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Robin McLean is the author of the debut novel Pity the Beast, available from And Other Stories.

 

McLean worked as lawyer and then a potter in the woods of Alaska before turning to writing. Her story collection Reptile House won the 2013 BOA Editions Fiction Prize and was twice a finalist for the Flannery O’Connor Short Story Prize. She now lives and teaches in the high plains desert of central Nevada at Ike’s Canyon Ranch Writer’s Retreat which she co-founded.

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Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today’s leading writers.

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“Violence and the vote“ are huge issues for modern America. But how does The Last Sheriff In Texasthis story of a sheriff’s election in Beeville, Texas, in 1952, provide a metaphor — an explanation — for Trump’s America?

In both instances, voters baffled expectations by putting a highly controversial figure into office, splitting their communities into angry factions, neither able to understand the other. Trump made no secret of his divisive intentions, but he was elected. Sheriff Vail Ennis, despite the fact that he killed seven men, was voted into office time after time.

There is something equally freeing and unsettling about the wide-open desert—the horizon stretching out forever is both unattainable and inspiring. In Battleborn, a collection of stories by Claire Vaye Watkins, we get to explore all aspects of Nevada, from the sad allure of a brothel to nights out in Vegas that can only lead to trouble, told in an honest and yet lyrical voice. We bear witness to those moments in time beyond which there is no return. And what comes after this tipping point—that is our salvation.

What did it mean to say “as it’s beautiful?”

I’d heard a woman’s voice murmur behind me in a language I vaguely remembered.“Comme c’est beau,” she’d said.Her words allowed me to forget for a moment that we were at an Arizona pancake breakfast and that no one else at the campground’s popular morning cookout had understood her.Only I looked up from my plate of shortstacks.

There lay before us a petrified tree trunk, an ancient, formless hunk of wood I wouldn’t have labeled “beau” at all or in any form.At its base, a plaque proclaimed its age at a hundred million years, with the rings to prove it.

As I sat applying more maple syrup pretending that’s what cowboys used to do, language had suddenly caught up with me.I understood only then that, after all these achingly beau travels through the United States, I’d be returning to the same country she would.Having wandered this far west, all the way to a painted desert and a petrified national forest, I’d managed to overlook the fact that I was tourist.