TV, Ben Loory in The New Yorker
By Jason Chambers, Jonathan Evison, Dennis Haritou, & Jason RiceApril 15, 2010
JR: I’m all for a guy getting a story published in the New Yorker, and James P. Othmer, (FOB), is a fan of Ben Loory (he told me that he’s been reading these Loory stories aloud to his kids at night. Me? I read ‘Monster Trucks’ to my son, I make all the sounds, and this makes my son happy), but to be perfectly honest with you, I felt a little threatened by the story “TV”. I’d been hearing things, you know, chatter on Facebook, and some people had mentioned this story to me, and that Ben Loory doesn’t have this book of short stories under contract. Like I said, it’s great this got published in a place that only publishes 52 stories a year, and when you publish Jonathan Lethem’s talking dog story, you’re running out of ideas. Talking dog stories, do you see what I mean, how is that even possible? A dog that talks? It’s not even funny to pretend that dogs can talk. So, stories like TV should be published more often in the New Yorker, but since that’s the only place to get a story published, really, the only place that matters, then I guess it’s important.
So there’s this guy, he is at home, late for work, watching TV, and he can’t get up, because he sees himself on the TV, going to work. Now this could be a comment on our society, how we are defined by our public personas, or it could by mystical, or magical realism (see, I can’t tell the difference, just call it magic, or realism, don’t put them together, it confuses me), but immediately I’m thrown off by the fact that a guy, any guy, can see himself on the television set while he eats his morning cereal and not flip the fuck out. He watches his TV self go to work and talk to his boss, and do his job, he sees himself doing it, and the self at home is happy because the TV self has gotten all the work done that the guy sitting at home is supposed to do.
Let’s look at this from birds eye view. Who is this guy? And why is he at home, and not at work? We don’t know. But he is really freaked out, and happy about the fact that there is someone out there doing what he does, while he sits at home. The guy at home even says, I’m trying to figure this out, and I can’t. He then, (later in the story) realizes that his mind is like a fist, and he’s afraid to look at it because it might fly away, okay, why? But, then the man who has been watching himself on TV finally hears someone coming home, and it’s the guy on TV, there are now two guys, the same guy, occupying the same space, and guess what, it’s totally tossed on it’s head. This story is like a snow globe, you shake it, the snow falls, and it falls in the same place, but it looks really great when it falls, because it’s beautiful, so you do it again, and again, and again. But the snow never changes, and it always falls to the bottom of the snow globe. Then the room gets filled with more guys who all look the same, running around, like it all matters so much that they are in the same room. What? Then Loory has the guy imagine he’s a doctor performing surgery, and the surgery goes well, and he gets to screw the hottest nurse, because all nurses are hot, right? At this point, I read to the end of the story, and really got worried, that maybe I was slipping off the earth, you know, because somewhere out there, there is an edge to the world, right? Read the story and decide for yourself. I like Loory’s writing and I’ll bet this collection has already been scooped up, probably by FSG, but man, am I confused.
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