October 03, 2011
Back in August, with Hurricane Irene bearing down on NYC and New England, Brooklyn singer/songwriter The Reverend John DeLore tweaked the lyrics to the old Leadbelly classic, “Goodnight Irene,” to give it a timely Gotham City theme, a musical plea to spare the island metropolis. DeLore recorded a solo acoustic version around 3pm on August 28, emailed it to a number of his musician friends across the city’s five boroughs, who in turn recorded additional parts and emailed them back to him. DeLore (a part-time sound engineer with WNYC’s Studio 360) then mixed the 19 tracks (there’s even a Glockenspiel!) for the final version, all of it conceived, recorded and produced within a ten-hour span.
DeLore’s inspired 2009 debut recalls, among other things, the loneliness of the road and the oddly absurd give-and-take inherent in relationships. His latest release, Little John The Conqueror, is an extremely well-crafted take on the hero’s journey. DeLore represents the new breed of DIY artists doing all they can to put their work out there. DeLore is most definitely not the singer/songwriter Art Edwards was talking about at the Portland TNBLE. So far, DeLore’s work, in my opinion, surpasses most of, say, a band like Wilco’s efforts.
I recently spoke with John about the craft of songwriting, poetry, the resurgence of vinyl music releases, what he’d do if he ever met Leonard Cohen, the magic of train travel, and the history of Voodoo Viagra.