September 19, 2017
So The Disintegrations is a book about a man obsessed with death, who knows nothing about it and is trying to understand it. You call it a novel, yet most of the names that appear in the novel are those of actual people, including the protagonist, who bears your name. Similarly, the book is an investigation into Culver City’s Holy Cross Cemetery. Why shouldn’t the reader just think of this as memoir or creative nonfiction?
Well, this book, as with all my writing, springs from non-fiction, that’s always the departure point. But as a writer I can’t stay within those parameters; as soon as I start writing, it shifts into fiction. To call it CNF or memoir would be an act of bad faith.