. He contends that birds and insects are manifest angels.
Elizabeth Cantwellis the guest. Her new poetry collection, All the Emergency-Type Structures, is available from Inlandia Institute.
Cantwell lives in Claremont, CA, where she teaches Humanities at The Webb Schools. She has a B.A. from Yale University and a Ph.D. in Literature & Creative Writing from the University of Southern California. Her poetry has appeared in a variety of journals, including DIAGRAM, The Cincinnati Review, The Los Angeles Review, Hobart, and The Missouri Review.
Her first book of poems, Nights I Let The Tiger Get You (Black Lawrence Press, 2014), was a finalist for the 2012 Hudson Prize; she is also the author of a chapbook, Premonitions (Grey Book Press, 2014).
Now playing on Otherppl, a conversation with Dora Malech. Her most recent poetry collection, Stet, is available from Princeton University Press.
Malech’s other collections include Say So (Cleveland State University Poetry Center, 2011), and Shore Ordered Ocean (Waywiser Press, 2009). Her fourth collection, Flourish, will be published by Carnegie Mellon University Press in 2020.
Malech has been the recipient of an Amy Clampitt Residency Award from the Amy Clampitt Fund, a Mary Sawyers Baker Prize from the Baker Artist Awards, a Ruth Lilly Poetry Fellowship from the Poetry Foundation, and a Writing Residency Fellowship from the Civitella Ranieri Foundation, and she has served as Distinguished Poet-in-Residence at Saint Mary’s College of California. She is a co-founder and former director of the arts engagement organization the Iowa Youth Writing Projects, and she is currently an assistant professor in The Writing Seminars at Johns Hopkins University.